Sergeant Rutledge (1960)

Director:

John Ford

Writers:

James Warner Bellah (written by) and
Willis Goldbeck (written by) ...
(more)

Release Date:

18 May 1960 (USA)

Genre:

Western | Crime

Tagline:

It's the rendezvous with DEATH for men to whom DEATH was no stranger!

Plot:

Respected black cavalry Sergeant Brax Rutledge stands court-martial for raping and killing a white woman and murdering her father, his superior officer.

Plot Keywords:

Sergeant | Rape | Murder | Courtroom | Buffalo Soldier

Cast

Jeffrey Hunter	...	Lt. Tom Cantrell (counsel for the defense)
Constance Towers	...	Mary Beecher
Billie Burke	...	Mrs. Cordelia Fosgate
Woody Strode	...	1st Sgt. Braxton Rutledge
Juano Hernandez	...	Sgt. Matthew Luke Skidmore
Willis Bouchey	...	Col. Otis Fosgate (president of the court-martial)
Carleton Young	...	Capt. Shattuck (prosecutor)
Judson Pratt	...	Lt. Mulqueen (court-martial board member)
rest of cast listed alphabetically:
Shug Fisher	...	Mr. Owens (uncredited)
Chuck Hayward	...	Capt. Dickinson (uncredited)
William Henry	...	Capt. Dwyer (uncredited)
Rafer Johnson	...	Cpl. Krump (uncredited)
Jack Lewis	...	Indian (uncredited)
Fred Libby	...	Chandler Hubble (uncredited)
Cliff Lyons	...	Sam Beecher (uncredited)
Mae Marsh	...	Nellie (uncredited)
Toby Michaels	...	Lucy Dabney (uncredited)
Eva Novak	...	Spectator (uncredited)
Jack Pennick	...	Sergeant (uncredited)
Walter Reed	...	Capt. McAfee (uncredited)
Chuck Roberson	...	Court-martial board member (uncredited)
Charles Seel	...	Dr. Walter Eckner (post surgeon) (uncredited)
Jan Styne	...	Chris Hubble (uncredited)
Estelle Winwood	...	Spectator (uncredited)
Hank Worden	...	Laredo (uncredited)

Directed by
John Ford

Writing credits
James Warner Bellah		(written by) and
Willis Goldbeck		(written by)
James Warner Bellah		novel

Produced by
Patrick Ford	....	producer
Willis Goldbeck	....	producer

Original Music by
Howard Jackson

Cinematography by
Bert Glennon

Film Editing by
Jack Murray

Art Direction by
Eddie Imazu

Set Decoration by
Frank M. Miller

Costume Design by
Marjorie Best

Makeup Department
Gordon Bau	....	makeup supervisor

Second Unit Director or Assistant Director
Russell Saunders	....	assistant director (as Russ Saunders)
Wingate Smith	....	assistant director

Sound Department
M.A. Merrick	....	sound

Stunts
Chuck Hayward	....	stunts (uncredited)
Jack Lewis	....	stunts (uncredited)
Cliff Lyons	....	stunts (uncredited)
Chuck Roberson	....	stunts (uncredited)

Editorial Department
Michael A. Hoey	....	assistant editor (uncredited)

Other crew
Dolores Rubin	....	script supervisor (uncredited)

Production Companies

• Warner Bros. Pictures (presents)
• Ford Productions (as John Ford's production of)

Distributors

• Warner Bros. Pictures (1960) (USA) (theatrical)
• Warner Home Video (1994) (USA) (VHS)
• Warner Home Video (2006) (USA) (DVD)
• Warner Bros. (1961) (West Germany) (theatrical)

Runtime:

111 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

UK:PG | West Germany:12 (nf) | USA:Approved (certificate #19413) | Canada:PG (video rating) | Finland:K-16 | Spain:13

Filming Locations:

Mexican Hat, Utah, USA

Company:

Warner Bros. Pictures

Trivia:

Final film of Billie Burke.

