News for
Avventura, L' (1960)

photos

board

trailer

details

3 articles from 2007

13 August 2007 | From Studio Briefing | See recent Studio Briefing news

The New York Times on Sunday published lengthy tributes to two legendary directors by two legendary directors in their own right. In his article about Ingmar Bergman, who died last month at age 89, Woody Allen recalled Bergman as "a warm, amusing, joking character, insecure about his immense gifts, beguiled by the ladies." He wrote that he often talked to him by telephone, refusing invitations to visit because "I didn't relish flying on a small aircraft to some speck near Russia for what I envisioned as a lunch of yogurt." Allen wrote that on the day Bergman died, reporters who knew of his admiration for Bergman phoned, many of them asking how Bergman had influenced him. "He couldn't have influenced me, I said, he was a genius and I am not a genius and genius cannot be learned or its magic passed on." In a separate article, Martin Scorsese wrote about the death of Michelangelo Antonioni, at age 94. He said that Antonioni's L'Avventura "gave me one of the most profound shocks I've ever had at the movies. ... [It] changed my perception of cinema and the world around me and made both seem limitless." Scorsese said that he had "crossed paths" with Antonioni a number of times over the years, "but it was his images that I knew, much better than the man himself. Images that continue to haunt me, inspire me. To expand my sense of what it is to be alive in the world."

Permalink | Report a problem

31 July 2007 | From IMDb News

<N N="0000774">Michelangelo Antonioni</N>, the Italian film director whose modernist style created such haunting, enigmatic films as <T T="0053619">L'Avventura</T> and <T T="0060176">Blow Up</T>, died Monday at his home in Italy; he was 94. Antonioni had suffered a debilitating stroke in 1985 which gave him limited speech capabilities and curtailed his directing abilities, though he continued to work, most notably on 1995's <T T="0114086">Beyond the Clouds</T>, after his stroke. Born in Ferrara, Italy, Antonioni graduated from the University of Bologna with a degree in economics but went to work for a local newspaper as a film writer and critic. Moving to Rome during World War II, he collaborated with <N N="0744023">Roberto Rossellini</N> on <T T="0035191">A Pilot Returns</T> and began making short documentaries. His first full-length film, <T T="0042355">Story of a Love Affair</T>, was released in 1950, and he found his breakthrough with 1957's <T T="0050458">The Outcry</T>, where he met actress <N N="0900143">Monica Vitti</N>, who would go on to star in his famed film trilogy of emotional alienation: <T T="0053619">L'Avventura</T>, <T T="0054130">La Notte</T>, and <T T="0056736">L'Eclisse</T>, released from 1960-1962. With these austere black-and-white films, seductive and amazing to some and puzzling and mysterious to others (<T T="0053619">L'Avventura</T> and <T T="0056736">L'Eclisse</T> both won the Jury prizes at Cannes), Antonioni established himself as one of the premier international filmmakers of the time, alongside fellow countryman <N N="0000019">Federico Fellini</N> and other emerging directors of the '60s such as <N N="0000591">Roman Polanski</N> and <N N="0000005">Ingmar Bergman</N>; he was considered such a fixture of the time that he was even mentioned in lyrics (alongside Fellini and Polanski) in the seminal musical of the '60s, <T T="0079261">Hair</T>. <br><br> In 1966, Antonioni found box office as well as critical success with <T T="0060176">Blow Up</T>, the story of a London photographer (<N N="0376101">David Hemmings</N>) who believes he may have accidentally captured a murder on film. The quintessential portait of the swinging '60s, the film featured a luminous <N N="0000603">Vanessa Redgrave</N> and, most notoriously, an imaginary, silent tennis game played between two sets of white-faced mimes. While some shrugged, others continued to celebrate his success, and Antonioni received two Academy Award nominations for writing and directing <T T="0060176">Blow Up</T>. That film was followed by the notorious flop <T T="0066601">Zabriskie Point</T>, an existentialist rumination in Death Valley featuring amateur actors, but Antonioni then rebounded with <T T="0073580">The Passenger</T>, starring <N N="0000197">Jack Nicholson</N> as a journalist researching a documentary in the Sahara, now considered one of his best films. Antonioni made only a handful of films following <T T="0073580">The Passenger</T>, and worked only in a limited fashion after his stroke, though he surprised critics and audiences with 1995's <T T="0114086">Beyond the Clouds</T>, which producers would only back with the stipulation that director <N N="0000694">Wim Wenders</N> follow the filming in case Antonioni faltered. Though he was only able to speak a few words, the director was able to communicate effectively with his crew and actors; the same year <i>Beyond the Clouds</i> was released, he received an honorary Academy Award for lifetime achievement. Antonioni is survived by his wife, Enrica, whom he married in 1986. <i>--Mark Englehart, IMDb staff</i> <br><br>

Permalink | Report a problem

31 July 2007 | From Studio Briefing | See recent Studio Briefing news

Just one day after the announcement of the death of Ingmar Bergman, officials in Rome announced the death at age 94 of another legendary director, Michelangelo Antonioni. "With Antonioni dies not only one of the greatest directors but also a master of modernity," Walter Veltroni, the mayor of Rome, said in the announcement. Antonioni directed both Italian- and English-language features, including the 1960 classic L'Avventura and the 1966 Oscar-nominated Blowup. Despite being largely incapacitated by a stroke in 1983, he continued directing films. In 1994, barely able to speak and appearing frail, he directed John Malkovich, Jeremy Irons, Irene Jacob and Fanny Ardant in Beyond the Clouds, often using a note pad to communicate with the cast and crew. In 1995, the Academy of Motion Picture Arts and Sciences awarded him an Oscar for lifetime achievement.

Permalink | Report a problem

3 articles from 2007