Le procès (1962)

User Rating:

7.8/10   

Director:

Orson Welles

Writers:

Franz Kafka (novel)
Orson Welles (screenplay)

Release Date:

30 March 1963 (Italy)

Genre:

Crime | Drama | Fantasy | Mystery | Thriller

Plot:

An unassuming office worker is arrested and stands trial, but he is never made aware of his charges.

Plot Keywords:

Kafka Esque | Ambiguity | Oppression | False Accusation | Surrealism

Awards:

1 win

Cast

Anthony Perkins	...	Josef K.
Jeanne Moreau	...	Marika Burstner
Romy Schneider	...	Leni
Elsa Martinelli	...	Hilda
Suzanne Flon	...	Miss Pittl
Orson Welles	...	Albert Hastler (The Advocate)
Akim Tamiroff	...	Bloch
Madeleine Robinson	...	Mrs. Grubach
Arnoldo Foà	...	Inspector A
Fernand Ledoux	...	Chief Clerk of the Law Court
Michael Lonsdale	...	Priest
Max Buchsbaum	...	Examining Magistrate
Max Haufler	...	Uncle Max
Maurice Teynac	...	Deputy Manager
Wolfgang Reichmann	...	Courtroom Guard

Also Known As:

Der Prozess (West Germany)
Il processo (Italy)
The Trial (USA)

Runtime:

118 min | USA:107 min (TV version : 1984)

Country:

France | Italy | West Germany | Yugoslavia

Language:

English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Optiphone) (source format)

Certification:

Canada:PG (Ontario) | Finland:K-12 (re-rating: 1981) | Finland:K-16 (original rating: 1963) | Portugal:M/12 | Argentina:13 | Australia:PG | Norway:16 | Sweden:15 | UK:PG | West Germany:16 (bw)

Filming Locations:

Gare d'Orsay, Paris 7, Paris, France

Company:

Paris-Europa Productions

Trivia:

Welles told Peter Bogdanovich in “This Is Orson Welles” that "there's not a single symbol" in “The Trial”.

Quotes:

[first lines]
Narrator: Before the law, there stands a guard. A man comes from the country, begging admittance to the law. But the guard cannot admit him. May he hope to enter at a later time? That is possible, said the guard. The man tries to peer through the entrance. He'd been taught that the law was to be accessible to every man...

Movie Connections:

Version of Prosessen (1962) (TV)

Soundtrack:

Adagio in G

The Most Visually Astounding and Utterly Disturbing Film

Never has any film reached down off its silver screen and shaken me as violently as did The Trial. I came out of my local art house quivering. Even now, as I write, I detect a hint of paranoia. I would go as far as to say Orson Welles' The Trial is the most frightening film I've ever beheld. Watching it for the first time it's safe to say I hated it. There were scenes that held me so close to the edge of madness, it was all I could do not to fly screaming out of the theater. Only afterwards, on the way home, did I realize that its ability to do so was what made the film so remarkable. Definitely a must see, but be forwarned.