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| Dick Van Dyke | ... | Robert 'Rob' Petrie (158 episodes, 1961-1966) | |
| Mary Tyler Moore | ... | Laura Petrie (153 episodes, 1961-1966) | |
| Rose Marie | ... | Sally Rogers (131 episodes, 1961-1966) | |
| Morey Amsterdam | ... | Maurice B. 'Buddy' Sorrell (131 episodes, 1961-1966) | |
| Richard Deacon | ... | Melvin 'Mel' Cooley (108 episodes, 1961-1966) | |
| Larry Mathews | ... | Richard Rosebud 'Ritchie' Petrie (70 episodes, 1961-1966) |
Series Directed by | |||
| Jerry Paris | (84 episodes, 1963-1966) | ||
| John Rich | (41 episodes, 1961-1966) | ||
| Howard Morris | (5 episodes, 1963-1965) | ||
| Sheldon Leonard | (4 episodes, 1961-1963) | ||
| Alan Rafkin | (4 episodes, 1962-1964) | ||
| Lee Philips | (4 episodes, 1965) | ||
| Robert Butler | (2 episodes, 1961) | ||
| James Komack | (2 episodes, 1961) | ||
| Coby Ruskin | (2 episodes, 1962-1963) | ||
| Hal Cooper | (2 episodes, 1962) | ||
| Peter Baldwin | (2 episodes, 1964) | ||
| Theodore J. Flicker | (2 episodes, 1965) | ||
| Richard Erdman | (2 episodes, 1966) | ||
Series Writing credits | ||
| Carl Reiner | (67 episodes, 1961-1966) | |
| Sam Denoff | (29 episodes, 1963-1966) | |
| Bill Persky | (29 episodes, 1963-1966) | |
| Jerry Belson | (18 episodes, 1964-1966) | |
| Garry Marshall | (18 episodes, 1964-1966) | |
| Carl Kleinschmitt | (9 episodes, 1965-1966) | |
| Dale McRaven | (9 episodes, 1965-1966) | |
| Howard Merrill | (8 episodes, 1962-1964) | |
| John Whedon | (7 episodes, 1962-1966) | |
| Sheldon Keller | (7 episodes, 1962-1964) | |
| Martin Ragaway | (5 episodes, 1962-1965) | |
| Frank Tarloff | (3 episodes, 1961-1962) | |
| Bill Idelson | (3 episodes, 1963-1964) | |
| Ernest Chambers | (3 episodes, 1964-1965) | |
| Joseph Cavella | (3 episodes, 1965) | |
| Walter Kempley | (2 episodes, 1961-1962) | |
| Ed Haas | (2 episodes, 1962) | |
| Norm Liebmann | (2 episodes, 1962) | |
| Ronald Alexander | (2 episodes, 1963) | |
| Jay Burton | (2 episodes, 1964-1965) | |
| Art Baer | (2 episodes, 1965-1966) | |
| Ben Joelson | (2 episodes, 1965-1966) | |
| Lawrence J. Cohen | (2 episodes, 1965) | |
| Fred Freeman | (2 episodes, 1965) | |
| Rick Mittleman | (2 episodes, 1965) | |
| Joseph Bonaduce | (2 episodes, 1966) | |
Series Produced by | |||
| Ronald Jacobs | .... | associate producer (158 episodes, 1961-1966) | |
| Sheldon Leonard | .... | executive producer (158 episodes, 1961-1966) | |
| Carl Reiner | .... | producer (95 episodes, 1961-1965) | |
| Danny Thomas | .... | executive producer / associate producer (6 episodes, 1962-1965) | |
| Sam Denoff | .... | producer (2 episodes, 1965-1966) | |
| Bill Persky | .... | producer (2 episodes, 1965-1966) | |
Series Original Music by | |||
| Earle Hagen | (36 episodes, 1961-1966) | ||
Series Cinematography by | |||
| Robert De Grasse | (67 episodes, 1961-1966) | ||
Series Film Editing by | |||
| Bud Molin | (34 episodes, 1961-1963) | ||
| Beryl Gelfond | (4 episodes, 1965-1966) | ||
Series Casting by | |||
| Ruth Burch | (6 episodes, 1962-1965) | ||
| Marjorie Benson | (unknown episodes) | ||
Series Art Direction by | |||
| Kenneth A. Reid | (68 episodes, 1961-1966) | ||
Series Set Decoration by | |||
| Ken Swartz | (62 episodes, 1961-1966) | ||
Series Costume Design by | |||
| Harald Johnson | (5 episodes, 1962-1963) | ||
| Marge Makau | (unknown episodes) | ||
Series Makeup Department | |||
| Thomas Tuttle | .... | makeup artist (67 episodes, 1961-1966) | |
| Donna McDonough | .... | hair stylist (38 episodes, 1962-1966) | |
| Eleanor Edwards | .... | hair stylist (23 episodes, 1961-1962) | |
Series Production Management | |||
| Frank E. Myers | .... | production manager (62 episodes, 1961-1966) | |
| Argyle Nelson | .... | production supervisor (24 episodes, 1961-1962) | |
| Ronald Jacobs | .... | production supervisor (3 episodes, 1963-1965) | |
Series Second Unit Director or Assistant Director | |||
| John C. Chulay | .... | assistant director (60 episodes, 1961-1966) | |
| Jay Sandrich | .... | assistant director (2 episodes, 1961) | |
| Edward M. Hillie | .... | assistant director (unknown episodes) | |
Series Art Department | |||
| Glenn Ross | .... | prop master / property master (37 episodes, 1961-1966) | |
