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Directed by | |||
| Terence Young | |||
Writing credits | ||
| Richard Maibaum | (screenplay) | |
| Johanna Harwood | (adaptation) | |
| Ian Fleming | (novel) | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Harry Saltzman | .... | producer | |
| Stanley Sopel | .... | associate producer (uncredited) | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Ted Moore | (director of photography) | ||
Film Editing by | |||
| Peter R. Hunt | (as Peter Hunt) | ||
Casting by | |||
| Weston Drury Jr. | (uncredited) | ||
Art Direction by | |||
| Syd Cain | |||
Costume Design by | |||
| Jocelyn Rickards | |||
Makeup Department | |||
| Basil Newall | .... | makeup artist | |
| Paul Rabiger | .... | makeup artist | |
| Eileen Warwick | .... | dresser | |
Production Management | |||
| William Hill | .... | production manager (as Bill Hill) | |
Second Unit Director or Assistant Director | |||
| David C. Anderson | .... | assistant director (as David Anderson) | |
| Terence Churcher | .... | second assistant director (uncredited) | |
Art Department | |||
| Freda Pearson | .... | set dresser | |
| Michael White | .... | assistant art director | |
| Roger Cain | .... | draughtsman (uncredited) | |
| John Chisholm | .... | props (uncredited) | |
| Ron Quelch | .... | production buyer (uncredited) | |
Sound Department | |||
| C. Le Mesurier | .... | sound recordist (as C. le Messurier) | |
| Harry Miller | .... | dubbing editor | |
| John W. Mitchell | .... | sound recordist | |
| Norman Wanstall | .... | dubbing editor | |
Special Effects by | |||
| Frank George | .... | special effects assistant | |
| John Stears | .... | special effects | |
| Wally Armitage | .... | special effects (uncredited) | |
| Jimmy Harris | .... | special effects (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| James Snow | .... | special effects (uncredited) | |
| Jimmy Ward | .... | special effects (uncredited) | |
Visual Effects by | |||
| Cliff Culley | .... | matte artist (uncredited) | |
| Roy Field | .... | visual effects (uncredited) | |
Stunts | |||
| Peter Perkins | .... | stunt work arranger | |
| Bob Anderson | .... | stunts (uncredited) | |
| Peter Brace | .... | stunts (uncredited) | |
| Ken Buckle | .... | stunts (uncredited) | |
| Jack Cooper | .... | train fight double: Robert Shaw (uncredited) | |
| Gerry Crampton | .... | stunts (uncredited) | |
| Leslie Crawford | .... | stunts (uncredited) | |
| Bill Cummings | .... | stunts (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Cliff Diggins | .... | stunts (uncredited) | |
| Joe Dunne | .... | stunts (uncredited) | |
| Max Faulkner | .... | stunts (uncredited) | |
| Tex Fuller | .... | stunts (uncredited) | |
| Sol Gorss | .... | stunts (uncredited) | |
| Richard Graydon | .... | stunts (uncredited) | |
| Arthur Howell | .... | stunts (uncredited) | |
| Jimmy Lodge | .... | stunts (uncredited) | |
| Peter Perkins | .... | stunts (uncredited) | |
| Peter Perkins | .... | train fight double: Sean Connery (uncredited) | |
| Terence Plummer | .... | stunts (uncredited) | |
| Dinny Powell | .... | stunts (uncredited) | |
| Eddie Powell | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Terry Richards | .... | stunts (uncredited) | |
| Jack Sholomir | .... | stunt driver (uncredited) | |
| Bob Simmons | .... | stunt double (uncredited) | |
| Bob Simmons | .... | train fight double: Sean Connery (uncredited) | |
| Rocky Taylor | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bob Kindred | .... | camera operator: second unit (as Robert Kindred) | |
| John Winbolt | .... | camera operator (as Johnny Winbolt) | |
| Ray Hearne | .... | still photographer (uncredited) | |
| Simon Ransley | .... | clapper loader (uncredited) | |
| John Shinerock | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Ernie Farrer | .... | wardrobe master | |
| Eileen Sullivan | .... | wardrobe mistress | |
Editorial Department | |||
| Ben Rayner | .... | assembly editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Monty Norman | .... | composer: James Bond theme | |
| Vic Flick | .... | musician: guitar (uncredited) | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Trevor Bond | .... | assistant title designer | |
| Albert R. Broccoli | .... | presenter | |
| Robert Brownjohn | .... | title designer | |
| Frank Ernst | .... | location manager | |
| Ilhan Filmer | .... | production assistant: Istanbul (as Ilham Filmer) | |
| Kay Mander | .... | continuity | |
| Harry Saltzman | .... | presenter | |
| Captain John Crewdson | .... | helicopter pilot (uncredited) | |
| Maureen Newman | .... | assistant production accountant (uncredited) | |
| Golda Offenheim | .... | production office (uncredited) | |
| Golda Offenheim | .... | production secretary (uncredited) | |
| Charles Russhon | .... | military liaison: Turkey (uncredited) | |
| Charles Russhon | .... | technical advisor (uncredited) | |
| Bob Simmons | .... | body double: James Bond, in opening sequence (uncredited) | |
| Captain Cyril Sweetman | .... | helicopter pilot (uncredited) | |
| Terence Young | .... | body double: Pedro Armendáriz (uncredited) | |
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A Bond film that stands out among all other films as well as the Bond films, From Russia With Love is filled with not only a heavy dose of nonstop action and adventure, but also an intelligent plot that commented heavily on the world state of affairs in 1963. Capitalist and Communists are set to work against each other by SPECTRE, an organization which does not give any special considerations to economic systems, but wishes to weaken the balance of world power and take control itself. The survival of the Bond films depended on their ability to change with the decades, and From Russia With Love is no exception. Great acting performances from not only Sean Connery, but Robert Shaw, Pedro Armendariz, and Lotte Lenya (the wife of Kurt Weill).