| Photos (see all 8 | slideshow) |
| Paul Newman | ... | Anthony Judson Lawrence / Narrator | |
| Barbara Rush | ... | Joan Dickinson | |
| Alexis Smith | ... | Carol Wharton | |
| Brian Keith | ... | Mike Flanagan | |
| Diane Brewster | ... | Kate Judson Lawrence | |
| Billie Burke | ... | Mrs. J. Arthur Allen, Owner Allen Oil Co. | |
| John Williams | ... | Gilbert Dickinson | |
| Robert Vaughn | ... | Chester A. 'Chet' Gwynn | |
| Otto Kruger | ... | John Marshall Wharton, Partner in Wharton / Biddle / Clayton Law Firm | |
| Paul Picerni | ... | Louis Donetti | |
| Robert Douglas | ... | Uncle Morton Stearnes | |
| Frank Conroy | ... | Doctor Shippen Stearnes | |
| Adam West | ... | William Lawrence III | |
| Anthony Eisley | ... | Carter Henry (as Fred Eisley) | |
| Richard Deacon | ... | George Archibald | |
| rest of cast listed alphabetically: | |||
| Murray Alper | ... | Diner Counterman (uncredited) | |
| Brandon Beach | ... | Jury Foreman (uncredited) | |
| Richard Boyer | ... | Hotel Asst. Manager (uncredited) | |
| Leonard Bremen | ... | Carson, Construction Worker (uncredited) | |
| Joe Brooks | ... | Photographer (uncredited) | |
| Peter Brown | ... | Elevator Operator / Voice of Hotel Asst. Manager (uncredited) | |
| James Burke | ... | Police Officer Barney Flanagan (uncredited) | |
| Wade Cagle | ... | Corpsman (uncredited) | |
| Gertrude Carr | ... | Woman in Car (uncredited) | |
| Isobel Elsom | ... | Mrs. Dewitt Lawrence (uncredited) | |
| Franklyn Farnum | ... | Party Guest (uncredited) | |
| Bess Flowers | ... | Carla Henry - Cricket Club Party Guest (uncredited) | |
| Robert Haines | ... | Court Stenographer (uncredited) | |
| Ken Hardison | ... | Corpsman (uncredited) | |
| Sam Harris | ... | Party Guest (uncredited) | |
| Jack Henderson | ... | Bartender (uncredited) | |
| Stuart Holmes | ... | Cricket Club Party Guest (uncredited) | |
| James Hope | ... | Bailiff (uncredited) | |
| J. Anthony Hughes | ... | Reporter (uncredited) | |
| Helen Jay | ... | Floozy (uncredited) | |
| Theodore Lehmann | ... | Photographer (uncredited) | |
| Louise Lorimer | ... | Mary Judson (uncredited) | |
| Al McGranary | ... | Judge (uncredited) | |
| Don McGuire | ... | Bartender (uncredited) | |
| David McMahon | ... | Police Desk Sgt. McMahon (uncredited) | |
| Claire Meade | ... | Margaret O'Donnell (uncredited) | |
| Patricia Michon | ... | Chippy (uncredited) | |
| Harold Miller | ... | Cricket Club Guest (uncredited) | |
| Jack Mower | ... | Courtroom Spectator (uncredited) | |
| Forbes Murray | ... | Joan's Party Guest (uncredited) | |
| Alan Paige | ... | Reporter (uncredited) | |
| Yvonne Peattie | ... | Miss Lurie (uncredited) | |
| Frieda Rentie | ... | Maid (uncredited) | |
| Carl Saxe | ... | Bit Role (uncredited) | |
| Charles Sherlock | ... | Ed, Construction Man (uncredited) | |
| Bert Stevens | ... | Cricket Club Guest (uncredited) | |
| Fred Stromsoe | ... | Photographer (uncredited) | |
| Ruth Swanson | ... | Receptionist (uncredited) | |
| James Westmoreland | ... | Bright Young Man (uncredited) | |
Directed by | |||
| Vincent Sherman | |||
Writing credits | ||
| James Gunn | (screenplay) | |
| Richard Powell | (novel "The Philadelphian") | |
Original Music by | |||
| Ernest Gold | |||
Cinematography by | |||
| Harry Stradling Sr. | (director of photography) | ||
Film Editing by | |||
| William H. Ziegler | (as William Ziegler) | ||
Art Direction by | |||
| Malcolm C. Bert | (as Malcolm Bert) | ||
Set Decoration by | |||
| John P. Austin | |||
Costume Design by | |||
| Howard Shoup | |||
Makeup Department | |||
| Gordon Bau | .... | makeup supervisor | |
Second Unit Director or Assistant Director | |||
| William Kissell | .... | assistant director (as William Kissel) | |
Sound Department | |||
| Stanley Jones | .... | sound | |
Music Department | |||
| Ray Heindorf | .... | music supervisor | |
Other crew | |||
| Richard Michaels | .... | script supervisor (uncredited) | |
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| City of Shoulders and Noses | Big Fish | Giant | Written on the Wind | Where Love Has Gone |
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It has commonly been said that full-fledged soap opera can never be a real work of art, but this excellent film proves to be a glorious exception to that rule. Director Vincent Sherman's luminous film adaptation of author Richard Powell's best-seller THE PHILADELPHIANS manages to tell the story of at least two generations in a single picture without ever feeling cramped, forced, or haphazard. The film's story line that begins as a romance, evolves into an underdog business story, and ends as a courtroom drama, and Sherman impressively manages to take all of these various story threads and create a completely coherent motion picture that never feels disjointed or episodic. Sherman also keeps things movie at a remarkably brisk pace the film never feels even half as long as it's 136-minute runtime.
The entire cast turns in superlative work, with Newman being particular well-suited to his role as a good-natured-but-flawed lawyer (he would return to this type of role with even better results in the 1982 classic THE VERDICT). Barbara Rush, Brian Keith, Dianne Brewster, Billie Burke, and Robert Vaughn are all excellent, and Alexis Smith is particularly memorable as sexy socialite. Speaking of sex, the film retains a surprisingly sensual aura throughout, which helps to keep it from aging for modern audiences. Inexplicably forgotten by many classic film fans, THE YOUNG PHILADELPHIANS is a moving, compelling motion picture that holds up remarkably well nearly fifty years after it's original release.