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| Sean Connery | ... | James Bond | |
| Ursula Andress | ... | Honey Ryder | |
| Joseph Wiseman | ... | Dr. Julius No | |
| Jack Lord | ... | Felix Leiter | |
| Bernard Lee | ... | M | |
| Anthony Dawson | ... | Professor R.J. Dent | |
| Zena Marshall | ... | Miss Taro | |
| John Kitzmiller | ... | Quarrel (as John Kitzmuller) | |
| Eunice Gayson | ... | Sylvia Trench | |
| Lois Maxwell | ... | Miss Moneypenny | |
| Peter Burton | ... | Major Boothroyd | |
| Yvonne Shima | ... | Sister Lily | |
| Michel Mok | ... | Sister Rose | |
| Marguerite LeWars | ... | Annabelle Chung - Photographer (also as Marguerite Le Wars) (as Marguerite Lewars) | |
| William Foster-Davis | ... | Superintendent | |
| Dolores Keator | ... | Mary | |
| Reggie Carter | ... | Jones (as Reginald Carter) | |
| Louis Blaazer | ... | Pleydell-Smith | |
| Colonel Burton | ... | General Potter | |
| rest of cast listed alphabetically: | |||
| Anthony Chinn | ... | Decontamination Technician (uncredited) | |
| Eric Coverley | ... | Three Blind Mice Assassin (uncredited) | |
| Margaret Ellery | ... | Stewardess (uncredited) | |
| John Hatton | ... | Radio Operator (uncredited) | |
| Bettina Le Beau | ... | Prof. Dent's Secretary (uncredited) | |
| Byron Lee | ... | Singer at Puss Feller's (uncredited) | |
| Henry Lopez | ... | Three Blind Mice Assassin (uncredited) | |
| Stanley Morgan | ... | Concierge in Casino (uncredited) | |
| Tim Moxon | ... | John Strangways (uncredited) | |
| Malou Pantera | ... | Hotel Receptionist (uncredited) | |
| Lester Prendergast | ... | Puss Feller (uncredited) | |
| Milton Reid | ... | Dr. No's Guard (uncredited) | |
| Robert Rietty | ... | John Strangways (voice) (uncredited) | |
| Maxwell Shaw | ... | Communications Foreman (uncredited) | |
| Bob Simmons | ... | James Bond in Gunbarrel Sequence (uncredited) | |
Directed by | |||
| Terence Young | |||
Writing credits | ||
| Richard Maibaum | (screenplay) & | |
| Johanna Harwood | (screenplay) & | |
| Berkely Mather | (screenplay) | |
| Ian Fleming | (novel) | |
| Terence Young | uncredited | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Harry Saltzman | .... | producer | |
| Stanley Sopel | .... | associate producer (uncredited) | |
Original Music by | |||
| Monty Norman | |||
| John Barry | (uncredited) | ||
Cinematography by | |||
| Ted Moore | (director of photography) | ||
Film Editing by | |||
| Peter R. Hunt | (as Peter Hunt) | ||
Casting by | |||
| James Liggat | (uncredited) | ||
Production Design by | |||
| Ken Adam | |||
Art Direction by | |||
| Syd Cain | (uncredited) | ||
Makeup Department | |||
| John O'Gorman | .... | makeup artist | |
| Eileen Warwick | .... | hair stylist | |
Production Management | |||
| L.C. Rudkin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Clive Reed | .... | assistant director | |
| John Meadows | .... | third assistant director (uncredited) | |
Art Department | |||
| Freda Pearson | .... | set dresser | |
| John Chisholm | .... | prop man (uncredited) | |
| Ron Quelch | .... | production buyer (uncredited) | |
Sound Department | |||
| John Dennis | .... | sound recordist | |
| Archie Ludski | .... | dubbing editor | |
| Wally Milner | .... | sound recordist | |
| Norman Wanstall | .... | dubbing editor | |
| Don Wortham | .... | boom operator (uncredited) | |
Special Effects by | |||
| Frank George | .... | special effects | |
Visual Effects by | |||
| Cliff Culley | .... | matte artist (uncredited) | |
| Roy Field | .... | visual effects (uncredited) | |
Stunts | |||
| Peter Brace | .... | stunts (uncredited) | |
| Gerry Crampton | .... | stunts (uncredited) | |
| Bill Cummings | .... | stunts (uncredited) | |
