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IMDb > Macario (1960)

Macario (1960)

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User Rating: 8.5/10 (297 votes)
Photos (see all 1 | slideshow)

Overview

Director:
Roberto Gavaldón
Writers:
B. Traven (story)
Emilio Carballido (screenplay) ...
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Release Date:
9 June 1960 (Mexico) more
Genre:
Drama | Fantasy | Mystery more
Plot:
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him... more | add synopsis
Plot Keywords:
Awards:
Nominated for Oscar. Another 2 wins & 1 nomination more
User Comments:
OK: I've written this before, don't nag at me (please), but it also applies to this. more

Cast

 (Credited cast)
Ignacio López Tarso ... Macario

Pina Pellicer ... Macario's Wife
Enrique Lucero ... Death
Mario Alberto Rodríguez ... Don Ramiro
José Gálvez ... The Devil
José Luis Jiménez ... God
Eduardo Fajardo
Consuelo Frank
José Dupeyrón (as Jose Dupeiront)
Celia Tejeda
Pepé y sus Marionetas
rest of cast listed alphabetically:
Leonor Gómez ... Señora recomendando caldo de zopilote.
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Additional Details

Also Known As:
Macario (USA)
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Runtime:
91 min
Country:
Mexico
Language:
Spanish
Sound Mix:
Mono
MOVIEmeter: ?
V 3% since last week why?

Fun Stuff

Movie Connections:
References Müde Tod, Der (1921) more

FAQ

This FAQ is empty. Add the first question.
15 out of 17 people found the following comment useful:-
OK: I've written this before, don't nag at me (please), but it also applies to this., 17 May 2005
10/10
Author: valdezlopez (valdezlopez@hotmail.com) from Monterrey, Mexico

It is said that movie's were made to transport us out of our reality and immerse us in a different world.

When watching Macario I'm happy to say that kind of magic has endured for this picture since 1960.

It has been throughout almost than 45 years, the example of good Mexican cinema. It has a peculiar effect: this movie begins to make some distance from the happy, naive and joyful musical movies made in the Golden Years of Mexica cinema, nonetheless it still lacks the cynicism and irony of later films.

Parallel to the main character behavior, beneath that surface of the plot and narrative, lies a fully formed story: Even though Macario speaks little, we know he thinks a reflects a lot.

Igancio López Tarso made a classic with is quiet character, and I was amazed to find in Pina Pellicer one of the most beautiful women in Mexican movies.

It is sad to see movies like this are no longer made. Mysticism has no place in Mexican cinema right now.

(with a few... quite a few, and I mean quite a FEW -near to NONE- exceptions)

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