Ride the High Country (1962)

Director:

Sam Peckinpah

Writer:

N.B. Stone Jr. (written by)

Release Date:

28 July 1962 (Japan)

Genre:

Adventure | Drama | Romance | Western

Plot:

An ex-lawman is hired to transport gold from a mining community through dangerous territory. But what he doesn't realize is that his partner and old friend is plotting to double-cross him.

Plot Keywords:

Gold | Partner | Gold Shipment | Bank | Friend

Awards:

Nominated for BAFTA Film Award. Another 1 win

Cast

Randolph Scott	...	Gil Westrum
Joel McCrea	...	Steve Judd
Mariette Hartley	...	Elsa Knudsen
Ron Starr	...	Heck Longtree
Edgar Buchanan	...	Judge Tolliver
R.G. Armstrong	...	Joshua Knudsen
Jenie Jackson	...	Kate
James Drury	...	Billy Hammond
L.Q. Jones	...	Sylvus Hammond
John Anderson	...	Elder Hammond
John Davis Chandler	...	Jimmy Hammond
Warren Oates	...	Henry Hammond

Also Known As:

Guns in the Afternoon (UK)

Runtime:

94 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

UK:PG | West Germany:16 | Australia:PG | UK:A (1962) (cut) | Canada:PG (video rating) | Portugal:M/12 | Spain:T | Finland:K-16 | USA:Approved (certificate #20105)

Filming Locations:

Bronson Canyon, Griffith Park - 4730 Crystal Springs Drive, Los Angeles, California, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

Final film of Randolph Scott. He retired from acting once he saw the finished film, saying he wanted to quit while he was ahead and that he would never be able to better his work here.

Goofs:

Anachronisms: In the scene in which Joel McCrea enters the bank's bathroom, attached to the reservoir tank for the toilet is a modern shut-off valve.

Quotes:

Elsa Knudsen: My father says there's only right and wrong - good and evil. Nothing in between. It isn't that simple, is it?
Steve Judd: No, it isn't. It should be, but it isn't.

Movie Connections:

Referenced in Alpha to Omega: Exposing 'The Osterman Weekend' (2004) (V)

Dignity and strength of character

"In simple terms, Ride the High Country was about salvation and loneliness" - Sam Peckinpah

Both in their 60s at the time, Joel McCrea and Randolph Scott summed up their careers in Sam Peckinpah's second film, Ride the High Country. After two hundred films between them, this was Scott's final film and McCrea's second to last. The film was shot in only twenty-six days and played mostly as bottom filler for double bills. It was only after winning first prize at the Cannes Film Festival that it began to be appreciated for the true classic it is. Set in the early days of the century, the days of the cowpoke are giving way to the modern modes of transportation and communication. People like lawman Steve Judd (Joel McCrea), with a reputation for fierce integrity may be obsolete in the New West but his dignity and strength of character make him a hero worthy of admiration.

The film is both a lament for the passing of the Old West and a gentle celebration of humanity's search for friendship, honor, and trust. Both men feel they have somehow failed to live up to their standards and want one more chance to redeem their honor. Judd wants to recapture some measure of self-respect while Westrum looks for the material wealth that has always eluded him. As the film opens, Judd hires his ex-deputy Gil Westrum (Randolph Scott) to help him transport a shipment of gold bullion down from the high Sierras, a job in which six prior attempts ended in failure. Against Judd's advice, they bring along a third man - a wild, womanizing youth named Heck Longtree (Ron Starr), who proves to them that he can handle himself in a fistfight.

Things get complicated when they spend the night at a farm run by puritanical Joshua Knudson (R.G. Armstrong) and Heck is taken with his beautiful daughter Elsa (Mariette Hartley). Feeling thwarted by her possessive and moralizing father, Elsa runs away with the trio hoping to find a miner, Billy Hammond (James Drury) who has promised to marry her. As they ride up into the hills, the cinematography by Lucien Ballard reflects the beauty of the West as it has rarely been seen. When they arrive, things go from bad to worse for Elsa. Preceded by a marvelously comic horseback parade in which the boys sing When the Roll is Called Up Yonder, she is married to Billy in a saloon presided over by an inebriated judge.

Unfortunately, she has to be rescued by Judd after Billy Boy plans to share his bride with his four redneck brothers on their wedding night. The wedding scene is shown from Elsa's point of view and it is sympathetic and touching. On the way back with the gold, however, Gil turns on his old friend, plotting with Heck to steal the gold. In a famous exchange, Gil asks Judd, `Pardner, you know what's on the back of a poor man when he dies? The clothes of pride. Is that all you want?' To this Judd replies `All I want is to enter my house justified.' When the travelers encounter the Hammond boys waiting to ambush them at the farm, both men must confront their deepest fears and their noblest truths.