Lord of the Flies (1963)

Director:

Peter Brook

Writers:

Peter Brook (writer)
William Golding (novel)

Release Date:

13 August 1963 (USA)

Genre:

Adventure | Drama | Thriller

Tagline:

Evil is inherent in the human mind, whatever innocence may cloak it...

Plot:

Shipwrecked on an island, the castaway boys eventually revert to savagery despite the few rational kids' attempts to prevent that.

Plot Keywords:

Innocence | Eyeglasses | Abuse | Overweight Child | Teenager

Awards:

1 nomination

Cast

James Aubrey	...	Ralph
Tom Chapin	...	Jack
Hugh Edwards	...	Piggy
Roger Elwin	...	Roger
Tom Gaman	...	Simon
Roger Allan	...	Piers
David Brunjes	...	Donald
Peter Davy	...	Peter
Kent Fletcher	...	Percival Wemys Madison
Nicholas Hammond	...	Robert
Christopher Harris	...	Bill
Alan Heaps	...	Neville
Jonathan Heaps	...	Howard
Burnes Hollyman	...	Douglas
Andrew Horne	...	Matthew

Runtime:

92 min

Country:

UK

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

UK:AA (original rating) | Iceland:12 | UK:PG (video rating)

Filming Locations:

Chattanooga, Tennessee, USA

Company:

Two Arts Ltd.

Trivia:

Director Peter Brook saw over 3000 boy actors before choosing his cast.

Goofs:

Factual errors: As Piggy is nearsighted, his spectacles could not be used as a "magnifying glass" to light a bonfire: lenses for nearsightedness would scatter, not concentrate, the sun's rays. (This error occurs in the original novel and was perpetuated in the 1990 remake.)

Quotes:

Ralph: His name's not Fatty. It's Piggy.

Movie Connections:

Referenced in Notes on a Scandal (2006)

A MASTERPIECE.

This is one of those rarest of rare birds: a film that is totally faithful to the novel upon which it is based.

During his lifetime, William Golding was ever protective of his greatest creation. When it came to making a film of 'Lord of the Flies' some of the greatest screen writers and playwrights of the day had a go at producing a script for it - all of them being turned down by Golding himself. Finally, it was decided to attempt the film as a sort of Drama Workshop. Thus it was that 30+ boys, plus director Peter Brook, a film crew and the regulation chaperones found themselves living in a bunk house, which had been an old canning factory, on the island of Vieques off Puerto Rico, with little more than copies of the novel and an outline of the idea and the limitation of the school holidays in which to make the film.

The result defies belief. This is a masterpiece of Youth Drama, years ahead of its time. Even today, 40 years on, it is still staggering in its truth and clarity. The powerful imagery, chilling in its simplicity, far transcends anything which could be achieved with present day digital trickery. Not for this film the obvious blood and guts of action horror; here we have the most unspeakable acts made far more terrifying by their very understatement. (Simon's death must be one of the foulest acts ever filmed - but then, in reality, it was not - it is all in the imagination of the viewer and becomes far more terrible than any actual depiction of the act of ritualistic murder could ever be!).

When the great day of reckoning comes, this film will stand head and shoulders above all other film adaptations of novels.