Cape Fear (1962)

User Rating:

7.8/10   

Director:

J. Lee Thompson

Writers:

John D. MacDonald (novel)
James R. Webb (screenplay)

Release Date:

1962 (Norway)

Genre:

Crime | Drama | Thriller

Tagline:

The Original Masterpiece Of Revenge, Confrontation And Murder!

Plot:

A lawyer's family is stalked by a man he once helped put in jail.

Plot Keywords:

Lawyer | Dog | Father Daughter Relationship | Police Chief | Strip Search

Cast

Gregory Peck	...	Sam Bowden
Robert Mitchum	...	Max Cady
Polly Bergen	...	Peggy Bowden
Lori Martin	...	Nancy Bowden
Martin Balsam	...	Police Chief Mark Dutton
Jack Kruschen	...	Attorney Dave Grafton
Telly Savalas	...	Private Detective Charles Sievers
Barrie Chase	...	Diane Taylor
Paul Comi	...	George Garner
John McKee	...	Officer Marconi
Page Slattery	...	Deputy Kersek
Ward Ramsey	...	Officer Brown
Edward Platt	...	Judge
Will Wright	...	Dr. Pearsall
Joan Staley	...	Waitress

Also Known As:

The Executioners (USA) (working title)

Runtime:

105 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Finland:(Banned) (1962) (uncut) | Finland:K-16 (1969) (cut) | Finland:K-16 (1992) (uncut) | West Germany:18 (nf) | Germany:16 (re-rating) | Brazil:16 | Argentina:16 | Canada:PG (video rating) | Chile:18 | Norway:16 (1962) | Spain:13 | Sweden:15 | UK:15 | USA:Approved (Certificate #20038)

Filming Locations:

Savannah, Georgia, USA

Company:

Melville-Talbot Productions

Trivia:

Director J. Lee Thompson complained at the time that UK censor John Trevelyan had ruined the film by making extensive cuts, and the number of edits suggested ranged from 60 to over 100. Trevelyan later replied that he had made only 15 cuts, totalling around 6 minutes, with edits made to threatening dialogue and assault references, Cady's attack on Peggy, and all shots of him staring longingly at Nancy. All later UK video releases restored the cinema cuts.

Goofs:

Revealing mistakes: For some strange reason, just after Sam shoots Cady, the shot of Cady from Sam's POV shows the branches of a bush superimposed on the bottom and left side of the frame. The tipoff is that when the camera moves the branches of the "bush" do not - they move along with the camera, as if they're glued onto the frame (which they are).

Quotes:

Diane Taylor: [after Cady has beaten her, she prepares to leave town] You can't help me.
Charles Sievers: But I can. Now you file an assault charge and Cady'll get six months in jail.
Diane Taylor: Six months! And after that... When he walked out of this room he said... he said to consider this only a sample. And from my limited knowledge of human nature, Max Cady isn't a man who makes idle threats.

Movie Connections:

Referenced in The Man with the Golden Gun (1974)

Good drama made great by an excellent Mitchum

Sam Bowden is a lawyer who, eight years ago, acted as a witness against Max Cady to put him behind bars. Released from prison, Cady has studied the law and is set on terrorising the Bowdens without actually overstepping his legal rights. As Cady toes the line with increasingly worrying results, Browden begins to cross the line to deal with him and protect his family.

Having seen the remake first I wanted to go back and see it done originally. My first impression was that the remake had done some elements better than this. For example Nolte's lawyer is a lot less clean-cut than Pecks'. Also the sexual threat to the daughter is a lot more played out in the remake. Getting past this I saw how this was actually a better film in many ways. As a drama it moves along at a good pace – not jumping from one thrill to the next but not dragging either.

The film can only hint at the deeds of Cady because of the censors but it is clear even to the blind that Cady is a monster. This ups the tension as everything is slowly build to and we don't get a bloody or sexually shocking scene as a pay-off, no, here the tension is build on top of other tension. The direction is good, giving a dark feel to the look of the film as well as hinting constantly. Even if some of the thrills are signposted it still works well.

However, without Mitchum's performance this would be a very different film. With the help of De Niro's sneer or menacing tattoos, he is still a better Cady. He is on top form – where De Niro wore his threat large, Mitchum hints at it under a veneer of casual disinterest, making the threat seem bigger when he acts. Peck is good even if his character is too clean-cut when he should have been pushed further over the line for my tastes. Bergen doesn't have much to do, but her final scene with Mitchum is powerful and she really lets rip. Martin is perfectly cast – she looks like a child but also is `developed' enough to be a sexual role for Mitchum to prey on. It is easy to watch her as Mitchum closes in on her, almost licking his lips, but that's the power of the film.

Overall this manages to be powerful and thrilling despite the censors and is a really good drama. However it is totally carried by a monstrous yet subtle performance by Mitchum. De Niro was good in the role but once you've seen this you'll realise that menace can be acted subtly and not just by sneering and getting tonnes of tattoos.