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Overview
User Rating:
Director:
Writers (WGA):
Robert Bolt (screenplay) and
Michael Wilson (screenplay) (originally uncredited: credit restored in 1978 by WGA)
more
Release Date:
30 January 1963 (Canada) more
Tagline:
The Desert Classic. (1983 Video Release) more
Plot:
Epic rumination on a flamboyant and controversial British military figure and his conflicted loyalties during wartime service. full summary | full synopsis
Awards:
Won 7 Oscars. Another 19 wins & 12 nominations more
NewsDesk:
(69 articles)
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User Comments:
a memento from the days when they made real movies more (425 total)
Cast
(Cast overview, first billed only)| Peter O'Toole | ... | T.E. Lawrence | |
| Alec Guinness | ... | Prince Feisal | |
| Anthony Quinn | ... | Auda Abu Tayi | |
| Jack Hawkins | ... | General Lord Edmund Allenby | |
| Omar Sharif | ... | Sherif Ali | |
| José Ferrer | ... | Turkish Bey (as Jose Ferrer) | |
| Anthony Quayle | ... | Colonel Brighton | |
| Claude Rains | ... | Mr. Dryden | |
| Arthur Kennedy | ... | Jackson Bentley | |
| Donald Wolfit | ... | General Murray | |
| I.S. Johar | ... | Gasim | |
| Gamil Ratib | ... | Majid | |
| Michel Ray | ... | Farraj | |
| John Dimech | ... | Daud | |
| Zia Mohyeddin | ... | Tafas |
Additional Details
Parents Guide:
Runtime:
216 min | UK:228 min (director's cut) | UK:187 min (1970 re-release) | UK:210 min (original version) | UK:222 min (premiere version) | USA:227 min (restored roadshow version)
Country:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
70 mm 6-Track (RCA Sound Recording) (70 mm prints) | Dolby SR (35 mm prints) (restored version) | Mono (35 mm prints) (original version) | 4-Track Stereo (magnetic prints) (35 mm) (original version) | DTS 70 mm (70mm restored version)
Certification:
Hong Kong:IIA | USA:Approved (original rating) | USA:G (re-rating) (1971) | Iceland:12 | Portugal:M/12 | Canada:A (Nova Scotia) | Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Netherlands:12 (DVD rating) | South Korea:12 | Brazil:14 | USA:PG (edited for re-rating) (1988) | West Germany:12 (f) | Argentina:Atp | Australia:M (Special Edition DVD) | Australia:PG | Chile:TE | Finland:K-16 | France:U | Ireland:PG | Norway:15 (director's cut) | Norway:16 | Singapore:PG | Spain:18 | Sweden:15 | UK:PG
Filming Locations:
Company:
Fun Stuff
Trivia:
Two miles of track were laid for the train scenes. more
Goofs:
Revealing mistakes: When Jackson Bentley shows his business-card to Selim the Reciter the initial letter of his first name is printed as a G instead of a J. more
Quotes:
[first lines]
Vicar at St. Paul's:
Well nil nisi bonum. But I find something... disproportionate in all this.
Colonel Brighton:
He was a remarkable chap. By any counts, remarkable.
Vicar at St. Paul's:
Did you know him well?
Colonel Brighton:
I knew him.
more
Movie Connections:
Referenced in Battle for the Planet of the Apes (1973) more
Soundtrack:
The Man Who Broke the Bank at Monte Carlo more
FAQ
A NOTE REGARDING SPOILERSWhat was Robert Bolt's contribution to the script vs. Michael Wilson's contribution, and why was Wilson denied credit?
more
more (425 total)
Message Boards
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It is, in a way, depressing to watch this movie today. One winds up contrasting it with the sort of technologically slick and aesthetically shallow spectacles, like "Titanic", that garner the sort of adulation that a truly great movie like "Lawrence" received in its day, and one realizes how far we have fallen.
Ignore David Lean's painterly technique, the way he fills the screen like a canvas. Ignore Freddie Young's stunning cinematography in fulfillment of Lean's vision. Ignore the fabulous score by Maurice Jarre. Ignore the stupendous cast. Ignore the topnotch script.
What we have, beyond all this, is an absolutely gripping and psychologically perplexing character study of a uniquely enigmatic individual that keeps us on the edge of our seats for the full length of the movie. "Lawrence", at over 200 minutes, goes by faster than many a movie of half its length, due to Lean's brilliant pacing and direction, and superb acting all around. To make a comparison in the world of music, this movie, like Mahler's 8th symphony, is a universe contained within itself.
Of course, it is an exercise in self-denial and philistinism to watch this movie in anything other than the wide-screen - or "letterbox" - format, due to Lean's complete use of every inch of the wide screen. To watch it otherwise is to miss half of Lean's intention.
To use a hackneyed phrase, they simply don't make 'em like this anymore.