Overview
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Release Date:
18 September 1963 (USA)
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Plot:
Cathy Lane, teen-aged daughter of a globe-trotting journalist, comes to live at the home of her uncle...
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Awards:
Nominated for Golden Globe.
Another 1 win
&
3 nominations
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| Stanley Prager | | (31 episodes, 1963-1964) |
| Gary Nelson | | (14 episodes, 1965-1966) |
| Bruce Bilson | | (11 episodes, 1965-1966) |
| William Asher | | (9 episodes, 1963-1964) |
| Claudio Guzmán | | (9 episodes, 1964-1965) |
| Don Weis | | (9 episodes, 1965) |
| Richard Kinon | | (6 episodes, 1965-1966) |
| James Sheldon | | (3 episodes, 1965) |
| Harry Falk | | (3 episodes, 1966) |
| David Butler | | (2 episodes, 1964-1965) |
| Rodney Amateau | | (2 episodes, 1964) |
| Alan Rafkin | | (2 episodes, 1964) |
| Bill Colleran | | (2 episodes, 1965) |
| |
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| William Asher | | (105 episodes, 1963-1966) |
| Sidney Sheldon | | (105 episodes, 1963-1966) |
| Arnold Horwitt | | (18 episodes, 1964-1966) |
| Ed Jurist | | (8 episodes, 1965-1966) |
| Sam Locke | | (4 episodes, 1965-1966) |
| Joel Rapp | | (3 episodes, 1965-1966) |
| William Raynor | | (2 episodes, 1965-1966) |
| Myles Wilder | | (2 episodes, 1965-1966) |
| Bill Freedman | | (2 episodes, 1965) |
| Ben Gershman | | (2 episodes, 1965) |
| Sidney Morse | | (2 episodes, 1965) |
|
| Sid Ramin | .... | composer: theme music / conductor / ... (104 episodes, 1963-1966) |
| Robert Wells | .... | composer: theme lyrics (27 episodes, 1963-1966) |
| Harry Geller | .... | conductor (19 episodes, 1965-1966) |
| Robert H. Raff | .... | supervising music editor (19 episodes, 1965-1966) |
| Kenn Collins | .... | music editor (8 episodes, 1963-1964) |
| Herman Fuchs | .... | music editor (5 episodes, 1963) |
| Ethel Huber | .... | music consultant / music supervisor (3 episodes, 1964-1965) |
| Joseph Lesko | .... | music editor (2 episodes, 1964-1965) |
| |
|
| Barbara Robinson | .... | script supervisor (25 episodes, 1963-1964) |
| Bruce Johnson | .... | assistant to producer (19 episodes, 1965-1966) |
| George Turpin | .... | assistant to producer (19 episodes, 1965-1966) |
| Ed Jurist | .... | script consultant (16 episodes, 1965-1966) |
| Adeline Leonard Seakwood | .... | production secretary (14 episodes, 1963-1965) |
| Maggie James | .... | script supervisor (7 episodes, 1964-1965) |
| Betty Todd | .... | script supervisor (4 episodes, 1964) |
| Lois O'Connor | .... | production assistant (2 episodes, 1963) |
| Belle Halpern | .... | script supervisor (2 episodes, 1964-1965) |
| Jane Hollzer | .... | script supervisor (2 episodes, 1964) |
| Elizabeth Savage | .... | script supervisor (2 episodes, 1965) |
|
| Carole Brody Sheppard | .... | script supervisor (unknown episodes) |
| |
- Bayer original sponsor (Bayer Aspirin)
- General Mills original sponsor (Gold Medal Flour, Cheerios, Betty Crocker products)
- Nabisco original sponsor
- Noxell original sponsor (Noxema face cream and Cover Girl make-up)
Additional Details
Runtime:
USA:30 min (104 episodes)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
William Schallert, who played Martin Lane (Patty's father), also played Kenneth Lane (Cathy's father and Martin's twin brother) during the Christmas episode where Martin was forced to fire Kenneth.
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Goofs:
Revealing mistakes: In some very early episodes, the face of Patty Duke's stand-in can be briefly glimpsed.
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Soundtrack:
Cousins: The Theme from the Patty Duke Show
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FAQ
What Are The Lyrics Of The Title Song?
Why did cousins Patty and Cathy look so much alike?
Does Cathy Appear In Every Episode?
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more (9 total)
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Fresh from winning her Oscar for The Miracle Worker in 1962, those in control of Patty Duke's career decided that a weekly television show about as far away from the serious drama of The Miracle Worker was the way to go.
Thus was fashioned The Patty Duke Show set in Brooklyn Heights, an area I'm somewhat familiar with and which was not in any way captured by the show which never got closer to Brooklyn than ABC studios back lot. It was about two cousins who could have been identical twins.
As we learned from that theme that still runs through my brain, Cathy Lane was a girl who enjoyed the minuet, Ballet Russe, and crepe Suzette, while Patty Lane suffered from the fact that a hot-dog made her lose control and of course enjoyed the latest teen music. Cathy was the cousin brought up in the United Kingdom where apparently she missed the revolution in music that was happening in Liverpool. She spoke with a proper posh English accent while Patty was your typical American teen, but hardly spoke Brooklynese.
So Cathy was her living with her American relations in Brooklyn Heights which consisted of Patty, her younger brother Paul Linke and parents William Schallert and Jean Byron. The situations were no different than you would have found on any of the other comedies aimed at the teen audience.
Of course the playing of twins is a challenge to any player and Patty Duke met the challenge. Patty was so wholesome in her image that one forgot she had won an Oscar for a challenging role. She had good reason to worry when this show ran its course whether her career like so many other teen idols would get back on track.
I did and always have liked William Schallert who's had one of the longest careers going and in his eighties is still working. He was a great father figure and got to do it all again as the Gidget series was remade in the Eighties.
The Patty Duke Show did no harm to its star's career and I'm sure the residuals are nice. One thing always bothered me thought. The local teen hangout was referred to as 'the shake shop'. I've not heard that term used in my generation, my parent's generation, nor in any succeeding generations ever. If anyone ever heard that term outside the Patty Duke Show, please document.
One thing's certain, you won't find a 'shake shop' in Brooklyn Heights.