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| Gregory Peck | ... | Capt. Keith Mallory | |
| David Niven | ... | Cpl. Miller | |
| Anthony Quinn | ... | Col. Andrea Stavros | |
| Stanley Baker | ... | Pvt. 'Butcher' Brown | |
| Anthony Quayle | ... | Maj. Roy Franklin | |
| James Darren | ... | Pvt. Spyros Pappadimos | |
| Irene Papas | ... | Maria Pappadimos | |
| Gia Scala | ... | Anna | |
| James Robertson Justice | ... | Commodore Jensen / Prologue Narrator | |
| Richard Harris | ... | Squadron Leader Howard Barnsby RAAF | |
| Bryan Forbes | ... | Cohn | |
| Allan Cuthbertson | ... | Maj. Baker | |
| Michael Trubshawe | ... | Weaver | |
| Percy Herbert | ... | Sgt. Grogan | |
| George Mikell | ... | Sessler | |
| Walter Gotell | ... | Muesel | |
| Tutte Lemkow | ... | Nikolai, the laundry boy | |
| Albert Lieven | ... | The Commandant | |
| Norman Wooland | ... | Group Captain | |
| Cleo Scouloudi | ... | Bride | |
| Nicholas Papakonstantinou | ... | Patrol Boat Captain | |
| Christopher Rhodes | ... | German Master Gunner | |
| rest of cast listed alphabetically: | |||
| Victor Beaumont | ... | German officer in gun cave (uncredited) | |
| Victor Buono | ... | Greek cleric at wedding plaza (uncredited) | |
| Jack Cooper | ... | German Soldier on Patrol Boat (uncredited) | |
| Carl Duering | ... | German radar operator (uncredited) | |
| Wolf Frees | ... | Radio operator (uncredited) | |
| Peter Grant | ... | British commando (uncredited) | |
| Rosemary Nicols | ... | (uncredited) | |
| Michael Sarne | ... | Extra (uncredited) | |
| Bob Simmons | ... | German Soldier on Navarone (uncredited) | |
Directed by | |||
| J. Lee Thompson | |||
| Alexander Mackendrick | (uncredited) | ||
Writing credits | ||
| Alistair MacLean | (novel) (as Alistair Maclean) | |
| Carl Foreman | (written by) | |
Produced by | |||
| Leon Becker | .... | associate producer | |
| Cecil F. Ford | .... | associate producer | |
| Carl Foreman | .... | producer | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Oswald Morris | (photographed by) | ||
Film Editing by | |||
| Alan Osbiston | |||
Production Design by | |||
| Geoffrey Drake | |||
Makeup Department | |||
| George Frost | .... | makeup artist | |
| Wally Schneiderman | .... | makeup artist | |
Production Management | |||
| Harold Buck | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Peter Yates | .... | assistant director | |
| Roy Millichip | .... | second assistant director (uncredited) | |
Art Department | |||
| Robert Cartwright | .... | draughtsman (uncredited) | |
| Maurice Fowler | .... | set dresser (uncredited) | |
| Frank Willson | .... | assistant art director (uncredited) | |
Sound Department | |||
| John Cox | .... | sound recordist | |
| Chris Greenham | .... | sound editor | |
| George Stephenson | .... | sound recordist | |
| Jack Davies | .... | boom operator (uncredited) | |
| Chris Greenham | .... | sound effects (uncredited) | |
Special Effects by | |||
| Wally Veevers | .... | special effects | |
| Bill Warrington | .... | special effects | |
| Brian Gamby | .... | special effects (uncredited) | |
| Jimmy Harris | .... | special effects (uncredited) | |
| Fred Heather | .... | special effects (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Jimmy Ward | .... | special effects (uncredited) | |
Visual Effects by | |||
| Bob Cuff | .... | visual effects (uncredited) | |
Stunts | |||
| Bob Anderson | .... | stunts (uncredited) | |
| Peter Brayham | .... | stunts (uncredited) | |
| Jack Cooper | .... | stunts (uncredited) | |
| Philip Crawford | .... | stunts (uncredited) | |
| Bill Cummings | .... | stunts (uncredited) | |
| Joe Dunne | .... | stunts (uncredited) | |
| Jock Easton | .... | stunts (uncredited) | |
| Peter Grant | .... | stunt double: Anthony Quayle (uncredited) | |
| Peter Grant | .... | stunts (uncredited) | |
| Arthur Howell | .... | stunts (uncredited) | |
| George Leech | .... | stunts (uncredited) | |
| Jimmy Lodge | .... | stunt double: David Niven (uncredited) | |
| Jimmy Lodge | .... | stunts (uncredited) | |
| Eddie Powell | .... | stunts (uncredited) | |
| Joe Powell | .... | stunt coordinator (uncredited) | |
| Joe Powell | .... | stunt double: Anthony Quinn (uncredited) | |
| Joe Powell | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Jack Silk | .... | stunts (uncredited) | |
| Bob Simmons | .... | stunt coordinator (uncredited) | |
| Bob Simmons | .... | stunt double: Gregory Peck (uncredited) | |
| Bob Simmons | .... | stunts (uncredited) | |
| Terry Yorke | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Denys N. Coop | .... | camera operator (as Denys Coop) | |
| John Wilcox | .... | additional photographer | |
| Kenneth Danvers | .... | still photographer (uncredited) | |
| 'Bumble' Lloyd | .... | electrician (uncredited) | |
| Dudley Lovell | .... | camera operator: second unit (uncredited) | |
| Ronnie Maasz | .... | focus puller (uncredited) | |
| Jack Sullivan | .... | chief electrician (uncredited) | |
| Jimmy Turrell | .... | first assistant camera: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Monty M. Berman | .... | wardrober (as Monty Berman) | |
| Olga Lehmann | .... | wardrobe designer (as Olga Lehman) | |
Editorial Department | |||
