| Photos (see all 5 | slideshow) |
| William Holden | ... | Robert Lomax | |
| Nancy Kwan | ... | Suzie Wong a.k.a. Mee Ling Wong | |
| Sylvia Syms | ... | Kay O'Neill | |
| Michael Wilding | ... | Ben Marlowe | |
| Jacqui Chan | ... | Gwennie Lee | |
| Laurence Naismith | ... | O'Neill | |
| Yvonne Shima | ... | Minnie Ho | |
| Andy Ho | ... | Ah Tong | |
| Lier Hwang | ... | Wednesday Lu | |
| Bernard Cribbins | ... | Otis, Gwennie's boy friend | |
| Edwina Carroll | ... | Mrs. Marlowe | |
| Dervis Ward | ... | British Sailor | |
| Marian Spencer | ... | Dinner Guest | |
| Lionel Blair | ... | Dancing Sailor | |
| rest of cast listed alphabetically: | |||
| Ronald Eng | ... | Waiter (uncredited) | |
| Calvin Hsia | ... | Suzie's Baby (uncredited) | |
| David Langton | ... | Police Inspector (uncredited) | |
| Shan Lawrence | ... | Girl (uncredited) | |
| Robert Lee | ... | Barman (uncredited) | |
| Toke Townley | ... | Waiter (uncredited) | |
Directed by | |||
| Richard Quine | |||
Writing credits | ||
| Paul Osborn | (adaptation) | |
| Richard Mason | (novel) | |
| John Patrick | (screenplay) | |
Produced by | |||
| Hugh Perceval | .... | producer | |
| Ray Stark | .... | executive producer | |
Original Music by | |||
| George Duning | |||
Cinematography by | |||
| Geoffrey Unsworth | |||
Film Editing by | |||
| Bert Bates | |||
Art Direction by | |||
| John Box | |||
Costume Design by | |||
| Phyllis Dalton | |||
Makeup Department | |||
| Bill Griffiths | .... | hairdressing | |
| Neville Smallwood | .... | makeup artist | |
Production Management | |||
| R.L.M. Davidson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gus Agosti | .... | assistant director | |
Art Department | |||
| Syd Cain | .... | assistant art director (as Sydney Cain) | |
| Liz Moore | .... | paintings (as Elizabeth Moore) | |
| Roy Rossotti | .... | set dresser | |
Sound Department | |||
| Roy Baker | .... | sound editor | |
| Gerry Turner | .... | sound recordist | |
Camera and Electrical Department | |||
| Cecil R. Cooney | .... | camera operator (as Ces Cooney) | |
Casting Department | |||
| Joe Powell | .... | extras casting (uncredited) | |
Editorial Department | |||
| Valerie Leslie | .... | assistant editor | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
| Reg Owen | .... | orchestrator | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Joshua Logan | .... | original stage director | |
| David Merrick | .... | original stage producer | |
| Recent Posts (updated daily) | User |
|---|---|
| The streets of HK... | b3108 |
| Paintings | joang863 |
| Nancy Kwan Deserved an Oscar | suel41452 |
| Burning paper models | jim_owens |
| Compassionate | navbro |
| SAVE SUZIE'S PIER | jostcomp |
|
|
|
|
|
| My Own Private Idaho | The Pillow Book | The Devil Wears Prada | Monster's Ball | Written on the Wind |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
There was a time when late night TV meant Johnny Carson and a cloud of dust, the other two networks scrambling locally with Million Dollar Movie' packages. It was a time when broad appeal movies like `The World of Suzie Wong' flourished on TV-start with a basic romance, add exotic settings and just a hint of comedy.
William Holden was never more a leading man than in this film. Take all the dynamic sex appeal he exudes in Network, and turn the clock back some 15 years. He is commanding.
This quirky little comedy hits all the right spots, with Nancy Kwan absolutely stunning as the Won-Tsai Girl, Suzie. Beautiful Hong Kong landscapes are just the cherry on top of this sweet deal.