| Photos (see all 6 | slideshow) |
| Jean-Pierre Cassel | ... | Le caporal / The Corporal | |
| Claude Brasseur | ... | 'Papa' / 'Pop' | |
| O.E. Hasse | ... | Le voyageur ivre dans le train | |
| Claude Rich | ... | Ballochet | |
| Jacques Jouanneau | ... | Penche-à-gauche | |
| Sacha Briquet | ... | L'évadé grimé en vielle femme | |
| Raymond Jourdan | ... | Hippolyte Dupieu | |
| Guy Bedos | ... | Le prisonnier qui bégaye | |
| Philippe Castelli | ... | Le prisonnier électricien | |
| Gérard Darrieu | ... | L'homme qui louche / The cross-eyed man | |
| Lucien Raimbourg | ... | L'employé de la gare | |
| François Darbon | ... | Un paysan / The last man | |
| Cornelia Froboess | ... | Erika Schmidt (as Conny Froboess) | |
| Elisabeth Marcus | |||
| Elisabeth Stiepl | (as Elisabeth Stiepel) | ||
| Helmut Janatsch | |||
| Mario David | ... | Caruso | |
| Jean Carmet | ... | Guillaume | |
| rest of cast listed alphabetically: | |||
| Adolf Hitler | ... | Himself (archive footage) (uncredited) | |
| Billy Kearns | ... | Un garde / Guard (uncredited) | |
Directed by | |||
| Jean Renoir | |||
Writing credits(in alphabetical order) | ||
| Guy Lefranc | adaptation | |
| Jacques Perret | novel | |
| Jean Renoir | adaptation and dialogue | |
| Charles Spaak | uncredited | |
Produced by | |||
| Adry De Carbuccia | .... | producer (as Adry de Carbuccia) | |
| Roland Girard | .... | producer | |
| Georges Glass | .... | delegate producer: Austria | |
Original Music by | |||
| Joseph Kosma | |||
Cinematography by | |||
| Georges Leclerc | |||
Film Editing by | |||
| Renée Lichtig | |||
Production Design by | |||
| Wolf Witzemann | |||
Makeup Department | |||
| Ladislaus Valicek | .... | makeup artist (as Ladisl Valicek) | |
Production Management | |||
| René Gaston Vuattoux | .... | production manager (as René G. Vuattoux) | |
Second Unit Director or Assistant Director | |||
| Jean Egon Kieffer | .... | assistant director (as J.E. Kieffer) | |
| Guy Lefranc | .... | assistant director | |
| Marc Maurette | .... | assistant director | |
| Paulo Rocha | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Eugène Herrly | .... | set designer (uncredited) | |
Sound Department | |||
| Jacques Bissières | .... | sound assistant (as Jacques Bissière) | |
| Gaston Demède | .... | sound assistant | |
| Jacques Gérardot | .... | sound assistant | |
| Antoine Petitjean | .... | sound engineer | |
Special Effects by | |||
| Eugène Herrly | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Stefan Börczök | .... | still photographer (as Stefan Borcsök) | |
| Gilbert Chain | .... | camera operator | |
| Robert Fraisse | .... | assistant camera | |
| Antoine Georgakis | .... | assistant camera | |
| Jean-Louis Picavet | .... | chief camera operator | |
| André Moindrot | .... | lighting technician (uncredited) | |
Editorial Department | |||
| Madeleine Lecompere | .... | assistant editor | |
Music Department | |||
| Serge Baudo | .... | conductor | |
Other crew | |||
| J.W. Beyer | .... | general manager | |
| Charlotte Lefèvre | .... | script girl (as Charlotte Lefèvre Vuattoux) | |
| Yvonne Toumayeff | .... | administrator | |
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| L'armée des ombres | Bon voyage | La règle du jeu | Bittere Ernte | Passage to Marseille |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb France section | Add this title to MyMovies |
Jean Renoir was always spared by the Nouvelle Vague critics.And however,if you've seen all his great films of the thirties (roughly from "la Chienne" to "La Règle du Jeu" )you may possibly find his latter days works disappointing:"le Déjeuner sur l'Herbe" and his pitiful attempt at a "Dr Jekill and M.Hyde" "Le Testament du Docteur Cordelier" "Le Caporal epinglé " is a different matter for it has its moments and the cast (Rich,Cassel,Claude Brasseur) is so perfect I do not need to add to the praise they have already received.
When I was a child ,I remember what my mother said when she saw the movie when it was theatrically released ;she did not like it very much.Six or seven years later,when I had the opportunity to see it ,I told her I did not understand her and that I had liked it ."Some day you will find out" was the answer.
At the time,I did not know even Renoir's name.Now that I've seen most of his movies,I do not take the same view as I did:I do not think,as it has often been mooted that it's a remake of "la grande illusion" although there are similarities between the two works.But Autant-Lara's "La traversée de Paris" or Henri Verneuil's "La Vache et le Prisonnier" (aka "the cow and I") which were pejoratively labeled "Cinema de Qualité" by the Young Turks were not inferior to "le Caporal Epinglé".Renoir's humor is sometimes vulgar and you'd better take "Stalag 17" instead.In the twenties his "Tire au Flanc" displays the same questionable coarse comedy side.
"La Grande Illusion" is one of the greatest films of the FRench cinema.Although it takes place during WW1,we never feel how atrocious that war was.
"Le Caporal Epinglé" takes place in a prison camp.And except for a few moments (Claude Rich's escape for instance) ,the soldiers seem to live in a holiday camp.
"LE Caporal Epinglé " is an entertaining movie though and the best scenes ,IMHO,are to be found outside the camp: Cassel on the dentist's chair is worth the price of admission.And the scene on the train with the naughty brat ("Be quiet or the gentleman will take you to war") is hilarious.