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Homicidal (1961)
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Overview
User Rating:
Release Date:
June 1961 (USA) moreTagline:
A WORD OF WARNING! Please don't reveal the ending of this picture or your friends will kill you - IF THEY DON'T, I WILL! - William Castle morePlot:
The brutal stabbing murder of a justice-of-the-peace sparks an investigation of dark family secrets in a sleepy small town in Southern California. full summary | add synopsisUser Comments:
William Castle: Spinning Psycho moreCast
(Complete credited cast)| Glenn Corbett | ... | Karl Anderson | |
| Patricia Breslin | ... | Miriam Webster | |
| Eugenie Leontovich | ... | Helga Swenson | |
| Alan Bunce | ... | Doctor Jonas | |
| Richard Rust | ... | Jim Nesbitt | |
| James Westerfield | ... | Alfred S. Adrims (Justice of the Peace) | |
| Gilbert Green | ... | Lt. Miller | |
| Joan Marshall | ... | Emily / Warren (as Jean Arless) |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
87 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Westrex Recording System)Fun Stuff
Trivia:
This was one of the most successful knock-offs of Alfred Hitchcock's "Psycho" (1960). William Castle and Columbia had this in theaters a year after the release of "Psycho" (1960). Part of the reason for the delay was that, at the time "Psycho" (1960) went into release, William Castle was still working on "13 Ghosts" (1960). moreGoofs:
Continuity: At the beginning of the movie, the calendar in the hotel shows the date as September 5th. Miriam/Emily tells the bellhop they must marry on September 6th (this is so they will be married by Warren's 21st birthday). But in a close-up of Warren's birth certificate, it shows August 7th, 1940 as his birth date. So they're gonna have to wait nearly a year to celebrate. moreFAQ
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William Castle "borrowed" rather liberally from Hitchcock's slightly earlier PSYCHO for this tale of a knife-wielding blonde beauty--but as usual, he gave it his famous showman's tacky spin. In theatrical release, the film featured a "fright break:" as the action approaches a climax, a clockface appears on the screen and Castle himself urges those too terrified to return to the lobby for a full refund. But there was, of course, a catch: you had to walk in yellow footsteps applied to the carpet past the jeering audience and agree to sit in "The Coward's Corner" until the movie was over and every one had filed out past you! Needless to say, few (if any) movie-goers ever took him up on it.
But the famous "Fright Break" isn't the only thing HOMICIDAL has going for it. The story itself is more sophisticated than that of most William Castle films, and the female leads are quite effective. Jean Arless, a surprising beauty, is quite startling as "The Homicidal Girl"--a blonde bombshell who has a way with a knife--while both Patricia Breslin and Eugenie Leontovich are quite convincing as two of those on her list of intended victims. And lastly, the film offers a surprise conclusion that can still blindside some less suspecting viewers even today.
That aside, HOMICIDAL has plenty of camp appeal, all of it resting on Jean Arless' WAY over the top performance as she entices, ices, and slices her way from one victim to the next--and as one reviewer has already remarked, you'll feel pretty sure that Annie Lennox borrowed Arless' look (and in some pretty unexpected ways, too) for several of her videos. I must admit that I don't consider HOMICIDAL in the same league with other William Castle schlock-favorites such as 13 GHOSTS, HOUSE ON HAUNTED HILL, or STRAIT-JACKET--largely, I think, because it seems Castle really is making a bid for cinematic respectability here and that sorta detracts from the fun. But all the same, most fans of Castle's silly horror flicks should get a stab--I mean, a KICK--out of it!
Gary F. Taylor, aka GFT, Amazon Reviewer