| Stuart Stephenson | .... | property master (unknown episodes) | |
Series Sound Department | |||
| Cam McCulloch | .... | sound engineer (61 episodes, 1961-1966) | |
| Edward L. Sandlin | .... | re-recording editor (24 episodes, 1961-1962) | |
| Dick Le Grand | .... | re-recording editor (8 episodes, 1962-1963) | |
| Robert Reeve | .... | re-recording editor (2 episodes, 1963) | |
Series Camera and Electrical Department | |||
| James Niver | .... | camera coordinator (34 episodes, 1961-1963) | |
| Robert Sousa | .... | camera coordinator (4 episodes, 1965-1966) | |
Series Casting Department | |||
| Ruth Burch | .... | casting (60 episodes, 1961-1966) | |
Series Costume and Wardrobe Department | |||
| Harald Johnson | .... | costumes / costumer (62 episodes, 1961-1966) | |
| Daroff | .... | tailor: Mr. Van Dyke (4 episodes, 1962-1963) | |
Series Editorial Department | |||
| Bud Molin | .... | film editor (41 episodes, 1962-1963) | |
Series Music Department | |||
| Earle Hagen | .... | composer: theme music / composer: additional music (158 episodes, 1961-1966) | |
| Walter Popp | .... | music coordinator (38 episodes, 1961-1966) | |
Series Other crew | |||
| Marjorie Mullen | .... | continuity / script continuity (36 episodes, 1961-1966) | |
| Carl Reiner | .... | story consultant (12 episodes, 1961-1963) | |
| Sylvia Lewis | .... | choreographer (2 episodes, 1963-1966) | |
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The Dick Van Dyke Show has always been one of my favorites; from the first time I saw it in syndicated reruns, to the recent dvd releases. Despite the passage of time, it still holds up. The reason? It had the best writing and performances of any show and it presented real characters in believable situations. You can argue about other classic shows, like I Love Lucy, All in The Family, MASH, The Mary Tyler Moore Show, Seinfeld, or Cheers; but, in my opinion this was the finest comedy show on television.
Carl Reiner is a comedy genius who turned his own life into a comedy goldmine. After starring in an unsold pilot, he was faced with the fact he was wrong to portray his own life. With the help of Sheldon Leonard and Danny Thomas, he was able to bring Rob Petrie to life, via Dick Van Dyke. He filled the series with great actors and the best writing on television. It was a perfect format, a show about a writer for a top variety show. It lent itself to logical guest appearances and a host of unusual and amusing situations. It was filled with a cast of great characters: lovable, if klutzy Rob Petrie, beautiful and talented wife Laura, joke machine Buddy Sorrell, sarcastic and love-starved Sally Rogers, pompous, but exploited producer Mel Cooley, demanding egomaniac boss Alan Brady, neighbors Jerry and Milly Helper, and cute son Richie Petrie. Everyone had their moments.
So many of the shows were classics that it is hard to pick favorites. There are the wonderful dream stories, such as "The Gunslinger", "It May Look Like A Walnut", and "The Bad Old Days". There are the performance shows, like "The Alan Brady Show Presents", "The Sam Pomerantz Scandals", and "The Alan Brady Show Goes to Jail". There are the flashbacks to Rob and Laura's courtship and early days of marriage, as well as Rob's beginnings with the Alan Bady Show. Then there are the ones that are just plain fun, like "A Ghost of A. Chantz", "Never Bathe on Saturday", and numerous others. The shows could also be quite touching, like "Buddy Sorrel, Man and Boy". Even weaker shows had great moments.
One of the reasons the show holds up well is that it lasted only 5 seasons and didn't get a chance to wear out its welcome. Everyone was at the top of their game when they called it quits.
When the show first came to "Nick at Night," I was ecstatic. I hadn't seen the show in several years and proceeded to tape the entire premiere marathon (which meant getting up early in the morning to change tapes). Those tapes quickly became worn out. Now, I have them on dvd, complete with promos, commentaries, features and other extras. This show will continue to live on as testament to the best of television comedy. Too bad they don't make shows like this anymore.