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Une femme est une femme (1961)
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Overview
User Rating:
Release Date:
6 September 1961 (France) morePlot:
Angela,a striptease artist, wants to have a baby and tries to persuade her boyfriend Emile to go along with the idea... more | add synopsisAwards:
2 wins & 1 nomination moreNewsDesk:
(2 articles)
Movie Poster of the Week: "Le feu follet" (From The Auteurs. 8 October 2009, 9:15 PM, PDT)
PFA: Movie Love in the Sixties—Jean-Luc Godard
(From Twitch. 18 September 2008, 3:31 PM, PDT)
User Comments:
Perhaps Godard's most accessible film....perhaps... more (23 total)Cast
(Credited cast) | Jean-Claude Brialy | ... | Émile Récamier (as Brialy) |
| Anna Karina | ... | Angela (as Karina) |
| Jean-Paul Belmondo | ... | Alfred Lubitsch (as Belmondo) |
Additional Details
Parents Guide:
View content advisory for parentsRuntime:
Argentina:85 min | USA:84 minLanguage:
FrenchColor:
Color (Eastmancolor)Aspect Ratio:
2.35 : 1 moreSound Mix:
MonoCertification:
Finland:K-16 (cut) | UK:PG | Portugal:M/12 | Argentina:16 | Netherlands:16 | Singapore:PG | Sweden:15 | Brazil:16 | West Germany:18 (nf)Fun Stuff
Quotes:
Angela: Would you rather have fish or meat for dinner?[impatient]
Angela: Emile!
Émile Récamier: Fish.
Angela: What would you have preferred if you were having meat?
Émile Récamier: I dunno. Veal.
Angela: And if you were to have beef rather than veal, would you prefer a steak or a roast?
Émile Récamier: A steak.
Angela: And had you answered roast, would you prefer it rare or well-done?
Émile Récamier: Rare.
[...]
more
Soundtrack:
Tu t'laisses aller moreFAQ
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Okay, it might not be Godard's most accessible film, but it certainly is his most delightful. And although not without cynicism, it's also probably his least cynical film. It keeps his traditional theme of people never being able to relate to one another, that effective communication is almost impossible, however it does it in such a fun, lighthearted way. It's an homage to the MGM-style musical's of the 40's and 50's, but not in any conventional way. I don't know. All in all I think it's a beautiful, exuberant picture and perhaps my favourite Godard film other than "Contempt", and certainly not as depressingly sad. Or maybe it is.