| Burt Lancaster | ... | Prince Don Fabrizio Salina | |
| Claudia Cardinale | ... | Angelica Sedara / Bertiana | |
| Alain Delon | ... | Tancredi Falconeri | |
| Paolo Stoppa | ... | Don Calogero Sedara | |
| Rina Morelli | ... | Princess Maria Stella Salina | |
| Romolo Valli | ... | Father Pirrone | |
| Terence Hill | ... | Count Cavriaghi (as Mario Girotti) | |
| Pierre Clémenti | ... | Francesco Paolo | |
| Lucilla Morlacchi | ... | Concetta | |
| Giuliano Gemma | ... | Garibaldi's General | |
| Ida Galli | ... | Carolina | |
| Ottavia Piccolo | ... | Caterina | |
| Carlo Valenzano | ... | Paolo | |
| Brook Fuller | ... | Little Prince | |
| Anna Maria Bottini | ... | Mademoiselle Dombreuil, the Governess | |
| Lola Braccini | ... | Donna Margherita | |
| Marino Masé | ... | Tutor (as Marino Mase') | |
| Howard Nelson Rubien | ... | Don Diego (as Howard N. Rubien) | |
| Tina Lattanzi | |||
| Marcella Rovena | |||
| Rina De Liguoro | ... | Princess of Presicce | |
| Valerio Ruggeri | |||
| Giovanni Melisenda | ... | Don Onofrio Rotolo | |
| Giancarlo Lolli | (as Carlo Lolli) | ||
| Vittorio Duse | |||
| Vanni Materassi | |||
| Giuseppe Stagnitti | |||
| Carmelo Artale | |||
| Olimpia Cavalli | ... | Mariannina | |
| Anna Maria Surdo | |||
| Halina Zalewska | (as Alina Zalewska) | ||
| Winni Riva | |||
| Stelvio Rosi | |||
| Carlo Palmucci | |||
| Dante Posani | |||
| Rosolino Bua | |||
| Ivo Garrani | ... | Colonel Pallavicino | |
| Leslie French | ... | Cavalier Chevally | |
| Serge Reggiani | ... | Don Francisco Ciccio Tumeo | |
| rest of cast listed alphabetically: | |||
| Marie Bell | ... | (uncredited) | |
| Lou Castel | ... | Party guest (uncredited) | |
| Sandra Christolini | ... | Youngest Daughter (uncredited) | |
| Franco Gulà | ... | (uncredited) | |
| Maurizio Merli | ... | (uncredited) | |
| Augusto Pescarini | ... | (uncredited) | |
| Paola Piscini | ... | (uncredited) | |
| Amalia Troiani | ... | (uncredited) | |
Directed by | |||
| Luchino Visconti | |||
Writing credits | ||
| Giuseppe Tomasi Di Lampedusa | (novel) | |
| Suso Cecchi d'Amico | (screenplay and adaptation) & | |
| Pasquale Festa Campanile | (screenplay and adaptation) and | |
| Enrico Medioli | (screenplay and adaptation) & | |
| Massimo Franciosa | (screenplay and adaptation) and | |
| Luchino Visconti | (screenplay and adaptation) | |
Produced by | |||
| Goffredo Lombardo | .... | producer | |
| Pietro Notarianni | .... | executive producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Mario Serandrei | |||
Production Design by | |||
| Mario Garbuglia | |||
Set Decoration by | |||
| Laudomia Hercolani | |||
| Giorgio Pes | |||
Costume Design by | |||
| Piero Tosi | |||
Makeup Department | |||
| Maria Angelini | .... | wig maker | |
| Alberto De Rossi | .... | makeup artist | |
| Amalia Paoletti | .... | wig maker | |
| Giancarlo De Leonardis | .... | hair stylist (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Production Management | |||
| Giorgio Adriani | .... | production manager | |
| Gaetano Amata | .... | unit manager | |
| Riccardo Caneva | .... | unit manager | |
| Roberto Cocco | .... | unit manager | |
| Lamberto Pippia | .... | assistant unit manager | |
| Enzo Provenzale | .... | production manager | |
| Umberto Sambuco | .... | assistant unit manager | |
| Bruno Sassaroli | .... | unit manager | |
| Gilberto Scarpellini | .... | unit manager | |
Art Department | |||
| Emilio D'Andria | .... | assistant set decorator | |
| Ferdinando Giovannoni | .... | assistant art director | |
Sound Department | |||
| Mario Messina | .... | sound engineer | |
Special Effects by | |||
| Dino Galiano | .... | special effects technician (uncredited) | |
Camera and Electrical Department | |||
| Enrico Cignitti | .... | camera operator | |
| Nino Cristiani | .... | camera operator | |
| Giuseppe Maccari | .... | camera operator | |
| G.B. Poletto | .... | still photographer | |
| Bob Penn | .... | still photographer: special magazine assignment (uncredited) | |
| Piero Servo | .... | camera loader (uncredited) | |
Costume and Wardrobe Department | |||
| Bice Brichetto | .... | assistant costume designer | |
| Alessandro Gasparinetti | .... | wardrobe consultant | |
| Vera Marzot | .... | assistant costume designer | |
Music Department | |||
| Franco Ferrara | .... | conductor | |
| Franco Ferrara | .... | musical director | |
| Nino Rota | .... | music arranger (uncredited) | |
Other crew | |||
| Stephan Iscovescu | .... | script supervisor | |
| Isa Bellini | .... | voice dubbing: Anna Maria Bottini (uncredited) | |
| Lando Buzzanca | .... | voice dubbing: Serge Reggiani (uncredited) | |
| Pino Colizzi | .... | voice dubbing: Pierre Clémenti (uncredited) | |
| Solveyg D'Assunta | .... | voice dubbing: Claudia Cardinale (uncredited) | |
| Franco Fabrizi | .... | voice dubbing: Terence Hill (uncredited) | |
| Corrado Gaipa | .... | voice dubbing: Burt Lancaster (uncredited) | |
| Carlo Sabatini | .... | voice dubbing: Alain Delon (uncredited) | |
| Alberto Testa | .... | choreographer (uncredited) | |
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| Novecento | Cristo si è fermato a Eboli | Malèna | Die Blechtrommel | Que la fête commence... |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
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To summarize, this film was released, dubbed and butchered, in the US in 1963/64, never released on video but occasionally seen in bootleg version. The British Film Institute did a restored print of the original Italian version in 2003. I saw it in a theater in London last summer and found it fabulous, not least for seeing it in the wide screen setting. It's now out on DVD on three disks: the restored print with Italian dialogue (Burt Lancaster dubbed into Italian -- it sounds wacky, but it works big time); a disk with the butchered English release version of forty years ago (valuable to see what they did, and also to hear Lancaster's own English); and a disk with supplementary materials including very interesting interviews with a wide variety of participants in the movie. Of the multi-hour blockbusters of the period, I'd put it behind Lawrence of Arabia, but very close to Doctor Zhivago and well ahead of Ryan's Daughter.
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