| Jeanne Moreau | ... | Catherine | |
| Oskar Werner | ... | Jules (as Oscar Werner) | |
| Henri Serre | ... | Jim | |
| Vanna Urbino | ... | Gilberte | |
| Boris Bassiak | ... | Albert (as Bassiak) | |
| Anny Nelsen | ... | Lucie | |
| Sabine Haudepin | ... | Sabine, la petite | |
| Marie Dubois | ... | Thérèse | |
| Michel Subor | ... | Récitant / Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Danielle Bassiak | ... | Albert's companion (uncredited) | |
| Elen Bober | ... | Mathilde (uncredited) | |
| Pierre Fabre | ... | Drunkard in cafe (uncredited) | |
| Dominique Lacarrière | ... | One of the women (uncredited) | |
| Bernard Largemain | ... | Merlin (uncredited) | |
| Kate Noelle | ... | Birgitta (uncredited) | |
| Jean-Louis Richard | ... | Customer in cafe (uncredited) | |
| Michel Varesano | ... | Customer in cafe (uncredited) | |
| Christiane Wagner | ... | Helga (uncredited) | |
Directed by | |||
| François Truffaut | |||
Writing credits | ||
| Henri-Pierre Roché | (novel) | |
| François Truffaut | (adaptation and dialogue) & | |
| Jean Gruault | (adaptation and dialogue) | |
Produced by | |||
| Marcel Berbert | .... | executive producer (uncredited) | |
| François Truffaut | .... | producer (uncredited) | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Raoul Coutard | |||
Film Editing by | |||
| Claudine Bouché | |||
Production Design by | |||
| Fred Capel | (uncredited) | ||
Costume Design by | |||
| Fred Capel | (uncredited) | ||
Makeup Department | |||
| Simone Knapp | .... | key hair stylist (uncredited) | |
| Simone Knapp | .... | key makeup artist (uncredited) | |
Production Management | |||
| Maurice Urbain | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert Bober | .... | assistant director (uncredited) | |
| Florence Malraux | .... | assistant director (uncredited) | |
| Georges Pellegrin | .... | assistant director (uncredited) | |
Art Department | |||
| Ferracci | .... | poster designer (uncredited) | |
Camera and Electrical Department | |||
| Claude Beausoleil | .... | camera operator (uncredited) | |
| Raymond Cauchetier | .... | still photographer (uncredited) | |
| Fernand Coquet | .... | electrician (uncredited) | |
Other crew | |||
| Suzanne Schiffman | .... | script supervisor (uncredited) | |
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| Die Blechtrommel | Der Fangschuß | 8½ | Professione: reporter | Pierrot le fou |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
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In 1912, in Paris, the French bon-vivant Jim (Henri Serre) meets the insecure German Jules (Oscar Werner) and they begin a great friendship. When they meet the fickle and independent French Catherine (Jeanne Moreau), they immediately fall in love for her. However the naiveness and fragility of Jules attract the amoral Catherine and she marries him. With the First World War, the best friends Jules and Jim are separated but after the war, they reunite in Jules cottage in Germany. Jim stays with Jules, Catherine and their daughter Sabine (Sabine Haudepin), and Jules tells his friend that he is living together with Catherine, but she has affairs with her lovers. When Catherine falls in love for Jim, Jules asks him to stay with her at his house. Along the years, Jules and Jim live a triangle of love of Catherine, but never affecting their friendship and respect.
"Jules et Jim" is one of the most (or probably the most) unconventional love stories of the cinema history. For a 1962 movie, the daring tale is absolutely ahead of time, with Jeanne Moreau performing a character that never lets her love becoming boring or monotonous, reviving and renewing her feelings and desires with lovers and then returning for her husband. The friendship of Jules and Jim is weird and also unusual, with memorable performances of Henri Serre and Oscar Werner. My vote is eight.
Title (Brazil): "Jules e Jim Uma Mulher Para Dois" ("Jules e Jim A Woman for Two")