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| Toshirô Mifune | ... | Sanjuro Kuwabatake / The Samurai | |
| Tatsuya Nakadai | ... | Unosuke, gunfighter | |
| Yôko Tsukasa | ... | Nui | |
| Isuzu Yamada | ... | Orin | |
| Daisuke Katô | ... | Inokichi, Ushitora's rotund brother | |
| Seizaburô Kawazu | ... | Seibei, brothel operator | |
| Takashi Shimura | ... | Tokuemon, sake brewer | |
| Hiroshi Tachikawa | ... | Yoichiro | |
| Yosuke Natsuki | ... | Kohei's Son | |
| Eijirô Tôno | ... | Gonji, tavern keeper | |
| Kamatari Fujiwara | ... | Tazaemon | |
| Ikio Sawamura | ... | Hansuke | |
| Atsushi Watanabe | ... | The Cooper (Coffin-Maker) | |
| Susumu Fujita | ... | Homma, instructor who skips town | |
| Kyû Sazanka | ... | Ushitora | |
| Kô Nishimura | ... | Kuma | |
| Takeshi Katô | ... | Ronin Kobuhachi | |
| Ichirô Nakaya | ... | First Samurai | |
| Sachio Sakai | ... | First Foot Soldier | |
| Akira Tani | ... | Kame | |
| Namigoro Rashomon | ... | Kannuki the giant | |
| Yoshio Tsuchiya | ... | Kohei | |
| Gen Shimizu | ... | Magotaro | |
| Yutaka Sada | ... | Matsukichi | |
| Shin Otomo | ... | Kumosuke | |
| Shoichi Hirose | ... | Ushitora Follower | |
| Eisei Amamoto | ... | Yahachi | |
| Shôji Oki | ... | Sukeju | |
| Fuminori Ohashi | ... | Second Samurai | |
| Hiroshi Yoseyama | ... | Farmer | |
| Senkichi Ômura | ... | Traveler | |
| Fumiko Honma | ... | Farmer's ex-wife | |
| Ryusuke Nishio | ... | Seibei Follower | |
| Naoya Kusakawa | ... | Seibei Follower | |
| Nadao Kirino | ... | Seibei Follower | |
| Jun Ôtomo | ... | Seibei Follower | |
| Shinpei Takagi | ... | Ushitora Follower | |
| Akio Kusama | ... | Ushitora Follower | |
| Yasuzo Ogawa | ... | Ushitora Follower | |
| Hiroshi Takagi | ... | Ushitora Follower | |
| Junichirô Mukai | ... | Seibei Follower | |
| Fumiyoshi Kamagaya | ... | Seibei Follower | |
| Ichirô Chiba | ... | Second Foot Soldier | |
| Haruya Sakamoto | ... | Ushitora Follower | |
| Rinsaku Ogata | ... | Seibei Follower | |
| Fumio Kogushi | ... | Ushitora Follower | |
| Yoko Terui | ... | Woman at Seibei's house | |
| Hiromi Mineoka | ... | Woman at Seibei's house | |
| Michiko Kawa | ... | Woman at Seibei's house | |
| rest of cast listed alphabetically: | |||
| Takuzo Kumagaya | (as Jirô Kumagai) | ||
| Jerry Fujio | ... | Roku, samurai whose arm is cut (uncredited) | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits | ||
| Akira Kurosawa | (story) | |
| Akira Kurosawa | (screenplay) & | |
| Ryûzô Kikushima | (screenplay) | |
Produced by | |||
| Ryûzô Kikushima | .... | executive producer | |
| Akira Kurosawa | .... | producer | |
| Tomoyuki Tanaka | .... | executive producer | |
Original Music by | |||
| Masaru Satô | |||
Cinematography by | |||
| Kazuo Miyagawa | |||
Film Editing by | |||
| Akira Kurosawa | |||
Production Design by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Yoshirô Muraki | |||
Makeup Department | |||
| Yoshiko Matsumoto | .... | hair stylist | |
| Junjiro Yamada | .... | hair stylist | |
Production Management | |||
| Hiroshi Nezu | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Masanobu Deme | .... | assistant director | |
| Shirô Moritani | .... | chief assistant director | |
Art Department | |||
| Koichi Hamamura | .... | property master | |
| Yoshifumi Honda | .... | assistant art director | |
Sound Department | |||
| Choshichiro Mikami | .... | sound recordist | |
| Ichirô Minawa | .... | sound effects editor | |
| Masanobu Miyazaki | .... | sound mixer | |
| Zen Shida | .... | assistant sound | |
| Hisashi Shimonaga | .... | sound recordist | |
Camera and Electrical Department | |||
| Masao Fukuda | .... | still photographer | |
| Choshiro Ishii | .... | lighting technician | |
| Shôji Kaneko | .... | assistant lighting technician | |
| Takao Saitô | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Masahiro Katô | .... | costumer | |
Editorial Department | |||
| Reiko Kaneko | .... | assistant editor | |
Transportation Department | |||
| Ginzo Osumi | .... | transportation coordinator | |
Other crew | |||
| Hiroshi Kanesu | .... | choreographer | |
| Ryu Kuze | .... | swordplay technique | |
| Teruyo Nogami | .... | script supervisor | |
| Yoshio Sugino | .... | swordplay instructor | |
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| Zatôichi | The Dark Knight | Tsubaki Sanjûrô | Per un pugno di dollari | Shichinin no samurai |
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| Full cast and crew | Company credits | External reviews |
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Classic samurai action pic; often imitated but never equalled. Mifune creates a memorable character (who appeared in a sequel) in the Ronin who decides the course of his life on the toss of a stick, and ends up risking his life to save a village full of peasants he finds revolting. It's possible to see "Yojimbo's" actions as either heroic or as the game of a bored warrior in need of amusement -- as often in Kurosawa's films, the fact that the characters' motives remain open to interpretation adds depth to the film.
Wonderful images, and skillful direction that keeps the pace of the storytelling tight and tells most of the story through images -- this is the kind of film that is so good it can be watched a silent film without losing too much of its impact or meaning.
I think that if Kurosawa had spent more of his time in litigation and less making movies, he might have made a living for the rest of his life off all the movies that have ripped off this movie. Certainly Eastwood's "Man with No Name" character owes a lot to Mifune's contribution; not only in Leone's films (the first of which borrows its entire plot from Kurosawa; a court settlement ensued which made sure Kurosawa made most of the profits from "Fistful of Dollars" in Asia his own) but also in Eastwood's best film as a director -- "High Plains Drifter", which borrows scenes such as Eastwood's rebuke of the villagers from "Yojimbo".
The really funny thing about all this, and what not too many American critics or audiences have noted, is that "Yojimbo" is itself a western. All the ingredients for a western are here, and the film's plot and style obviously owe a debt to Zinnemann's "High Noon". "Yojimbo" even borrows the device of time, setting up a confrontation at 3:00 a.m. as shouted by the town crier. I like "Yojimbo" better than "High Noon", so I don't want to go too far into this line of thought....