Psycho (1960)

Director:

Alfred Hitchcock

Writers:

Joseph Stefano (screenplay)
Robert Bloch (novel)

Release Date:

25 August 1960 (Brazil)

Genre:

Horror | Thriller

Tagline:

A new- and altogether different- screen excitement!!!

Plot:

A young woman steals $40,000 from her employer's client, and subsequently encounters a young motel proprietor too long under the domination of his mother.

Plot Keywords:

Motel | Shower | Alimony | California | Phoenix Arizona

Awards:

Nominated for 4 Oscars. Another 5 wins & 3 nominations

Cast

Anthony Perkins	...	Norman Bates
Vera Miles	...	Lila Crane
John Gavin	...	Sam Loomis
Martin Balsam	...	Milton Arbogast
John McIntire	...	Deputy Sheriff Al Chambers
Simon Oakland	...	Dr. Fred Richmond
Vaughn Taylor	...	George Lowery
Frank Albertson	...	Tom Cassidy
Lurene Tuttle	...	Mrs. Chambers
Patricia Hitchcock	...	Caroline (as Pat Hitchcock)
John Anderson	...	California Charlie
Mort Mills	...	Highway Patrol Officer
Janet Leigh	...	Marion Crane

Also Known As:

Wimpy (USA) (fake working title)

Runtime:

109 min | Germany:108 min (cut)

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Chile:14 (re-rating) | Chile:18 (original rating) | Germany:12 (re-rating) (2006) | Portugal:M/12 | West Germany:16 (original rating) | Netherlands:12 | Iceland:16 | Finland:K-16 (uncut) (1969) | Finland:K-16 (cut) (1960) | Finland:K-16 (cut) (1965) | South Korea:15 | Brazil:14 | Czech Republic:U | New Zealand:R16 | USA:TV-PG (TV rating) | Argentina:13 (re-rating) | Argentina:16 (original rating) | Australia:M | Canada:13+ (Quebec) | Canada:18 (Nova Scotia) | Canada:PG (Manitoba/Ontario) | France:-12 (re-release) | France:-16 | Israel:16 | Norway:15 | Norway:16 (1960) | Peru:14 | Spain:13 | Sweden:15 | Switzerland:16 (re-release) | UK:15 (video rating) (1986) | UK:X (original rating) | USA:Approved (certificate #19564) (original rating) | USA:M (re-rating) (1968) | USA:R (re-rating) (1984)

Filming Locations:

4270 Lankershim Boulevard, North Hollywood, Los Angeles, California, USA

Company:

Shamley Productions

Trivia:

Vera Miles wore a wig for her role as she had to shave her head for a role in the film 5 Branded Women (1960).

Goofs:

Continuity: When the cop awakens Marion in her car, the driver's side windshield frame has dozens of grimy handprints and fingerprints from everyone whose touched it while setting up the shot. As she pulls into the car lot the grimy hand prints / smears are shown to be all over the door panels also.

Quotes:

[first lines]
Sam Loomis: You never did eat your lunch, did you?
Marion Crane: I better get back to the office. These extended lunch hours give my boss a sexist asset.
Sam Loomis: Why don't you call your boss and tell him you're taking the rest of the afternoon off? Its Friday, anyway - and hot.
Marion Crane: What do I do with my free afternoon? Walk you to the airport?

Movie Connections:

Referenced in "Die ProSieben Märchenstunde: Schneewittchen - 7 Zipfel und ein Horst (#4.1)" (2007)

Perkins Is Remarkable

Most modern-day horror films make the killer to be an absolutely inhuman, grotesque, unimaginable monster in order to scare the audience out of its wits. Most of the time, however, these stereotypes create a generic murderer a raving, ranting, clearly demented psychopath. One of the few memorable cinematic killers that does not adhere to these restraints and cliches is, of course, Anthony Hopkins' Hannibal Lecter, whom manages to effectively cause the audience to recoil without such drek as the aforementioned devices.

Anthony Perkins' skillfully crafts his performance as Norman Bates, avoiding a ranting, raving, drooling, murder-happy, manic characterization; instead his performance as Norman is subtle, creepy, cool, and unsettling. He is brilliant; from his quiet conversations with Marion Crane amidst the stuffed birds, to his weasling wimpiness when confronted by Arbogast, his performance is so exact that it chills the viewer, all without the unnecessary disturbing images prevalent in more modern films (read The Cell, Henry: Portrait of A Serial Killer).

Perkin's fine performance, a tight script, and Bernstein's classic score make Psycho a film that is now and will always be remembered as one of the pinnacles of the horror genre.