Goofs:

Plot holes: Cantrell explains that the "buffalo soldiers" were so named because when first seen by the Native Americans, the Natives mistook their woolly coats for those of a buffalo. In truth, it was the "nappy" hair of the Black soldiers that lead the Natives to dub the unit as "Buffalo Soldiers," but Cantrell could have been misinformed. When Dr. Eckner testifies as to the rape/murder, his testimony is shown in flashback and concludes with a conversation between Juano Hernandez as Skidmore and Jeffrey Hunter as Cantrell that took place outside the building. As the doctor remained inside, he could not possibly have heard it.

Quotes:

Lt. Tom Cantrell: [Complaining about the prosutor's tactics] A soldier's life is at stake and this man is playing cheap legal tricks!

Movie Connections:

Featured in Big Guns Talk: The Story of the Western (1997) (TV)

Soundtrack:

Captain Buffalo

Ford openly displays his art and poetry

John Ford openly displays his poetry in this magnificent film "Sergeant Rutledge". Maybe the great director and artist was annoyed that many did not get the anti-racist messages that permeate all his works (starting with "The Searchers": ever noted it?) and decided to make a definite, open statement.

To be as clear as possible, Ford willingly shows his art, poetry and trade-mark techniques in the most evident way. He masterly uses images and camera-work to convey emotion. We see Woody Strode (Sergeant Rutledge) constrained in a small chair, his never-ending shoulders covering half of the screen. And we feel uneasy. We feel that something evil is going on, that it's deeply wrong to keep such a man in chains, let alone to hang him. And then we see Woody Strode standing out, the Monument Valley on the background, like John Wayne in many other Ford's movies. I'm sure that such parallel Wayne-Strode was Ford's deliberate choice.

Ford uses his skills of epic poet to describe characters. Rutledge is arrested and searched. They find no money or other goods, just his emancipation papers. So, here we have a Man with all his richness: his honor, his courage, his strength and an emancipation paper. Great stuff! And then Rutledge says to a wounded mate "We don't fight the whites' war. We fight for our honor". Only Ford always manages to turn military rhetoric into poetry, mainly thanks to the visual beauty of the scene.

Woody Strode makes an outstanding, deeply touching job as the black cavalry sergeant. His acting is sober, poised but intense, with no melodramatic sides, and he physically dominates the screen (by the way: what an amazing athlete Strode was, at age forty-six!).

Rutledge is the Hero, the Legend of the movie. Yet Lt. Cantrell (Jeffrey Hunter) is as interesting a character as Rutledge is. Cantrell is a man of the 19th century. Unavoidably, he does have racial prejudices, but he nobly endeavors to overcome them, and certainly at the end of the story is a better person than at the beginning.

I guess that the two female characters represent Ford's dream. Indeed, they both do not even understand racism. The poor murdered girl loved his friend "uncle" Rutledge, and that's all. She doesn't even get the hints of the old ladies, who disapprove this friendship. And the same can be said of Cantrell's fiancée Mary Beecher, very well played by Constance Towers. She nurses the wounded black horse-soldiers with no attitude of doing something special. And some lines of Mary's show Ford's wonderful subtlety. She has been over-night with Rutledge in a deserted hut. Mary says to a concerned Cantrell "I wasn't alone. Sergeant Rutledge was with me and he protected me as well as any officer could do". That's a lesson for Cantrell: the fact that Mary pretends to think her boy-friend just concerned about military ranks, implies that she does not even notice the color of the skin and requires Cantrell to be the same way. Well, probably the two women are not fully realistic characters, especially for the 19th century. They are idealized by Ford, as a poet has the right to dream.

A small remark. Most Ford's films (not this one, actually) raise some controversy. Many heartily love them and many strongly dislike them. I think it rather expectable. Ford is a poet, and a poet cannot please everyone. Personally, I was indifferent if not displeased by the works of some much celebrated poets. Thanks God, poets follow their own way, not caring people's taste.

"Sergeant Rutledge" is not perfectly constructed and chiseled like other Ford's masterpieces. Small defects may be found in some court-room scenes and flash-backs. However, this splendid movie deserves top grades, due to the importance of its message and Ford's sincerity in displaying his art. "Sergeant Rutledge" is another top work by the Master.