| Mark Forest | ... | Maciste (as Mark Forrest) | |
| Chelo Alonso | ... | Queen Smedes | |
| Angelo Zanolli | ... | Pharaoh Kenamun | |
| Federica Ranchi | ... | Nofret | |
| Carlo Tamberlani | ... | Armiteo I | |
| Nino Musco | ... | Senneka | |
| Zvonimir Rogoz | ... | Il gran Sacerdote | |
| Ignazio Dolce | ... | Un ministro | |
| Andrea Fantasia | ... | Il fabbro | |
| Petar Dobric | ... | Grand Visir (as Peter Dobri) | |
| Vira Silenti | ... | Tekaet | |
| Ada Ruggeri |
Directed by | |||
| Carlo Campogalliani | |||
Writing credits(in alphabetical order) | ||
| Oreste Biancoli | story and screenplay | |
| Ennio De Concini | story and screenplay | |
Produced by | |||
| Luigi Carpentieri | .... | producer | |
| Ermanno Donati | .... | producer | |
| Piero Donati | .... | executive producer | |
| Sam Schneider | .... | producer (english version) (as Samuel Scheider) | |
Original Music by | |||
| Carlo Innocenzi | |||
Cinematography by | |||
| Riccardo Pallottini | |||
Film Editing by | |||
| Roberto Cinquini | |||
Art Direction by | |||
| Oscar D'Amico | (as Oskar d'Amico) | ||
Costume Design by | |||
| Maria De Matteis | |||
Makeup Department | |||
| Galileo Mandini | .... | hair stylist | |
| Halid Redzebasic | .... | assistant makeup artist | |
Production Management | |||
| Giorgio Baldi | .... | production supervisor | |
| Livio Maffei | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Mario Bava | .... | second unit director | |
| Romolo Guerrieri | .... | assistant director (as Romolo Girolami) | |
| Mate Relja | .... | assistant director | |
Art Department | |||
| Ennio Michettoni | .... | property master | |
Sound Department | |||
| Leopoldo Rosi | .... | sound | |
Special Effects by | |||
| Piero Mecacci | .... | special effects | |
Camera and Electrical Department | |||
| Stelvio Massi | .... | camera operator | |
Costume and Wardrobe Department | |||
| Marisa Crimi | .... | assistant costume designer | |
| Marisa Crimi | .... | wardrobe assistant | |
Editorial Department | |||
| Ornella Micheli | .... | assistant editor | |
Music Department | |||
| Carlo Franci | .... | conductor | |
Other crew | |||
| Andrea Fantasia | .... | master of arms | |
| Tito LeDuc | .... | choreographer | |
| Leopoldo Rosi | .... | choreographer | |
| Benilde Vittori | .... | continuity | |
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| Maciste alla corte del Gran Khan | Maciste contro i Mongoli | Alexander | The Ten Commandments | La leggenda di Enea |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Italy section | Add this title to MyMovies |
Most peplums with a Yugoslavian partner in the international co-production tend to have interesting location photography and a different visual style, and this one is no exception. The setting is the 11th century BC Egypt, where the nation is controlled by Persian occupiers who have enslaved the people. A well-intentioned pharoah who tries to defend the people is killed and his evil, manipulative wife (well-played by Chelo Alonso, in the tradition of over-the-top female villains in old Republic serials!) takes over and sells out the nation. On his return home to straighten things out, the pharoah's son, Kenamun, runs into Mark Forest (as Maciste, the Son of Samson) and the plot kicks into action. The plot also includes a mystical necklace that makes the wearer a zombie ready to be ordered around (shades of old serials once again!), and of course there is some romance. Mark Forest is as handsome as, say, James Darren, his physique is well-used in a number of difficult "tasks", and he is believable in the romantic scenes as well as the fights. I've seen 11 of his 12 1960s films and enjoy all of them. Interesting visuals, a unique setting, a fine female antagonist, Mark Forest's exciting presence--definitely an above-average sword-and-sandal opus for fans of the genre. Director Carlo Campogalliani was involved with many excellent historical films with American stars: Ed Fury's first Ursus movie; Steve Reeves in Goliath and the Barbarians; Lex Barker in Captain
Falcon; Jack Palance and Guy Madison in Sword of the Conqueror (that's one crying out for a DVD transfer--the circulating copies are very splicey). Check some of them out. A copy of this film was shown at UCLA recently at a peplum festival-- if there's a copy good enough quality to be screened there, it needs to be transferred to DVD now!