| Videos (see all 2 NEW) |
| Glenn Ford | ... | Yancey 'Cimarron' Cravat (editor, 'Oklahoma Wigwam') | |
| Maria Schell | ... | Sabra Cravat born Venable | |
| Anne Baxter | ... | Dixie Lee (owner, Dixie's Social Club) | |
| Arthur O'Connell | ... | Tom Wyatt | |
| Russ Tamblyn | ... | William Hardy / The Cherokee Kid | |
| Mercedes McCambridge | ... | Mrs. Sarah Wyatt | |
| Vic Morrow | ... | Wes Jennings (Cherokee Kid gang) | |
| Robert Keith | ... | Sam Pegler (owner, 'Oklahoma Wigwam') | |
| Charles McGraw | ... | Bob Yountis | |
| Harry Morgan | ... | Jessie Rickey (printer) (as Henry {Harry} Morgan) | |
| David Opatoshu | ... | Sol Levy (shopkeeper) | |
| Aline MacMahon | ... | Mrs. Mavis Pegler | |
| Lili Darvas | ... | Felicia Venable (Sabra's mother) | |
| Edgar Buchanan | ... | Judge Neal Hefner | |
| Mary Wickes | ... | Mrs. Neal Hefner | |
| Royal Dano | ... | Ike Howes (photographer) | |
| L.Q. Jones | ... | Millis (Yountis' henchman) | |
| George Brenlin | ... | Hoss Barry - Cherokee Kid gang | |
| Vladimir Sokoloff | ... | Jacob Krubeckoff (sculptor) | |
| rest of cast listed alphabetically: | |||
| Andy Albin | ... | Water Man (uncredited) | |
| Rayford Barnes | ... | Cavalry sergeant who breaks up fight (uncredited) | |
| Mary Benoit | ... | Mrs. Lancey (uncredited) | |
| Barry Bernard | ... | Butler (uncredited) | |
| Janet Brandt | ... | Madam Rhoda (uncredited) | |
| Paul Bryar | ... | Mr. Self (politician) (uncredited) | |
| Robert Carson | ... | Senator Rollins (uncredited) | |
| John L. Cason | ... | Suggs (uncredited) | |
| William Challee | ... | Barber (uncredited) | |
| Fred Coby | ... | Oil worker (uncredited) | |
| Jack Daly | ... | Wyatt's Man (uncredited) | |
| John Damler | ... | Foreman (uncredited) | |
| Richard Davies | ... | Mr. Hodges (uncredited) | |
| Phyllis Douglas | ... | Sadie (uncredited) | |
| Ted Eccles | ... | Cimarron Cravat - age 2 (uncredited) | |
| LaRue Farlow | ... | Dancer (uncredited) | |
| Coleman Francis | ... | Mr. Geer (uncredited) | |
| James Halferty | ... | Cimarron Cravat - age 10 (uncredited) | |
| Clegg Hoyt | ... | Grat Gotch (uncredited) | |
| Irene James | ... | Townswoman (uncredited) | |
| Jimmy Lewis | ... | Hefner Boy (uncredited) | |
| Dawn Little Sky | ... | Arita Red Feather (uncredited) | |
| Eddie Little Sky | ... | Ben Red Feather (uncredited) | |
| Buzz Martin | ... | Cimarron Cravat - as a young man (uncredited) | |
| J. Edward McKinley | ... | Beck (uncredited) | |
| Walter Merrill | ... | Reporter (uncredited) | |
| John Pickard | ... | Ned - Cavalry Captain (uncredited) | |
| Ralph Reed | ... | Bellboy (uncredited) | |
| William Remick | ... | Reporter (uncredited) | |
| Gene Roth | ... | Connors (uncredited) | |
| Charles Seel | ... | Charles (uncredited) | |
| Ivan Triesault | ... | Lewis Venable (Sabra's father) (uncredited) | |
| Charles Watts | ... | Lou Brothers (politician) (uncredited) | |
| Helen Westcott | ... | Miss Kuye - Schoolteacher (uncredited) | |
| Robert Williams | ... | Oil Worker (uncredited) | |
| Jeane Wood | ... | Clubwoman (uncredited) | |
| Wilson Wood | ... | Reporter (uncredited) | |
| Jorie Wyler | ... | Theresa Jump (uncredited) | |
Directed by | |||
| Anthony Mann | |||
| Charles Walters | (uncredited) | ||
Writing credits | ||
| Arnold Schulman | (screenplay) | |
| Edna Ferber | (novel) | |
Produced by | |||
| Edmund Grainger | .... | producer | |
Original Music by | |||
| Franz Waxman | |||
Cinematography by | |||
| Robert Surtees | (as Robert L. Surtees) | ||
Film Editing by | |||
| John D. Dunning | (as John Dunning) | ||
Art Direction by | |||
| George W. Davis | |||
| Addison Hehr | |||
Set Decoration by | |||
| Henry Grace | |||
| Hugh Hunt | |||
| Otto Siegel | |||
Costume Design by | |||
| Walter Plunkett | |||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| William Tuttle | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Ridgeway Callow | .... | assistant director | |
| Carl 'Major' Roup | .... | second assistant director (uncredited) | |
Sound Department | |||
| Franklin Milton | .... | recording supervisor | |
| Van Allen James | .... | sound editor (uncredited) | |
Special Effects by | |||
| A. Arnold Gillespie | .... | special effects | |
| Robert R. Hoag | .... | special effects | |
| Lee LeBlanc | .... | special effects | |
Visual Effects by | |||
| Matthew Yuricich | .... | visual effects artist (uncredited) | |
Stunts | |||
| John L. Cason | .... | stunts (uncredited) | |
| Muriel Walter | .... | stunt horse rider (uncredited) | |
Editorial Department | |||
| Charles K. Hagedon | .... | color consultant | |
Music Department | |||
| Roger Wagner Chorale | .... | singers: theme song | |
| Recent Posts (updated daily) | User |
|---|---|
| Available on dvd | aquaisces |
| shot on 68 mm? | knowsbleed |
| One of Mann's Best Shot Sequences... | brainofj72 |
|
|
|
|
|
| Cimarron | Giant | How the West Was Won | Man with the Steel Whip | The Painted Stallion |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I admit to not having read the book (but will now go to abe.com to find it!) or seen the earlier film, but find it interesting to compare this enjoyable movie with 'Giant'(Stevens, 1956), which incidentally also had Mercedes McCambridge in it, also concerned an essentially ill-matched couple, prejudice, mixed-race marriage, early oil-barons, and also takes in a number of years in which we see the characters grow older.
Unlike the other reviewers here, I did NOT find Maria Schell's accent annoying in the least. She makes a wonderfully believable pioneer (note: the accent is genuine, which also sets her apart from many other Hollywood 'foreigners') and she has a pleasingly natural acting style. She shines beautifully when she is interacting with other women, be it the wildcat and part-time prostitute Anne Baxter in one of the finest scenes of the film (smouldering and feisty but underused I think) or the earthy and magnificent McCambridge, whose subtle but hilarious Southern accent is expertly modulated and a joy to the ear. So many scenes between women in Westerns of this time are somewhat flat and stagey, but I think they're superb here and set this film apart.
Glenn Ford is good, and although the film rather tries to do too much (as does Giant, in my opinion), it's really a fun way to spend a rainy afternoon or even a hot afternoon. Plenty happens along the way and it has something to say.