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| Gregory Peck | ... | Atticus Finch | |
| John Megna | ... | Charles Baker 'Dill' Harris | |
| Frank Overton | ... | Sheriff Heck Tate | |
| Rosemary Murphy | ... | Maudie Atkinson | |
| Ruth White | ... | Mrs. Dubose | |
| Brock Peters | ... | Tom Robinson | |
| Estelle Evans | ... | Calpurnia | |
| Paul Fix | ... | Judge Taylor | |
| Collin Wilcox Paxton | ... | Mayella Violet Ewell (as Collin Wilcox) | |
| James Anderson | ... | Robert E. Lee 'Bob' Ewell | |
| Alice Ghostley | ... | Aunt Stephanie Crawford | |
| Robert Duvall | ... | Arthur 'Boo' Radley | |
| William Windom | ... | Mr. Gilmer, Prosecutor | |
| Crahan Denton | ... | Walter Cunningham Sr. | |
| Richard Hale | ... | Nathan Radley | |
| Mary Badham | ... | Scout | |
| Phillip Alford | ... | Jem | |
| rest of cast listed alphabetically: | |||
| R.L. Armstrong | ... | Man (uncredited) | |
| Bobby Barber | ... | Courtroom Spectator (uncredited) | |
| Jess Cavin | ... | Juror (uncredited) | |
| Steve Condit | ... | Walter Cunningham Jr. (uncredited) | |
| David Crawford | ... | David Robinson - Tom's Son (uncredited) | |
| Jamie Forster | ... | Hiram Townsend - Courthouse Steps (uncredited) | |
| Charles E. Fredericks | ... | Court Clerk (uncredited) | |
| Jester Hairston | ... | Spence Robinson, Tom's Father (uncredited) | |
| Chuck Hamilton | ... | Courtroom Spectator (uncredited) | |
| Kim Hamilton | ... | Helen Robinson, Tom's wife (uncredited) | |
| Kim Hector | ... | Cecil Jacobs (uncredited) | |
| Colin Kenny | ... | Courtroom Spectator (uncredited) | |
| Nancy Marshall | ... | Schoolteacher (uncredited) | |
| Paulene Myers | ... | Jesse - Dubose Servant Girl (uncredited) | |
| William H. O'Brien | ... | Courtroom Spectator (uncredited) | |
| Gil Perkins | ... | Man in Mob (uncredited) | |
| Hugh Sanders | ... | Dr. Reynolds (uncredited) | |
| Barry Seltzer | ... | Schoolboy (uncredited) | |
| Kim Stanley | ... | Scout as an Adult - Narrator (voice) (uncredited) | |
| Jay Sullivan | ... | Court Reporter (uncredited) | |
| Kelly Thordsen | ... | Burly Mob Member (uncredited) | |
| Max Wagner | ... | Courtroom Spectator (uncredited) | |
| Bill Walker | ... | Rev. Sykes (uncredited) | |
| Dan White | ... | Mob Leader (uncredited) | |
| Guy Wilkerson | ... | Jury Foreman (uncredited) | |
Directed by | |||
| Robert Mulligan | |||
Writing credits | ||
| Harper Lee | (novel "To Kill a Mockingbird ") | |
| Horton Foote | (screenplay) | |
Produced by | |||
| Alan J. Pakula | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Russell Harlan | (director of photography) | ||
Film Editing by | |||
| Aaron Stell | |||
Art Direction by | |||
| Henry Bumstead | |||
| Alexander Golitzen | (uncredited) | ||
Set Decoration by | |||
| Oliver Emert | |||
Costume Design by | |||
| Rosemary Odell | |||
Makeup Department | |||
| Larry Germain | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
| Franz Prehoda | .... | makeup artist (uncredited) | |
| Lavaughn Speer | .... | hair stylist (uncredited) | |
Production Management | |||
| Edward Muhl | .... | in charge of production | |
| Ernest B. Wehmeyer | .... | production manager | |
| Dick Gallegly | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph E. Kenney | .... | assistant director (as Joseph Kenny) | |
| Terry Morse Jr. | .... | second assistant director (uncredited) | |
Art Department | |||
| Gene Johnson | .... | illustrator (uncredited) | |
| Fred Knoth | .... | set coordinator (uncredited) | |
| Frank Nifong | .... | props (uncredited) | |
| Julius Rosenkrantz | .... | props (uncredited) | |
Sound Department | |||
| Corson Jowett | .... | sound | |
| Waldon O. Watson | .... | sound | |
| Michael Colomby | .... | sound re-recording mixer: restoration remix (uncredited) | |
Visual Effects by | |||
| Andrew Bonello | .... | automated image processing (restored version) (uncredited) | |
| Carole Cowley | .... | digital mastering restoration producer (uncredited) | |
| Sophia Lo | .... | digital restoration: Cinesite (uncredited) | |
