The Hustler (1961)

User Rating:

8.2/10   

Director:

Robert Rossen

Writers:

Sidney Carroll (screenplay) and
Robert Rossen (screenplay) ...
(more)

Release Date:

25 September 1961 (USA)

Genre:

Drama | Romance | Sport

Tagline:

They Called Him "Fast Eddie"

Plot:

An up-and-coming pool player plays a long-time champion in a single high-stakes match.

Plot Keywords:

Hustler | Pool Hustler | Pool Hall | Train | Beautiful Woman

Awards:

Won 2 Oscars. Another 12 wins & 13 nominations

US Showtimes:

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Cast

Paul Newman	...	Eddie Felson
Jackie Gleason	...	Minnesota Fats
Piper Laurie	...	Sarah Packard
George C. Scott	...	Bert Gordon
Myron McCormick	...	Charlie Burns
Murray Hamilton	...	Findley
Michael Constantine	...	Big John
Stefan Gierasch	...	Preacher
Clifford A. Pellow	...	Turk (as Cliff Pellow)
Jake LaMotta	...	Bartender
Gordon B. Clarke	...	Cashier
Alexander Rose	...	Score Keeper
Carolyn Coates	...	Waitress
Carl York	...	Young Hustler
Vincent Gardenia	...	Bartender
rest of cast listed alphabetically:
William Adams	...	Old Doctor (uncredited)
Tom Ahearne	...	Bartender (uncredited)
Charles Andre	...	Waiter at Parisien Restaurant (uncredited)
Robert Daget	...	(uncredited)
Don De Leo	...	Another Player (uncredited)
Charles Dierkop	...	Pool Room Hood (uncredited)
William Duell	...	Louisville hustler (uncredited)
James Dukas	...	Kibitzer (uncredited)
Brendan Fay	...	Player (uncredited)
Jack Healy	...	Hotel Proprietor (uncredited)
Hoke Howell	...	Bit Part (uncredited)
Don Koll	...	Racetrack Ticket Clerk (uncredited)
Charles McDaniel	...	Reservation Clerk at Louisville Hotel (uncredited)
Charles Mosconi	...	Second Man (uncredited)
Willie Mosconi	...	Willie (uncredited)
Sid Raymond	...	First Man (uncredited)
Art Smith	...	Old Man Attendant (uncredited)

Directed by
Robert Rossen

Writing credits
Sidney Carroll		(screenplay) (as Sydney Carroll) and
Robert Rossen		(screenplay)
Walter Tevis		(novel) (as Walter S. Tevis)

Produced by
Robert Rossen	....	producer

Original Music by
Kenyon Hopkins

Cinematography by
Eugen Schüfftan		(director of photography) (as Eugene Shuftan)

Film Editing by
Dede Allen

Production Design by
Harry Horner

Set Decoration by
Gene Callahan

Costume Design by
Ruth Morley

Makeup Department
Donoene	....	hair stylist
Robert Jiras	....	makeup artist

Production Management
John Graham	....	production manager

Second Unit Director or Assistant Director
Charles H. Maguire	....	assistant director (as Charles Maguire)
Ulu Grosbard	....	assistant director (uncredited)
Don Kranze	....	assistant director (uncredited)
Angelo Laiacona	....	second assistant director (uncredited)

Art Department
Albert Brenner	....	associate art director
Jack Flaherty	....	property master (uncredited)

Sound Department
Edward Beyer	....	sound editor
Jim Shields	....	sound (as James Shields)
Dick Vorisek	....	sound (as Richard Vorisek)
Jack Fitzstephens	....	sound editor (uncredited)

Stunts
Herbert Holcombe	....	stunts (uncredited)

Camera and Electrical Department
William Cronjager	....	assistant camera
David Golden	....	chief electrician
Saul Midwall	....	camera operator
Muky	....	still photographer
Martin Nallan	....	chief grip (as Martin Nallan Jr.)
Felix Trimboli	....	assistant camera (uncredited)