| Oswald Hafenrichter | .... | associate editor (as O. Hafenrichter) | |
| Joan Morduch | .... | first assistant editor | |
| Raymond Poulton | .... | associate editor | |
| John Victor-Smith | .... | associate editor (as John Victor Smith) | |
| Sati Tooray | .... | colorist (uncredited) | |
Music Department | |||
| Dimitri Tiomkin | .... | conductor | |
| Benny Carter | .... | music arranger: German songs (uncredited) | |
| Michael Heindorf | .... | orchestrator (uncredited) | |
| Charles Maxwell | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Alfred Perry | .... | music arranger: German songs (uncredited) | |
| Leonid Raab | .... | orchestrator (uncredited) | |
| Herbert Taylor | .... | music arranger: German songs (uncredited) | |
| Herbert Taylor | .... | orchestrator (uncredited) | |
| John Williams | .... | music arranger: German songs (uncredited) | |
Other crew | |||
| Fritz Bayerlein | .... | technical advisor (as Lt. General Fritz Bayerlein) | |
| Pamela Davies | .... | continuity | |
| P.J. Hands | .... | technical advisor (as Lt. Col. P.J. Hands) | |
| P.F. Kertemilidis | .... | technical advisor (as Lt. Col. P.F. Kertemilidis) | |
| N. Lazaridis | .... | technical advisor (as Major N. Lazaridis) | |
| W.D. Mangham | .... | technical advisor (as Major W.D. Mangham) | |
| Golda Offenheim | .... | production secretary | |
| John Theologitis | .... | technical advisor (as Cmdr. John Theologitis) | |
| D.S.T. Turnbull | .... | technical advisor (as Brig. Gen. D.S.T. Turnbull) | |
| Jean Osborne | .... | publicist (uncredited) | |
| Lee Turner | .... | continuity: second unit (uncredited) | |
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Ever since I was a little boy, I've watched several classic war movies with my father. He was an absolute fan of this kind of movies and I guess I've inherited that passion from him, because since then I try to watch and buy as many (classic) war movies as I can find. So far I already have several of them in my private DVD collection, but until now, "The Guns of Navarone" wasn't a part of it. The main reason for that is because I hadn't seen it before and therefor didn't know what to expect of it. But now that it was finally shown on television, I was able to tape it and to watch it.
When in 1943 the Germans are attempting to bully neutral Turkey into joining the Axis, 2,000 British troops are trapped on the small and strategically unimportant Greek island Kiros. Something has to be done to save them and there is only one way to get there: by boat. But it's impossible to come near to the island because the only sea route is defended by two gigantic German anti-ship batteries, deployed in a massive cliff side bunker on the island of Navarone. An air attack has been attempted before and proved to be useless and the only option that is left is sending a team of six Greek and English mountaineers to meet up with partisans to try and dynamite the guns. The team does not only face the almost impossible task to conquer the difficult terrain, they also have to try to get past a German garrison and to make things worse, there also appears to be a traitor among them...
About one thing I'm already certain: I'll buy this movie on DVD as soon as I can find it. This is one of the better classic war movies that I've seen lately and I really had a good time watching it. Not only does it give a more realistic view on the war, the characters are also a lot more realistic. They aren't as invincible as you sometimes see in other classic war movies (think for instance of "Where Eagles Dare (1968)"), in which the Americans or other allies seem to carry some kind of magic shield around them that can't be penetrated by German bullets, while they can kill hundreds of the enemy with only one bullet. In this movie they have to deal with all kinds of difficulties like difficult terrain, a traitor,... and yes, even the good guys can get killed or wounded.
What I also liked was the fact that this movie was shot in Greece and therefor gave a realistic feeling to the setting, without feeling like a brochure for a romantic holiday (like Captain Corelli's Mandolin). I know, we all expect that and believe that it is normal when we see it, but I've already seen otherwise and it's something you didn't always get at the time. Think for instance of the movie "The Battle of the Bulge" (1965), which was supposed to be situated in the Belgian Ardennes, but which was shot with olive trees in the background and in a desert-like terrain. And trust me, I'm Belgian myself and I know the region all too well, so I know that there really isn't such a type of terrain to be found there.
Next to the good story and the correct decor, this movie also offers some fine acting from a great classical cast. With Gregory Peck, David Niven, Anthony Quinn, Anthony Quayle,... you get some of the most famous actors at the time and they all did a very nice job in this movie. Add to this the fact that story was very good, that the action still looked nice, that everything was shot in the right country and that everybody spoke the correct language. Then you know that there is absolutely nothing more I could ask for in this movie. I give this movie a well deserved 7.5/10.