| Steve Emerson | .... | stunts (uncredited) | |
| Alan Gold | .... | stunts (uncredited) | |
| Arthur Howell | .... | stunts (uncredited) | |
| George Leech | .... | stunt double: Joseph Wiseman (uncredited) | |
| George Leech | .... | stunts (uncredited) | |
| Dinny Powell | .... | stunts (uncredited) | |
| Bob Simmons | .... | stunt arranger (uncredited) | |
| Bob Simmons | .... | stunt double (uncredited) | |
| Bob Simmons | .... | stunt double: Sean Connery (uncredited) | |
| Bob Simmons | .... | stunts (uncredited) | |
| Rocky Taylor | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| John Winbolt | .... | camera operator | |
| George Pink | .... | camera operator (uncredited) | |
| John Shinerock | .... | focus puller (uncredited) | |
Animation Department | |||
| Trevor Bond | .... | animator | |
Costume and Wardrobe Department | |||
| Tessa Prendergast | .... | costumes (as Tessa Welborn) | |
| Eileen Sullivan | .... | wardrobe mistress (uncredited) | |
Editorial Department | |||
| Ben Rayner | .... | assistant editor (as Ben Reyner) | |
Music Department | |||
| Burt Rhodes | .... | orchestrator | |
| Eric Rogers | .... | conductor (as Eric Rodgers) | |
| Diana Coupland | .... | singing voice: Ursula Andress (uncredited) | |
| Vic Flick | .... | musician: guitar (uncredited) | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Maurice Binder | .... | title designer: main title | |
| Albert R. Broccoli | .... | presenter | |
| Harry Saltzman | .... | presenter | |
| Helen Whitson | .... | continuity | |
| Chris Blackwell | .... | location manager (uncredited) | |
| Bob Simmons | .... | body double: James Bond, in opening sequence (uncredited) | |
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| Goldfinger | GoldenEye | Thunderball | From Russia with Love | On Her Majesty's Secret Service |
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The first Bond epic is a little rough around the edges in spots (for instance, notice how the Bond theme accompanies even the most mundane of actions, such as Bond lighting a cigarette). But it remains very watchable, and is actually one of the more violent installments in the series, even by contemporary standards.
Sean Connery, of course, is the best of all possible Bonds, and right from his first appearance assumes command of the role with a suave sex appeal and tough masculinity that nobody else (not even Brosnan) has been able to surpass. One thing about this movie that I really liked is the fast-paced editing (courtesy of Peter Hunt). That, and its relatively brief running time (only Goldfinger is shorter, I believe, whereas many of the later Bonds would run on and on far too long, proving that less is sometimes more) make this one of the leaner, more effective Bond films.
Ursula Andress, with her memorable entrance as she rises out of the water like some Greek goddess, sets the standard for the countless beauties who would follow. Joseph Wiseman, as Dr. No, is not really seen until well into the second half, and this works to the movie's advantage, allowing the tension to build as we wonder exactly who this guy is, who is able to put such fear into his subordinates and others. Wiseman delivers a performance that is low-key yet chilling.
Jack Lord is the first and best Felix Leiter (one of my gripes about the Bond series is the treatment of Leiter, who seems to be played by a different actor each time he appears -- and they're not all of the same caliber). The movie was made on a relatively small budget, but it doesn't show.
Dr. No is a superior entertainment, both a respectable start to the adventures of 007 and actually far superior to many of the episodes that would follow.