| Photos (see all 1 | slideshow) | Videos |
| Tadao Takashima | ... | Commercial Photographer Susumu Hatanaka | |
| Yôko Fujiyama | ... | Makoto Jinguji, the Captain's Daughter | |
| Yu Fujiki | ... | Yoshito Nishibe | |
| Ken Uehara | ... | Retired Admiral Kosumi | |
| Jun Tazaki | ... | Captain Hachiro Jinguji | |
| Kenji Sahara | ... | Journalist / Mu Agent | |
| Hiroshi Koizumi | ... | Detective | |
| Yoshifumi Tajima | ... | Tome 'Amano' Amanoshome | |
| Akihiko Hirata | ... | Mu Agent #23 | |
| Eisei Amamoto | ... | High Priest of Mu | |
| Tetsuko Kobayashi | ... | Empress of Mu | |
| Hisaya Ito | ... | Shindo, Kidnapped Scientist | |
| Minoru Takada | ... | Government Official | |
| Susumu Fujita | ... | Defense Commander | |
| Ikio Sawamura | ... | Taxi Driver | |
| Akemi Kita | ... | Sneezing Model | |
| Nadao Kirino | ... | Kidnapped Scientist | |
| Tetsu Nakamura | ... | Warship Captain | |
| Yukihiko Gondo | ... | Military Official | |
| Yutaka Nakayama | ... | Sailor | |
| Shin Otomo | ... | Government Official | |
| Wataru Omae | ... | Police Officer | |
| Koji Uno | ... | Police Officer | |
| Shoichi Hirose | ... | Mu Henchman | |
| Katsumi Tezuka | ... | Mu Henchman | |
| Yutaka Oka | ... | Man on Bus | |
| Teruzo Okawa | |||
| rest of cast listed alphabetically: | |||
| Ted Rusoff | ... | Yoshito Nishibe (voice: English version) (uncredited) | |
| Osman Yusuf | ... | Muan Submarine Crewman (uncredited) | |
Directed by | |||
| Ishirô Honda | |||
Writing credits(in alphabetical order) | ||
| Shigeru Komatsuzaki | novel "Kaitei okaku/The Undersea Kingdom" | |
| Shunro Oshikawa | novel | |
| Shinichi Sekizawa | screenplay | |
Produced by | |||
| Tomoyuki Tanaka | .... | producer | |
Original Music by | |||
| Akira Ifukube | |||
Cinematography by | |||
| Hajime Koizumi | |||
Film Editing by | |||
| Ryohei Fujii | |||
Production Design by | |||
| Takeo Kita | |||
Second Unit Director or Assistant Director | |||
| Koji Kajita | .... | chief assistant director | |
Art Department | |||
| Shigeru Komatsuzaki | .... | conceptual artist | |
Sound Department | |||
| Minoru Kaneyama | .... | sound effects editor | |
Special Effects by | |||
| Teruyoshi Nakano | .... | assistant director of special effects | |
| Eiji Tsuburaya | .... | director of special effects | |
| Akira Watanabe | .... | special effects set direction | |
Visual Effects by | |||
| Teisho Arikawa | .... | director of special effects photography | |
| Kuichiro Kishida | .... | special effects lighting | |
| Yukio Manoda | .... | special effects camera assistant | |
| Hiroshi Mukoyama | .... | matte photography | |
| Sokei Tomioka | .... | director of special effects photography | |
Other crew | |||
| Samuel Z. Arkoff | .... | presenter (USA release) | |
| James H. Nicholson | .... | presenter (USA release) | |
| Recent Posts (updated daily) | User |
|---|---|
| Monda sucks! | vawlkee_2000 |
| One of the better toho sci-fi films, imo. | darthsmythe1138 |
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| Tora! Tora! Tora! | Kidô senshi Gandamu I | Gojira vs. Kingu Gidorâ | Gojira, Mosura, Kingu Gidorâ: Daikaijû sôkôgeki | Kingu Kongu tai Gojira |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb Japan section | Add this title to MyMovies |
THE MYSTERIANS was about a big battle with aliens that takes place on Earth, BATTLE IN OUTER SPACE was about a big battle with aliens in outer space. So I suppose following that logic, it was inevitable that Toho would follow up those films with one that takes place beneath the sea.
This time Earth is threatened by inhabitants from beneath the sea who are descendants of the lost continent of Mu. Much of what is "known" about Mu comes from the speculative works of William Churchwald. Mu is said to be a lost continent like Atlantis, except Mu was in the Pacific. Like Atlantis, Mu was according to Churchwald at least, the home of an advance race that perished eons ago beneath the waves when world wide disaster struck.
ATRAGON (Aka KAITEI GUNKAN) is a fairly entertaining science fiction from Toho, but its one of their lesser efforts. There is not as much spectacle as can found in THE MYSTERIANS and BATTLE IN OUTER SPACE. The special effects and miniatures are not as colorful and detailed as in previous Toho epics. The big world threat promised by the Muians never materializes, about all they do is sink a Japanese merchant vessel and sink an American navel sub. They also try to kidnap a few surface people, but all that is hardly a reason to destroy a whole civilization. When the submarine Atragon attacks Mu, the Muians make a feeble attempt to protect themselves. Overall, the Muians bark is worse than their bite.
THE MYSTERIANS and BATTLE IN OUTERSPACE are very well paced and exciting films and are recommended to fans of Japanese science fiction. ATRAGON however, was a film I sat through with only mild interest and little enthusiasm.