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One Hundred and One Dalmatians (1961)
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Overview
User Rating:
Directors:
Writers:
Release Date:
25 January 1961 (USA)
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Tagline:
Walt Disney's new all-cartoon feature more
Plot:
When a litter of dalmatian puppies are abducted by the minions of Cruella De Vil, the parents must find them before she uses them for a diabolical fashion statement. full summary | full synopsis
Awards:
Won BAFTA Film Award.
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NewsDesk:
(4 articles)
Disney Issues No-Smoking Edict
(From Studio Briefing - Film News. 26 July 2007)
Disney Outlines New Plan For Releasing Videos
(From Studio Briefing - Film News. 11 November 1999)
(From Studio Briefing - Film News. 26 July 2007)
Disney Outlines New Plan For Releasing Videos
(From Studio Briefing - Film News. 11 November 1999)
User Comments:
A new look
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Cast
(Cast overview, first billed only)| Rod Taylor | ... | Pongo (voice) | |
| J. Pat O'Malley | ... | Colonel / Jasper (voice) | |
| Betty Lou Gerson | ... | Cruella De Vil / Miss Birdwell (voice) | |
| Martha Wentworth | ... | Nanny / Queenie / Lucy (voice) | |
| Ben Wright | ... | Roger (voice) | |
| Cate Bauer | ... | Perdita (voice) | |
| David Frankham | ... | Sgt. Tibs (voice) (as Dave Frankham) | |
| Frederick Worlock | ... | Horace / Inspector Craven (voice) (as Fred Worlock) | |
| Lisa Davis | ... | Anita (voice) | |
| Tom Conway | ... | Quizmaster / Collie (voice) | |
| Tudor Owen | ... | Towser (voice) | |
| George Pelling | ... | Danny (voice) | |
| Ramsay Hill | ... | Television Announcer / Labrador (voice) | |
| Sylvia Marriott | ... | (voice) | |
| Queenie Leonard | ... | Princess (voice) |
Additional Details
Also Known As:
101 Dalmatians (USA) (alternative spelling)
Walt Disney's 101 Dalmatians (USA) (alternative title)
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Walt Disney's 101 Dalmatians (USA) (alternative title)
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Parents Guide:
Runtime:
79 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (RCA Sound Recording)
Certification:
Brazil:Livre |
Iceland:L |
West Germany:o.Al. |
South Korea:All |
New Zealand:G |
Peru:PT |
Australia:G |
Argentina:Atp |
Chile:TE |
Finland:S |
Portugal:M/6 |
Spain:T |
Sweden:Btl |
UK:U |
USA:G (re-rating) (1969)
Company:
Fun Stuff
Trivia:
Premiered at the famed Radio City Music Hall in New York City.
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Goofs:
Revealing mistakes: When Pongo starts howling to send out the last part of the Twilight Bark, his four paws temporarily do not make contact with the ground; giving the image of walking on thin air before being pulled back to the ground by his owner.
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Quotes:
Movie Connections:
Spoofs "What's My Line?" (1950)
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Soundtrack:
Cruella De Vil
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FAQ
This FAQ is empty. Add the first question.more (60 total)
Message Boards
Discuss this movie with other users on IMDb message board for One Hundred and One Dalmatians (1961)| Recent Posts (updated daily) | User |
|---|---|
| Male or Female? | phishspitoon |
| Puppies Accents | thats_tacky |
| 100 things I learned from 101 dalmations | alexweiss3 |
| Twilight bark | pianoteacher1218 |
| Bolt. | RocknRollaa |
| Julie Andrews | bmouse95 |
Recommendations
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A large part of Disney's triumph cannot be detected by the naked eye. His last animated film had been `Sleeping Beauty', which was the most extravagant and spectacular animated film of all time (excluding `Fantasia'). It wasn't a financial success. `101 Dalmatians', much less extravagant, was. In the two years between `Sleeping Beauty' and its successor there had been a revolution. The entire army of inkers who had carefully translated animators' pencil drawings into smooth, flowing lines were replaced by a machine that simply photocopied. This changed the character of animation so much that `Dalmatians' is almost the precise opposite of `Beauty'. Outlines are rough and black; the entire film looks decidedly drawn rather than painted, even the bits that are in fact painted; and the rich variety of colour of Disney's earlier films has been replaced with the stark white-with-black-spots coat of a dalmatian, with the occasional splash of startling red. The art directors were as determined to get the most out of the new technology as they had been to get the most out of the old technology.
And it has its own quiet extravagance. A title promising over one hundred spotted dogs was (probably still is) the kind of thing liable to make animators feel faint. It couldn't have been done without the photocopier; and even so, getting spots to stay in the right place on a featureless white background is a huge headache. None of this leaps out an audience. We simply see a hundred adorable dogs.
The story is simple, clean, civilised, and warm. It moves slowly but this doesn't matter. Preventing the film from becoming lethargic is Cruella de Vil. She can drive like a maniac through the snow, smoke a cigarette through a holder the length of a sword, wave her arms like a windmill ... yet she handles quiet determination and gritted teeth equally well. Character animation doesn't get any better than this.