Editorial Department
Richard Stone	....	assistant editor
Evan A. Lottman	....	montage of pool scenes editor (uncredited)

Music Department
Angelo Ross	....	music editor
Dan Terry	....	composer: song "Louisville Dixieland"
Dan Terry	....	musician: Louisville music

Other crew
Marguerite James	....	script supervisor
Willie Mosconi	....	technical advisor
Fred Hift	....	publicist (uncredited)
Ralph M. Leo	....	production accountant (uncredited)

Production Companies

• Rossen Films
• Twentieth Century-Fox Film Corporation

Distributors

• Twentieth Century-Fox Film Corporation (1961) (USA) (theatrical)
• Centfox (1961) (West Germany) (theatrical)
• Metro-Goldwyn-Mayer (MGM) (1962) (Austria) (theatrical)
• Twentieth Century-Fox Film Corporation (1964) (USA) (theatrical) (reissue)
• American Broadcasting Company (ABC) (1966) (USA) (TV) (original airing)
• Twentieth Century Fox Home Entertainment (1999) (USA) (VHS)
• Twentieth Century Fox Home Entertainment (2002) (USA) (DVD)
• Key Video (199?) (USA) (VHS) (pan/scan)

Other Companies

• Film Opticals  optical effects

Also Known As:

Robert Rossen's The Hustler (USA) (complete title)

Runtime:

134 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Australia:PG | Iceland:L | Canada:14+ (Ontario) | South Korea:15 | USA:Approved (certificate #20068) | Brazil:12 | Ireland:12 | Finland:K-16 | Norway:16 | Sweden:15 | UK:15 | West Germany:16 | UK:X (original rating)

Filming Locations:

Downtown, Los Angeles, California, USA

Company:

Rossen Films

Trivia:

During the filming, one of the production days happened to fall on St. Patrick's Day. Prior to Jackie Gleason's arrival to the shoot at the pool hall, the lighting crew took out all the clear gels, and replaced them with green ones. Upon seeing this, Gleason was so impressed he said, "Boys! This looks beautiful! Take the rest of the day off!". He left, and production was shut down for that day!

Goofs:

Continuity: During the last game, Eddie calls and pockets the 1 ball. Then he sets up, calls the 12 ball and you hear the ball dropping into the pocket. Eddie then walks around to the other side of the table and calls the next shot - the 12 ball again.

Quotes:

[Eddie watching Minnesota Fats during their first game, whispers to Charlie]
Fast Eddie: Boy, he is great! Jeez, that old fat man. Look at the way he moves: like a dancer... And those fingers, them chubby fingers. That stroke... it's like he's, uh, like he's playin' the violin or somethin'.

Movie Connections:

Referenced in "The Dick Van Dyke Show: Hustling the Hustler (#2.5)" (1962)

Soundtrack:

Louisville

More praise heaped onto enduring classic

I've seen The Hustler repeated times, thought not as many as some of the other commentators. Recently I saw it for the first time in the theater, at the Alamo Drafthouse in Austin. Watching "The Hustler" in a theater is like listening to Dave Brubeck's "Time Out" album: you start to see and even hear things in black and white. You know the pool tables are green, and the balls are multi-colored, but somehow the black and white perfectly matches the colorless existence of the protagonist and his supporting players. You can smell the cigarettes, taste the booze.

Newman, Gleason, Scott, and Laurie all turn in great performances. But this movie, made after the heyday of the studio players' contract, still bears the hallmark of great movies from that era: strong supporting performances all the way down the line. Vincent Gardenia, for pete's sake, as the unlucky bartender in the first scene! Michael Constantine as Big John. Myron McCormick as Charlie, Eddie's sponsor most of the way through the movie. And Murray Hamilton as the millionaire Southern mark. This movie was made when supporting roles were an end in themselves, by actors who believed every second they were on screen should be of high quality.

The day I wrote this review -- January 18, 2004 -- The Hustler was no. 143 on the Top 250 list. No way are there 142 better movies.