| Photos (see all 11 | slideshow) |
| Paul Newman | ... | Hud Bannon | |
| Melvyn Douglas | ... | Homer Bannon | |
| Patricia Neal | ... | Alma Brown | |
| Brandon De Wilde | ... | Lon 'Lonnie' Bannon (as Brandon de Wilde) | |
| Whit Bissell | ... | Mr. Burris | |
| Crahan Denton | ... | Jesse | |
| John Ashley | ... | Hermy | |
| Val Avery | ... | Jose | |
| George Petrie | ... | Joe Scanlon | |
| Curt Conway | ... | Truman Peters | |
| Sheldon Allman | ... | Mr. Thompson | |
| Pitt Herbert | ... | Mr. Larker | |
| Carl Low | ... | Mr. Kirby | |
| Robert Hinkle | ... | Rodeo Announcer Frank | |
| Don Kennedy | ... | Charlie Tucker | |
| Sharyn Hillyer | ... | Myra (as Sharon Hillyer) | |
| Yvette Vickers | ... | Lily Peters | |
| rest of cast listed alphabetically: | |||
| Charlie Briggs | ... | Voice on Lonnie's radio (uncredited) | |
| Peter Brooks | ... | George (uncredited) | |
| Elmer Wayne Brown | ... | Cowboy (uncredited) | |
| Nino Candido | ... | Patron (uncredited) | |
| Dennis Hedlund | ... | Patron in Cafe (uncredited) | |
| John Indrisano | ... | Bar-room Brawler (uncredited) | |
| David Kent | ... | Donald (uncredited) | |
| Frank Killmond | ... | Dumb Billy (uncredited) | |
| Montie Montana | ... | Cowboy (uncredited) | |
| Simon Prescott | ... | Man in greased pig sequence (uncredited) | |
| John Michael Quijada | ... | Cowboy (uncredited) | |
| Carl Saxe | ... | Proprietor sweeping glass (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| Larry McMurtry | (novel "Horseman Pass By") | |
| Irving Ravetch | (writer) and | |
| Harriet Frank Jr. | (writer) | |
Produced by | |||
| Irving Ravetch | .... | producer | |
| Martin Ritt | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| James Wong Howe | |||
Film Editing by | |||
| Frank Bracht | |||
Art Direction by | |||
| Tambi Larsen | |||
| Hal Pereira | |||
Set Decoration by | |||
| Robert R. Benton | (as Robert Benton) | ||
| Sam Comer | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Nellie Manley | .... | hair styles supervisor | |
| Wally Westmore | .... | makeup supervisor | |
Production Management | |||
| Lloyd Anderson | .... | unit production manager (uncredited) | |
| Andrew J. Durkus | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Charles C. Coleman | .... | assistant director (as C.C. Coleman Jr.) | |
Sound Department | |||
| John R. Carter | .... | sound recordist (as John Carter) | |
| John Wilkinson | .... | sound recordist | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Paul K. Lerpae | .... | special photographic effects | |
Camera and Electrical Department | |||
| Rex Wimpy | .... | photographer: second unit | |
Music Department | |||
| Bob Bain | .... | musician: guitar (uncredited) | |
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| Giant | The Last Picture Show | Home from the Hill | La historia oficial | Terms of Endearment |
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Paul Newman gave easily his greatest performance as Hud Bannen, the hard-fighting, hard-drinking, womanising ne'er-do-well, who casts a malign shadow over the lives of his family and their housekeeper on a Texas ranch. It is a strong all-round cast however, and Melvyn Douglas and Patricia Neal both won Academy Awards for their performances. The sparse and grainy cinematography by James Wong Howe (another Oscar winner) brilliantly captures the harsh, arid Texas landscape. Adapted from Larry McMurtry's novel Horseman Pass By, this is one of the finest examples of American Cinema in the 1960's, not least in its depiction of father-son conflict, and the way one in which one man can profoundly influence, for the worse, the lives of those around him. Newman worked as a ranch-hand in Texas to prepare for the role, which helped him obtain his authentic Texan credentials, most notably his accent, and his cocky strut and manner. A timeless classic, which can be viewed again and again.