| Clifford Evans | ... | Don Alfredo Corledo | |
| Oliver Reed | ... | Leon Corledo | |
| Yvonne Romain | ... | Servant Girl (Jailer's Daughter) | |
| Catherine Feller | ... | Cristina Fernando | |
| Anthony Dawson | ... | Marques Siniestro | |
| Josephine Llewellyn | ... | Marquesa | |
| Richard Wordsworth | ... | Beggar | |
| Hira Talfrey | ... | Teresa, Corledo's Servant | |
| Justin Walters | ... | Young Leon | |
| John Gabriel | ... | Priest | |
| Warren Mitchell | ... | Pepe Valiente the Watchman | |
| Anne Blake | ... | Rosa Valiente | |
| George Woodbridge | ... | Dominique the Goat Herder | |
| Michael Ripper | ... | Old Soak | |
| Ewen Solon | ... | Don Fernando | |
| Peter Sallis | ... | Don Enrique | |
| Martin Matthews | ... | Jose Amadayo | |
| David Conville | ... | Rico Gomez | |
| Denis Shaw | ... | Gaoler | |
| Charles Lamb | ... | Marques' Chef | |
| Serafina Di Leo | ... | Senora Zumara | |
| Sheila Brennan | ... | Vera | |
| Joy Webster | ... | Isabel | |
| Renny Lister | ... | Yvonne | |
| rest of cast listed alphabetically: | |||
| Stephen Scott | ... | Another Farmer (as Stephen W. Scott) | |
| Kitty Atwood | ... | Midwife (uncredited) | |
| John Bennett | ... | Policeman (uncredited) | |
| Hamlyn Benson | ... | Landlord (uncredited) | |
| Ray Browne | ... | Official (uncredited) | |
| Rodney Burke | ... | Customer (uncredited) | |
| Max Butterfield | ... | Cheeky Farmer (uncredited) | |
| Loraine Carvana | ... | Servant Girl as Child (uncredited) | |
| Francis De Wolff | ... | Bearded Customer (uncredited) | |
| Richard Golding | ... | Customer (uncredited) | |
| Howard Lang | ... | Irate Farmer (uncredited) | |
| Michael Lewis | ... | Page (uncredited) | |
| Desmond Llewelyn | ... | A servant (uncredited) | |
| Alan Page | ... | Customer (uncredited) | |
| Michael Peake | ... | Farmer in Cantina (uncredited) | |
| Frank Siernan | ... | Gardner (uncredited) | |
| Gordon Whiting | ... | Footman (uncredited) | |
| Alister Williamson | ... | Policeman (uncredited) | |
Directed by | |||
| Terence Fisher | |||
Writing credits(in alphabetical order) | ||
| Guy Endore | novel "The Werewolf of Paris" | |
| Anthony Hinds | writer (as John Elder) | |
Produced by | |||
| Michael Carreras | .... | executive producer | |
| Anthony Hinds | .... | producer | |
| Anthony Nelson Keys | .... | associate producer | |
Original Music by | |||
| Benjamin Frankel | |||
Cinematography by | |||
| Arthur Grant | |||
Film Editing by | |||
| Alfred Cox | |||
Casting by | |||
| Stuart Lyons | |||
Production Design by | |||
| Bernard Robinson | |||
Art Direction by | |||
| Don Mingaye | |||
| Thomas Goswell | (uncredited) | ||
Makeup Department | |||
| Roy Ashton | .... | makeup artist | |
| Frieda Steiger | .... | hair stylist | |
| Colin Garde | .... | makeup artist (uncredited) | |
Production Management | |||
| Clifford Parkes | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dominic Fulford | .... | second assistant director | |
| John Peverall | .... | assistant director | |
Sound Department | |||
| Jock May | .... | sound | |
| Alban Streeter | .... | sound editor | |
Special Effects by | |||
| Les Bowie | .... | special effects | |
Stunts | |||
| Jack Cooper | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Tom Edwards | .... | still photographer | |
| Len Harris | .... | camera operator | |
Costume and Wardrobe Department | |||
| Molly Arbuthnot | .... | wardrobe | |
Editorial Department | |||
| James Needs | .... | supervising editor | |
Music Department | |||
| Benjamin Frankel | .... | conductor | |
| Leonard Salzedo | .... | composer: stock music (uncredited) | |
Other crew | |||
| Tilly Day | .... | continuity | |
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| The Prodigal | Gone with the Wind | Psycho | The Howling | Stardust |
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| News articles | IMDb Drama section | IMDb UK section |
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Title: Curse of the Werewolf (1961)
Director: Terence Fisher
Cast:Oliver Reed, Clifford Evans, Catherine Feller
Review: Hammer films is known for making many vampire films, many Frankenstein films, and even a few Mummy films...but for some reason Curse of the Werewolf was their one and only werewolf film ever made. Even though they only made one Werewolf film, I'm happy because at least the only one they did make is really really good.
