The Birds (1963)

Director:

Alfred Hitchcock

Writers:

Daphne Du Maurier (story)
Evan Hunter (screenplay)

Release Date:

28 March 1963 (USA)

Genre:

Horror | Romance | Thriller

Tagline:

Suspense and shock beyond anything you have seen or imagined!

Plot:

A wealthy San Francisco playgirl pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.

Plot Keywords:

Bird | California | Phone Booth | Bird Attack | Socialite

Awards:

Nominated for Oscar. Another 2 wins & 3 nominations

Cast

  (Cast overview, first billed only)

Rod Taylor	...	Mitch Brenner
Jessica Tandy	...	Lydia Brenner
Suzanne Pleshette	...	Annie Hayworth
Tippi Hedren	...	Melanie Daniels (as 'Tippi' Hedren)
Veronica Cartwright	...	Cathy Brenner
Ethel Griffies	...	Mrs. Bundy, elderly ornithologist
Charles McGraw	...	Sebastian Sholes, fisherman in diner
Ruth McDevitt	...	Mrs. MacGruder, pet store clerk
Lonny Chapman	...	Deke Carter, cook in diner
Joe Mantell	...	Traveling salesman at diner's bar
Doodles Weaver	...	Fisherman helping with rental boat
Malcolm Atterbury	...	Deputy Al Malone
John McGovern	...	Postal clerk
Karl Swenson	...	Doomsayer in diner
Richard Deacon	...	Mitch's city neighbor

Also Known As:

Alfred Hitchcock's The Birds (UK) (complete title)

Runtime:

119 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Australia:M (TV rating) | Finland:K-16 (cut) (1963) | UK:15 (1987) | UK:X (1963) | Canada:13+ (Quebec) | Canada:PG (Manitoba) | Spain:T | Portugal:M/12 | Finland:K-15 (uncut) (2002) (DVD) | South Korea:15 | Brazil:14 | Argentina:13 | Australia:PG | Chile:14 | France:-12 | Netherlands:12 | Norway:16 (1976) | Norway:18 | Peru:14 | Sweden:15 | USA:Approved (certificate #20385) (original rating) | USA:PG-13 (new rating) (1984) | West Germany:16 | Singapore:PG | Iceland:16

Filming Locations:

17110 Bodega Lane, Bodega, California, USA

Company:

Universal Pictures

Trivia:

The film does not finish with the usual "THE END" title because Alfred Hitchcock wanted to give the impression of unending terror.

Goofs:

Continuity: When Melanie arrives for dinner with Mitch and his family, the driver's seat of her car is clearly set further back than the rest of the front seats. When she leaves, she gets into the car and we see the driver's seat is now perfectly aligned with the rest of the seats.

Quotes:

[first lines]
Melanie Daniels: Hello there, Mrs. MacGruder.
Mrs. MacGruder, pet store clerk: Oh, hello, Miss Daniels.
Melanie Daniels: Have you ever seen so many gulls? What do you suppose it is?
Mrs. MacGruder, pet store clerk: Well, there must be a storm at sea, that can drive them inland, you know. I was hoping you'd be a little late because he hadn't arrived yet.
Melanie Daniels: Oh, but you'd said three o'clock...
Mrs. MacGruder, pet store clerk: Oh I know, I know. I've been calling all morning. Oh, Miss Daniels you have no idea. They are so difficult to get, really they are. We have to get them from India, when they're just baby chicks, and then we have...
Melanie Daniels: But this one won't be a chick, will he?
Mrs. MacGruder, pet store clerk: Certainly not. Oh no, certainly not. This will be a full grown mynah bird, full grown.
Melanie Daniels: And he'll talk?
[...]

Movie Connections:

Referenced in "Masters of Horror: John Carpenter's Cigarette Burns (#1.8)" (2005)

Soundtrack:

Arabesque nr. 1

A highly innovative horror

Imagine Hitchcock trying to sell this idea to the film studios: the lives of a mundane country family are shattered when vicious rooks attack. Why? No particular reason. And what then? They fly away. and then? They come back again and attack. And then go and then . .. It seems like an impossible plot to pull off, but Hitchcock does it, slowly building up the tension which spasmodically swells and subsides. Younger viewers may get irritated with the slow stealth of the opening scenes and may want to thrash the T.V. when the film comes to its beautifully droll conclusion, but form once those birds start attacking, every viewer is riveted. It was fine Hitchcockian innovation that took this very slim, cock-a-mamy story and turned in to a tense thriller. But the greatest innovation is the film score - there isn't any. No director is more closely identified with the music of their films, but in Birds, Hitchcock created a horror that is uniquely quiet. The great man appreciated something that so few others do - the atmospheric potency of silence, and how, in different settings, silences can differ in character. Yet so many who watch the film seem to forget that the music isn't there. That's the film's greatest attribute.