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| Burt Lancaster | ... | Elmer Gantry | |
| Jean Simmons | ... | Sister Sharon Falconer, nee Katie Jones | |
| Arthur Kennedy | ... | Jim Lefferts | |
| Dean Jagger | ... | William L. Morgan | |
| Shirley Jones | ... | Lulu Bains | |
| Patti Page | ... | Sister Rachel | |
| Edward Andrews | ... | George F. Babbitt (as Ed Andrews) | |
| John McIntire | ... | Rev. John Pengilly | |
| Hugh Marlowe | ... | Rev. Philip Garrison | |
| Joe Maross | ... | Pete | |
| Philip Ober | ... | Rev. Planck | |
| Barry Kelley | ... | Police Capt. Holt | |
| Wendell Holmes | ... | Rev. Ulrich | |
| Dayton Lummis | ... | Mr. Eddington, newspaper publisher | |
| rest of cast listed alphabetically: | |||
| Harry Antrim | ... | Man in saloon (uncredited) | |
| Larry J. Blake | ... | Mac (bartender) (uncredited) | |
| Peter Brocco | ... | Benny (photographer) (uncredited) | |
| Budd Buster | ... | Valet (uncredited) | |
| George Cisar | ... | Friend (uncredited) | |
| Ralph Dumke | ... | Friend (uncredited) | |
| Sally Fraser | ... | Prostitute (uncredited) | |
| Everett Glass | ... | Rev. Brown (uncredited) | |
| Sol Gorss | ... | Hobo in boxcar (uncredited) | |
| Mary Adams Hayes | ... | Salvation Army worker (uncredited) | |
| Charles Horvath | ... | Hobo in boxcar (uncredited) | |
| Rex Ingram | ... | Preacher of black congregation (uncredited) | |
| Colin Kenny | ... | Extra at revival meeting (uncredited) | |
| Mike Lally | ... | Radio station official (uncredited) | |
| Norman Leavitt | ... | Friend (uncredited) | |
| Robert P. Lieb | ... | Police captain (uncredited) | |
| Barbara Luna | ... | Prostitute (uncredited) | |
| John McKee | ... | Photographer / Reporter (uncredited) | |
| David McMahon | ... | (uncredited) | |
| Ed Nelson | ... | Man on phone at Sister Sharon headquarters (uncredited) | |
| William H. O'Brien | ... | Train conductor (uncredited) | |
| Gloria Pall | ... | Girl in brothel (uncredited) | |
| Milton Parsons | ... | Revivalist (uncredited) | |
| Charles Perry | ... | Man at revival meeting (uncredited) | |
| John Qualen | ... | Sam (storekeeper) (uncredited) | |
| Dan Riss | ... | Radio announcer (uncredited) | |
| Max Showalter | ... | Deaf man (uncredited) | |
| Marjorie Stapp | ... | Lady in red on Christmas Eve (uncredited) | |
| Bert Stevens | ... | Choir member (uncredited) | |
| Jack Stoney | ... | Revival tent roustabout (uncredited) | |
| Ken Terrell | ... | Blind man (uncredited) | |
| Dale Van Sickel | ... | Egg thrower (uncredited) | |
| Ray Walker | ... | Friend (uncredited) | |
| Michael Whalen | ... | Rev. Phillips (uncredited) | |
| Guy Wilkerson | ... | Clean-up man (uncredited) | |
| Jean Willes | ... | Prostitute (uncredited) | |
Directed by | |||
| Richard Brooks | |||
Writing credits(in alphabetical order) | ||
| Richard Brooks | screenplay | |
| Sinclair Lewis | novel | |
Produced by | |||
| Bernard Smith | .... | producer | |
Original Music by | |||
| André Previn | |||
Cinematography by | |||
| John Alton | |||
Film Editing by | |||
| Marjorie Fowler | |||
Art Direction by | |||
| Edward Carrere | (as Ed Carrere) | ||
Set Decoration by | |||
| William F. Calvert | (as Bill Calvert) | ||
| Frank Tuttle | |||
Costume Design by | |||
| Dorothy Jeakins | |||
Makeup Department | |||
| Harry Maret | .... | makeup artist | |
| Robert J. Schiffer | .... | makeup artist (as Robert Schiffer) | |
| Joan St. Oegger | .... | hair stylist | |
Production Management | |||
| Gilbert Kurland | .... | executive production manager | |
Second Unit Director or Assistant Director | |||
| Tom Shaw | .... | assistant director (as Thomas P. Shaw) | |
| Robert Webb | .... | second assistant director (uncredited) | |
Sound Department | |||