The story is about a beggar who gets thrown into a dungeon by a despotic marquis who takes pleasure in demeaning other human beings. The beggar spends years upon years in prison until he becomes almost animal like. A young and beautiful servant girl is thrown into the same cell as the insane beggar is because she rejected going to bed with the same marquis. The beggar decides to rape her and the offspring of that rape is Leon Corledo. A young boy who is cursed to become a werewolf because he was born on Christmas Day. And on this movie, being born on Christmas Day means you are forever cursed to become a werewolf when the full moon comes.
I enjoyed this movie immensely and I have to say that one of the things that enhanced my enjoyment of it was Oliver Reeds portrayal of Leon Corledo. He is magnificent in this movie. He has a great presence and a roughness to him that is perfect for playing a man cursed with lycanthropy. He has some very intense moments in which we can see that he is torn between letting his animal side loose or keeping it under control.
Terence Fisher, one of Hammers prime directors did a fine Job in bringing to life the tale of the werewolf. Hes done many fine Hammer films in the past and this one is just another jewel in his crown of great horror films. The movie is heavy on atmosphere and creepy visuals. A standout moment for me was when the young Leon has turned into a werewolf in his room and cant escape it because his stepfather has barred the windows in his room so he cant escape at night. The look on the kids face and the music is a real horror movie moment. Fisher made sure there's plenty of cool shots of the fool moon hovering over the dark sky as we hear the howling of a wolf in the distance. Or the scene in which the are going to baptize young Leon and the water in the altar starts to boil.... Its nice touches like those that make a Hammer/Terence Fisher film special.
I also liked how they treated the origin of the werewolf. The really go back and explain how it all started. Its not just a movie about a werewolf running amok killing people in a little town. Here we get the whole back story as to how the whole thing started. I liked that. It gave the film lots of depth. Its a story covering a few decades of history. Another thing that made the story special was the idea that love and compassion towards Leon could help him control the beast inside of him.
Then there's the werewolf transformation, which is after all one of the big things about watching a werewolf film. There's always a spotlight on the transformation sequence. Its always a showstopper in films like "American Werewolf in London" and "The Howling" and even in "The Wolfman". Here I must say that for the time it was made, the make up is really excellent. I'm guessing that it was for budgetary reasons that hey held the transformation all the way till the very ending, but when it does happen its very good. I was amazed that for the time it was made (1961) it turned out as good as it did. In fact I think this look was the one that Fredd Dekker was paying homage to when he directed his monster film The Monster Squad, in which The Werewolf teams up with Dracula, Frankensteins monster, The Creature from the Black Lagoon and The Mummy to bring the forces of darkness to earth. The look of the werewolf in that movie is exactly like the one seen on Curse of the Werewolf. I don't blame Fred Dekker for wanting to pay homage to such a cool creature.
The only downside to this movie? Watching English actors playing Spaniards. It was kind of funny to see that the only thing that they added to their acting to make it look Spaniard was saying "Señor" at the end of every sentence.
Finally, Id say that this is one of the best Hammer films ever made and that this movie deserves a whole lot more recognition then it gets. It should be out on DVD, because as it is, its one of the best werewolf films ever made.
Rating: 5 out of 5