Directed by | |||
| Hiroshi Inagaki | |||
Writing credits(in alphabetical order) | ||
| Shoraku Miyoshi | play "Kanadehon Chushingura" | |
| Senryu Namiki | play "Kanadehon Chushingura" | |
| Izumo Takeda | play "Kanadehon Chushingura" | |
| Toshio Yasumi | writer | |
Produced by | |||
| Sanezumi Fujimoto | .... | executive producer | |
| Hiroshi Inagaki | .... | executive producer | |
| Edward Landberg | .... | producer (1966 US version) | |
| Tomoyuki Tanaka | .... | executive producer | |
Original Music by | |||
| Akira Ifukube | |||
Cinematography by | |||
| Kazuo Yamada | |||
Film Editing by | |||
| Koichi Iwashita | (as Hirokazu Iwashita) | ||
Production Design by | |||
| Kisaku Ito | |||
Production Management | |||
| Shôtarô Kawakami | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Teruo Maru | .... | assistant director | |
| Masahiro Takase | .... | chief assistant director | |
Art Department | |||
| Hiroshi Ueda | .... | assistant art director | |
Sound Department | |||
| Yoshio Nishikawa | .... | sound recordist | |
| Hisashi Shimonaga | .... | sound mixer | |
Special Effects by | |||
| Eiji Tsuburaya | .... | special effects director | |
Camera and Electrical Department | |||
| Shoshichi Kojima | .... | lighting technician | |
| Matsuo Yoshizaki | .... | still photographer | |
Other crew | |||
| Steve Barger | .... | subtitler (US video version) | |
| Audie Bock | .... | subtitle editor (US video version) | |
| Ryû Kuze | .... | swordplay choreographer | |
| Kiyokata Seruwaka | .... | choreographer | |
| Herman G. Weinberg | .... | subtitler: English | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
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I have actually seen this film several times because it was my college boyfriend's favorite movie and I was dragged to the local art house to see it 5 times. But I have to say I found something new in it each time. While I agree with the previous reviewer that it can be confusing, the story is legendary in Japan and the film makers didn't feel the need to explain elements the Japanese audience would be familiar with. I suggest a second viewing will make it more coherent. I have yet to see a more recent samurai/martial arts film match the suspense and beauty of the snow scene or the heartbreak at the end of the first half. It is a visually rich and rewarding movie experience.