| Monty Phillips | .... | digital artist (digital restoration) (uncredited) | |
| Antonio Torres | .... | digital artist: digital restoration, Cinesite (restored version) (uncredited) | |
Camera and Electrical Department | |||
| William Egan | .... | assistant camera (uncredited) | |
| Léo L. Fuchs | .... | still photographer (uncredited) | |
| Carl Gibson | .... | grip (uncredited) | |
| Rollie Lane | .... | still photographer (uncredited) | |
| Bill Neff | .... | gaffer (uncredited) | |
| Frank Stanley | .... | assistant camera (uncredited) | |
| Jack Whitman | .... | camera operator (uncredited) | |
| Walter Woodworth | .... | grip (uncredited) | |
Costume and Wardrobe Department | |||
| Seth Banks | .... | wardrobe: men | |
| John Lucas | .... | wardrobe: men (uncredited) | |
| Viola Thompson | .... | wardrobe: women (uncredited) | |
Editorial Department | |||
| J. Terry Williams | .... | assistant editor (uncredited) | |
Other crew | |||
| Stephen Frankfurt | .... | title designer | |
| Isabel Halliburton | .... | assistant to producer | |
| Meta Rebner | .... | script supervisor | |
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| They Won't Forget | Intruder in the Dust | The Night of the Hunter | Giant | A Time to Kill |
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TO KILL A MOCKINGBIRD is presented like a play in three acts. It is also from the children's perspective. Through the kids, we find that racism is a learned attitude or feeling. We also see a delightful coming of age drama as the young kids realize that there is no Boogeyman down the street and their father is capable of doing a lot more than they think. The great Gregory Peck plays Atticus Finch, a pillar of nobility, social conscience, and, rare for 1930's Americana, a single parent. Peck is such a strong presence, you believe everything about him. It is something you can compare to America's trust in TV anchorman Walter Cronkite. We always took his word for it.
Act one puts Atticus in the background and allows the kids to flourish. Director Robert Mulligan was able to get such realistic performances from non-professional kids. They are amusing and fun to watch. The big mystery lies in the house down the street in this small Georgia town. Who is the monstrous, "6 and a half feet big" legend living in the end house? Some light suspense ensues, while the buildup to a stirring act two is happening. Atticus must defend an African-American man for the alleged rape of a white woman.
After threats galore, an unshaken Peck takes to the courtroom jungle in, without a doubt, one of the top 5 court scenes in motion picture history. Brock Peters lends the film its best moments as the accused "negro" on trial. This man has a face chiseled with suffering and deep, deep sorrow. We know Atticus is a good man, a decent human being with a soul. He sees this in his client as well, and in a closing argument that must have roused the civil rights movement, implores the jury to vote justice. An all-male, all-white jury in the 1930's were tough listeners. Peters' breakdown on the stand is one of the most realistic, emotionally saddening moments you'll ever see, especially in Hollywood films of the 1960's. The scene when Peck leaves the courtroom is now legendary as well.
Act three produces a tragic death, an unlikely hero, and the bringing together of a family. The filmmakers have such a passion for the material, they seem to handle it with gentleness. Racism is a hard-boiled subject and it is depicted and dealt with through grace and patience. TO KILL A MOCKINGBIRD poses the injustice of race relations in the 1930's as a front for the events happening in the 1960's. The film came out during turbulent times and was also an adaption of a literary classic. I am one to judge a film solely by film only. The book is a separate art form and should not be compared to the film, an art form itself. It is important, it is enlightening, and it has not aged. Watch it.
RATING: 9 of 10