| Fred J. Brown | .... | sound effects editor (as Fred Brown) | |
| Harry D. Mills | .... | sound (as Harry Mills) | |
Stunts | |||
| Bob Herron | .... | stunts (uncredited) | |
| Charles Horvath | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Richard H. Kline | .... | camera operator (uncredited) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant (uncredited) | |
Music Department | |||
| Ken Darby | .... | associate music supervisor | |
| Kenyon Hopkins | .... | conductor (uncredited) | |
| Albert Woodbury | .... | orchestrator (uncredited) | |
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It took a long time before I watched this movie on VHS. I had boycotted it for years, thinking it was too anti-Christian to support with my money, either renting or buying it. Finally, in the summer of 2005 I took a look after seeing several Burt Lancaster films and being reminded how good an actor he was. Well, he didn't disappoint here, either, with a fantastic performance as those of you who have seen this already know. Lancaster is absolutely mesmerizing as "Elmer Gantry." At times I wondered if he wasn't overacting, but his character called for a very animated salesman-type person. So, I'll give him the credit and assume he was just playing his role, not hamming it up too much as it often appears.
"Gantry" gave the best speeches in this film and even though many people think he was the charlatan all the way through, I disagree. I think he had changed in the end. At any rate, Lancaster made him into a believable person.
He certainly was a lot more believable than Jean Simmons' female evangelist, "Sister Sharon." Anyone who knows Scripture, knows that NO evangelist - real or not - would say or do some of the things she said-did in here. Nonetheless, Simmons gives just as riveting a performance as Lancaster, her character just being lower-key than the fiery "Gantry."
The most shocking role to me was played by wholesome (can you say "Oklahoma!"?) Shirley Jones, who only appears in the last part of this long film but plays a memorable character: a hooker who had past encounters with Elmer Gantry and now wants to expose him for the womanizing heathen she thinks he is, and succeeds in doing so but is ashamed of her actions in the end.
Arthur Kennedy also is fascinating as the skeptical atheist-type newspaper reporter who softens quite a bit at the end. Meanwhile, the big-city businessman "George Babbitt" (Edward Andrews) was the only really annoying and overblown character in the film and typical of what Hollywood does today when they want to make a "relgious" person look bad.
I mention all these actors before remarking about the story because the acting and the characters are what make this movie so well-done and entertaining. As for the story, I don't believe this film is the "expose" and critical critique of evangelists Liberal film critics would have you believe. In fact, compared to filmmakers in the following decade - the '70s - they were quite tolerant. "Sister Sharon" was basically a sincere - if not misguided in spots - evangelist and a Believer and so was "Elmer" as he says at the end of the film.
Yes, there is some theology nonsense in here that simply isn't Scriptural and there is an obvious Hollywood bias against evangelists, but I expected far worse. To be fair, there were a lot of Biblically-sound lines in this script, too. And - by the way - not all evangelists are corrupt, despite what you see on film. (Don't hold your breath waiting for Hollywood to do a bio on the most famous one of them all: Billy Graham.)
As a Christian, I still don't trust the intent of the filmmakers but I found the film fascinating overall and think it's excellent work. I'm glad I got the movie. Better late than never!