IMDb > Pocketful of Miracles (1961)
Pocketful of Miracles
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Pocketful of Miracles (1961) More at IMDbPro »

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Pocketful of Miracles (1961) -- Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself...

Overview

User Rating:
7.2/10   2,176 votes
MOVIEmeter: ?
Down 7% in popularity this week. See why on IMDbPro.
Director:
Frank Capra
Writers:
Hal Kanter (screenplay) and
Harry Tugend (screenplay) ...
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Contact:
View company contact information for Pocketful of Miracles on IMDbPro.
Release Date:
25 December 1961 (USA) more
Genre:
Comedy | Drama more
Plot:
Boozy, brassy Apple Annie, a beggar with a basket of apples, is as much as part of downtown New York as old Broadway itself... more | full synopsis
Plot Keywords:
more
Awards:
Nominated for 3 Oscars. Another 2 wins & 4 nominations more
NewsDesk:
(2 articles)
Glenn Ford: 1916 - 2006
 (From IMDb News. 31 August 2006)

Hope Lange: 1931-2003
 (From WENN. 22 December 2003)

User Comments:
Bette Davis Stars as Ann Margaret's Misfit Mother more (32 total)

Cast

  (Cast overview, first billed only)

Glenn Ford ... Dave the Dude

Bette Davis ... Apple Annie

Hope Lange ... Queenie Martin
Arthur O'Connell ... Count Alfonso Romero

Peter Falk ... Joy Boy
Thomas Mitchell ... Judge Henry G. Blake

Edward Everett Horton ... Hudgins
Mickey Shaughnessy ... Junior
David Brian ... Governor
Sheldon Leonard ... Steve Darcey
Peter Mann ... Carlos Romero

Ann-Margret ... Louise
Barton MacLane ... Police Commissioner (as Barton Maclane)
John Litel ... Police Inspector McCrary
Jerome Cowan ... Mayor
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Additional Details

Runtime:
136 min
Country:
USA
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono (Westrex Recording System)

Fun Stuff

Trivia:
Before Bette Davis accepted the role, Shirley Booth was approached about playing Apple Annie. Booth viewed the original version of the film, Lady for a Day (1933), and informed director Frank Capra that there was no way she could match the Oscar-nominated performance of May Robson in the original film, and politely declined the role. more
Goofs:
Factual errors: While walking past Broadway Theater, Apple Annie hollers good luck "tonight" to unseen Tallulah Bankhead, presumably on that evening's opening of a play. However, Bankhead did not appear on Broadway from 1922-1933 and movie is set in 1931. more
Quotes:
Joy Boy: Does it still kinda get you right here? more
Movie Connections:
Referenced in "Dawson's Creek: Hurricane (#1.5)" (1998) more
Soundtrack:
Jarabe tapatio (Mexican Hat Dance) more

FAQ

This FAQ is empty. Add the first question.
36 out of 42 people found the following comment useful.
Bette Davis Stars as Ann Margaret's Misfit Mother, 15 September 2007
10/10
Author: Kennedy63 from United States

Apple Annie (Bette Davis) makes her living as a gin-sauced, basket-carrying, apple-selling NYC street woman. This motion picture is in color which makes Davis's famous facial expressions, especially her eyes, all the more effective.

The people Apple Annie hangs out with are other street vendors who are social misfits of various sorts; but, they have one thing in common: poverty.

Apple Annie is well connected with a mobster known as The Dude. Fortunately, he's superstitious. The tough mobster (Glen Ford) believes Apple Annie's apples bring him daily good luck because she says, "God Bless You," to everyone who buys from her.

All along Apple Annie's been writing her daughter on stationary from an upper-crusty city apartment complex, in order to pretend that she's a well-to-do lady. When her daughter, Louise (Ann Margaret, in her film debut) writes that she's coming to the city with her potential fiancé', whose father is a Spanish count, Apple Annie's pretense is not only about to be exposed but it could ruin her only child's chance for marrying well enough so that she'll never live in poverty as her mother has.

The rest of the story is fabulous: humorous, ingenious, well-casted, scripted and acted. It's anything but a typical mob story.

For me, the priceless scenes are between the veteran actor Bette Davis and upstart Ann Margaret. Imagine being able to claim that in your first film you starred as Bette Davis's daughter? Margaret gives a fine first film performance face-to-face with the Queen of the Screen. Peter Faulk does his mobster version of "Columbo," in top form. Davis, in Technicolor, delivers one of the most realistic, heart-felt, truly dramatic metamorphosis characters I've seen.

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