Days of Wine and Roses (1962)

Director:

Blake Edwards

Writer:

J.P. Miller (writer)

Release Date:

26 December 1962 (USA)

Genre:

Romance | Drama

Tagline:

This, in its own terrifying way, is a love story.

Plot:

An alcoholic falls in love with and gets married to a young woman, whom he systematically addicts to booze so they can share his "passion" together.

Plot Keywords:

Drinking | Alcoholic | Public Relations | Share | Secretary

Awards:

Won Oscar. Another 9 wins & 12 nominations

Cast

Jack Lemmon	...	Joe Clay
Lee Remick	...	Kirsten Arnesen Clay
Charles Bickford	...	Ellis Arnesen
Jack Klugman	...	Jim Hungerford
Alan Hewitt	...	Rad Leland
Tom Palmer	...	Ballefoy
Debbie Megowan	...	Debbie Clay
Maxine Stuart	...	Dottie
Jack Albertson	...	Trayner
Ken Lynch	...	Liquor Store Proprietor

Runtime:

117 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Canada:PG (Ontario) | Australia:G (TV rating) | Australia:M | Finland:K-16 | Spain:18 | USA:Unrated | West Germany:16 (w)

Filming Locations:

San Francisco, California, USA

Company:

Jalem Productions

Trivia:

Jack Riley's film debut.

Goofs:

Crew or equipment visible: When Joe returns to Ellis Arnesen's greenhouse to pay the first instalment of the five hundred dollars, the first shot of Ellis shows him writing something on a "podium." As he turns around to face Joe, a hand appears below the podium to support it, but there's no one else in the greenhouse.

Quotes:

Kirsten Arnesen Clay: Thanks for the compliment, but I know how I look. This is the way I look when I'm sober. It's enough to make a person drink, wouldn't you say? You see, the world looks so dirty to me when I'm not drinking. Joe, remember Fisherman's Wharf? The water when you looked too close? That's the way the world looks to me when I'm not drinking.

Movie Connections:

Referenced in Magic Time: A Tribute to Jack Lemmon (2002) (V)

Soundtrack:

I Only Have Eyes for You

The last great film about alcoholism.

Actually, I think it's only the second, after "The Lost Weekend" in 1945. I apologise if there's any others I don't know about. But it's certainly true that the made-for-TV movie has ruined the genre. Today's alcoholism movies are dreary considered as movies, and offer no pleasure except indulgence of a feeling of moral superiority - which, it seems, is enough for some. It was just this dull moralising that "The Lost Weekend" and "Days of Wine and Roses" broke away from.

Forget about issue-of-the-month TV. Edwards wanted a film that was realistic AND worked as a story, and he found one.

Indeed this is his finest work. He gets great performances out of his two stars - here he was considerably more lucky than Wilder was, although there's nothing wrong with Wilder's cast. The story appears to wander but is really quite tight. Some scenes are fun; many dig into you like small knives. Perhaps there's one too many premonitions at the beginning (this is a problem Wilder didn't have, since his central character was an alcoholic at the start); and some may find that the guy from Alcoholics Anonymous near the end is a bit too good to be true. I also wish that Henry Mancini had stood firm against the temptation to write a smoozy bubblegum theme song for the opening credits. None of this matters, though. Your eyes will be on the central characters the whole time.