Billy Liar (1963)

Director:

John Schlesinger

Writers:

Keith Waterhouse (novel)
Willis Hall (play) ...

Release Date:

16 December 1963 (USA)

Genre:

Comedy | Drama | Romance

Plot:

A lazy, irresponsible young clerk in provincial Northern England lives in his own fantasy world and makes emotionally immature decisions as he alienates friends and family.

Plot Keywords:

Ambrosia | Imagination | Train | Milk | Vending Machine

Awards:

Nominated for 6 BAFTA Film Awards. Another 1 nomination

Cast

  (Complete credited cast)

Tom Courtenay	...	William Terrence 'Billy' Fisher
Wilfred Pickles	...	Geoffrey Fisher
Mona Washbourne	...	Alice Fisher
Ethel Griffies	...	Florence, Billy's grandmother
Finlay Currie	...	Duxbury
Gwendolyn Watts	...	Rita
Helen Fraser	...	Barbara
Julie Christie	...	Liz
Leonard Rossiter	...	Emanuel Shadrack
Rodney Bewes	...	Arthur Crabtree
George Innes	...	Stamp
Leslie Randall	...	Danny Boon
Patrick Barr	...	Insp. MacDonald
Ernest Clark	...	Prison governor
Godfrey Winn	...	Disc jockey

Runtime:

98 min

Country:

UK

Language:

English

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

France:U | Portugal:17 | Sweden:11 | Iceland:L

Filming Locations:

37 Hinchcliffe Avenue, Baildon, West Yorkshire, England, UK

Company:

Vic Films Productions

Trivia:

Considering the film's uses of 'pissed', 'bastard' and numerous 'bloody's it was passed with an 'A' (now PG) cinema certificate by the BBFC after the removal of one line of dialogue. This was "What you wanted me to do that night" and is said by Liz to Billy during their walk in the park. The line was later restored in all video and DVD releases.

Quotes:

William Terrence 'Billy' Fisher: [daydreaming] It was a big for us, we had won the war in Ambrosia. Democracy was back once more in our beloved country.

Movie Connections:

Referenced in Un jour avec Peter (2005)

Soundtrack:

Twisterella

Heads the pack in Kitchen Sink terms...

"Billy Liar!" impressed me more than many other admirable British pictures of this era, like "Room at the Top", "The Loneliness of the Long Distance Runner" and "This Sporting Life". It managed to generate a more tangible blend of poignancy and amusement. It's not often humour of the "laugh-out-loud" nature, more of the subtle, grim kind. The reality of Britain at that time is I suspect, very well conveyed here, with the old working-class, represented by Councillor Duxbury (astutely played by the fine Finlay Currie) and Billy's family, very much at odds with what they see as an ungrateful, decadent youth. All the performances hit the intended mark, with Leonard Rossiter typically Rossiter, almost as a younger Rigsby, without so much noticeable seediness. Julie Christie is as good as the role allows, an odd role, very much the "dream girl" of Billy and I dare say a good few others. The film expertly avoids sentimentalizing matters by its cunning, apposite last section. The Danny Boon character is, one suspects, all too typical of the TV light entertainer mould in reality. His reliance on cheap non-gags, smug guffaws and "audience banter" is well conveyed in just a few short scenes. It's interesting that Billy seems to aspire so much to write for him in particular... Helen Fraser's character Barbara is wonderfully quaint; a type long gone it seems. One can understand Billy's frustrations with his respectively prudish and plain (Barbara) and ignorant (Rita) girlfriends, and his anger at his family, although some sympathy is correctly reserved for them. The direction is very good by Schlesinger, emphasizing all the right things. The fine context-setting opening montage expertly draws in the viewer, and never at any stage henceforth is anyone's attention likely to wane. The film is most of all Tom Courtenay's; he gives a truly resonant performance, bringing to vivid life a character far removed from the norms of film making at the time. The fantasy sequences are finely done, and all add more deep impression of this character. His digressive tendencies, self-destructive habits, economy with the truth are well balanced by a sense of yearning and imagination. One cannot help but like and relate to the character, a creation that resoundingly rings true. His ambivalence to the class system comes across concisely, in particular. A fine film indeed, with so many of the smaller touches that many films miss. Witty, sad and a seminal film of the era, very much a crossroads in British history. Rating:- **** 1/2/*****