Overview
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Release Date:
2 December 1960 (Denmark)
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Tagline:
As the applause grew fainter ... As the spotlight grew dimmer ... His women were younger!
Plot:
Archie Rice, an old-time British vaudeville performer sinking into final defeat, schemes to stay in show business.
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Awards:
Nominated for Oscar.
Another 1 win
&
3 nominations
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Additional Details
Runtime:
96 min | USA:105 min (TCM print)
Aspect Ratio:
1.66 : 1
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Sound Mix:
Mono (Westrex Recording System)
Fun Stuff
Trivia:
John Osborne wrote his play "The Entertainer" specifically at the request of
Laurence Olivier, who wanted the Angry Young Man of the British theater to create a vehicle for him, one of the figures of the British Establishment that Osborne was rebelling against. Olivier hoped that appearing in the Osborne play would make him relevant to a new generation of theater goers. It proved to be one of Olivier's greatest stage successes (The Colonial Theatre in Boston has a plaque on the outside wall commemorating Olivier's appearance there during the US tour of the play), while the film adapted from the play won him the sixth of his ten acting Academy Award nominations. His performance as Archie Rice, as well as his marriage to his young co-star
Joan Plowright, one of the leading actresses of the new wave of British thespians, did keep Olivier contemporary with the new leaders of the British theater. Conversely, Olivier's generational contemporaries, including the actors
John Gielgud and
Ralph Richardson and the playwright
Terence Rattigan, would become to seem stout and old-fashioned as they failed to keep up with the theatrical evolution. (Gielgud would counter with the role of Julian in
Edward Albee's obscure "Tiny Alice" on Broadway in 1962, but outside of the classical repertoire, he and Richardson did not recover their cachet as actors in contemporary plays until the mid-1970s, in
Harold Pinter's "No Man's Land".) Olivier would help shepherd the new generation of actors, directors and playwrights as the head of the National Theatre in the 1960s and early '70s.
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Quotes:
Billy Rice:
You were a pretty little thing. Not that looks are important - not even for a woman. You don't look at the mantelpiece when you poke the fire.
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Soundtrack:
The Boy I Love Is Up in the Gallery
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This is the greatest performance by one of the greatest actors of all time, perhaps because this is the character he most closely identified with. Unfortunately a good quality video transfer is not easy to find, most are bad versions of a bad print. Bates and DeBanzie also give some of their best work in this sadly under seen classic.