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Boccaccio '70 (1962)
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Overview
User Rating:
Release Date:
26 June 1962 (USA) morePlot:
Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana... more | add synopsisUser Comments:
do not miss! more (9 total)Cast
(Complete credited cast)| Marisa Solinas | ... | Luciana (segment "Renzo e Luciana") | |
| Germano Gilioli | ... | Renzo (segment "Renzo e Luciana") | |
| Anita Ekberg | ... | Anita (segment "Le tentazioni del dottor Antonio") | |
| Peppino De Filippo | ... | Dr. Antonio Mazzuolo (segment "Le tentazioni del dottor Antonio") | |
| Romy Schneider | ... | Pupe (segment "Il lavoro") | |
| Tomas Milian | ... | Conte Ottavio (segment "Il lavoro") (as Thomas Milian) | |
| Romolo Valli | ... | Lawyer Zacchi (segment "Il lavoro") | |
| Sophia Loren | ... | Zoe (segment "La riffa") | |
| Luigi Giuliani | ... | Gaetano (segment "La riffa") | |
| Alfio Vita | ... | Cuspet (segment "La riffa") |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Argentina:205 min | Germany:125 min (3 episodes) (cut) | Netherlands:158 min (3 episodes) | USA:150 min (3 episodes) (cut) | France:150 min (3 episodes) (cut) | 208 min (4 episodes)Color:
Color (Technicolor/Eastmancolor)Aspect Ratio:
1.66 : 1 moreSound Mix:
MonoCertification:
Australia:PG | Hungary:18 | Netherlands:12 (2004) (DVD) | Netherlands:9 (2009) (DVD) | Argentina:16 | Finland:K-16 | Italy:VM14 | Sweden:15 | UK:X | USA:Unrated | Germany:6 (re-rating) | West Germany:18Fun Stuff
Trivia:
Federico Fellini's segment, "Le tentazioni del dottor Antonio", was his first work in color. It and Fellini's contribution to L'amore in città (1953) along with his co-directed "Variety Lights" are the "1/2" alluded to in the title of 8½ (1963). moreMovie Connections:
Referenced in "Monty Python's Flying Circus: The Money Programme (#3.3)" (1972) moreSoundtrack:
'I te vurria vasa' moreFAQ
This FAQ is empty. Add the first question.more (9 total)
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Specifically for film lovers,like myself, who only ever got to watch this collection (minus the first segment) on late-late night commercial TV- run out and get a copy of this remastered version. To watch this as it was originally intended- the work of some of Italy's finest directors- is a joy. As for which segment is the best... it's hard to say...Fellini's segment is better than I remembered it...and who could ever forget Anita Ekberg...in truth I have a fondness for all these Italian films I saw in my youth that makes objectivity hard.P.S.: Of course, the same must be said for Yesterday, Today and Tomorrow-also reissued- I nearly cried at how good the print was.