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Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Daphne Du Maurier | (story) | |
| Evan Hunter | (screenplay) | |
Produced by | |||
| Alfred Hitchcock | .... | producer (uncredited) | |
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| George Tomasini | |||
Production Design by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
Set Decoration by | |||
| George Milo | |||
Makeup Department | |||
| Virginia Darcy | .... | hair stylist | |
| Howard Smit | .... | makeup artist | |
Production Management | |||
| Norman Deming | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James H. Brown | .... | assistant director | |
Art Department | |||
| Harold Michelson | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Remi Gassmann | .... | electronic sound production and composition | |
| Bernard Herrmann | .... | sound consultant | |
| William Russell | .... | sound recordist | |
| Oskar Sala | .... | electronic sound production and composition | |
| Waldon O. Watson | .... | sound recordist | |
| Bernard Herrmann | .... | sound designer (uncredited) | |
Special Effects by | |||
| Larry Hampton | .... | special effects (as Lawrence A. Hampton) | |
| Dave Fleischer | .... | special effects (uncredited) | |
| Chuck Gaspar | .... | special effects (uncredited) | |
Visual Effects by | |||
| Ub Iwerks | .... | special photographic advisor | |
| Albert Whitlock | .... | pictorial designs | |
| Bob Broughton | .... | visual effects (uncredited) | |
| Scott Dougherty | .... | digital restoration producer: Cinesite (uncredited) | |
| Roswell A. Hoffmann | .... | second unit matte photography (uncredited) | |
| Jerry Pooler | .... | digital restoration supervisor (uncredited) | |
| Tiffany Smith | .... | digital restoration coordinator: Cinesite (uncredited) | |
Stunts | |||
| Leonard P. Geer | .... | stunts (uncredited) | |
| Sol Gorss | .... | stunts (uncredited) | |
| Dean Smith | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bobby Greene | .... | first assistant camera (uncredited) | |
| Leonard J. South | .... | camera operator (uncredited) | |
Costume and Wardrobe Department | |||
| Edith Head | .... | costume designer: Miss Hedren | |
| Rita Riggs | .... | wardrobe supervisor | |
Other crew | |||
| Ray Berwick | .... | bird trainer | |
| James S. Pollak | .... | titles | |
| Peggy Robertson | .... | assistant: Mr. Hitchcock | |
| Lois Thurman | .... | script supervisor | |
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| Psycho | Deadly Is the Female | The Mist | Strangers on a Train | Kaw |
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What I love about this film is that it`s so understated . There is absolutely no attempt whatsoever to explain why the birds are turning against humanity , indeed there`s a scene in the cafe where a character points out that bird species joining together to wage war against the human race would be impossible , and the concept is totally ridiculous but Hitchcock and screenwriter Evan Hunter ( Using the basic premise of Du Maurier`s short story - the screenplay is almost totally original ) manage to leave the unsettling thought that this might just happen one day.
The film is slightly dated in some ways , most notably the FX which are sometimes obvious back projection , but this was made in 1963 don`t forget . And THE BIRDS does contain some classic scenes like the discussions in the diner , the downbeat ending and the bit where the woman walks into the farmhouse and finds .... no I won`t spoil it for you . I rate this as Hitchcock`s best film .
If you want to get your own back then make sure you stuff a turkey this Christmas