| Videos (see all 3) |
| John Wayne | ... | Sheriff John T. Chance | |
| Dean Martin | ... | Dude ('Borachón') | |
| Ricky Nelson | ... | Colorado Ryan | |
| Angie Dickinson | ... | Feathers | |
| Walter Brennan | ... | Stumpy | |
| Ward Bond | ... | Pat Wheeler | |
| John Russell | ... | Nathan Burdette | |
| Pedro Gonzalez Gonzalez | ... | Carlos Robante (as Pedro Gonzalez-Gonzalez) | |
| Estelita Rodriguez | ... | Consuela Robante | |
| Claude Akins | ... | Joe Burdette | |
| Malcolm Atterbury | ... | Jake (stage driver) | |
| Harry Carey Jr. | ... | Harold (scenes deleted) | |
| rest of cast listed alphabetically: | |||
| Sheb Wooley | ... | Cowboy (scenes deleted) | |
| Walter Barnes | ... | Charlie (bartender) (uncredited) | |
| Nesdon Booth | ... | Bit part (uncredited) | |
| George Bruggeman | ... | Clem (uncredited) | |
| Yakima Canutt | ... | Gunman on horse (uncredited) | |
| Jose Cuchillo | ... | Pedro (uncredited) | |
| Robert Donner | ... | (uncredited) | |
| Fred Graham | ... | 2nd Burdette man in shootout (uncredited) | |
| Joe Gray | ... | Card player (uncredited) | |
| Myron Healey | ... | Barfly (uncredited) | |
| Riley Hill | ... | Messenger (uncredited) | |
| Eugene Iglesias | ... | 1st Burdette man in shootout (uncredited) | |
| Gordon Mitchell | ... | Bar Cowboy - Watching fist fight (uncredited) | |
| Tom Monroe | ... | Henchman (uncredited) | |
| Chuck Roberson | ... | Gunman (uncredited) | |
| Bing Russell | ... | Cowboy murdered in saloon (uncredited) | |
| Joseph Shimada | ... | Burt (undertaker) (uncredited) | |
| Dean Smith | ... | Card-Playing Burdette Henchman (uncredited) | |
| Bob Steele | ... | Matt Harris (Burdette gunman) (uncredited) | |
| Ted White | ... | Bit part (uncredited) | |
Directed by | |||
| Howard Hawks | |||
Writing credits | ||
| Jules Furthman | (screenplay) and | |
| Leigh Brackett | (screenplay) | |
| B.H. McCampbell | (short story) | |
Produced by | |||
| Howard Hawks | .... | producer | |
Original Music by | |||
| Dimitri Tiomkin | |||
Cinematography by | |||
| Russell Harlan | (director of photography) | ||
Film Editing by | |||
| Folmar Blangsted | |||
Art Direction by | |||
| Leo K. Kuter | |||
Set Decoration by | |||
| Ralph S. Hurst | |||
Costume Design by | |||
| Marjorie Best | |||
Makeup Department | |||
| Gordon Bau | .... | makeup supervisor | |
Second Unit Director or Assistant Director | |||
| Paul Helmick | .... | assistant director | |
Sound Department | |||
| Robert B. Lee | .... | sound | |
Stunts | |||
| Bill Babcock | .... | stunts (uncredited) | |
| Joe Byrne | .... | stunt double: Ricky Nelson (uncredited) | |
| Yakima Canutt | .... | stunt coordinator (uncredited) | |
| Philip Dalton Crawford | .... | stunt man (uncredited) | |
| Fred Graham | .... | stunts (uncredited) | |
| Joe Gray | .... | stunts (uncredited) | |
| Bob Herron | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Dean Smith | .... | stunts (uncredited) | |
| Bob Terhune | .... | stunts (uncredited) | |
| Ted White | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Richard Doran | .... | assistant camera (uncredited) | |
Music Department | |||
| Dimitri Tiomkin | .... | conductor | |
| Sidney Cutner | .... | orchestrator (uncredited) | |
| Maurice De Packh | .... | orchestrator (uncredited) | |
| Manuel Emanuel | .... | orchestrator (uncredited) | |
| Michael Heindorf | .... | orchestrator (uncredited) | |
| Gus Levene | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| Leonid Raab | .... | orchestrator (uncredited) | |
| Herbert Taylor | .... | orchestrator (uncredited) | |
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| Ride the High Country | The James Brothers of Missouri | Appaloosa | The Phantom Rider | Gone with the Wind |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
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It says much about current cinema that this vintage slice of Hollywood is now considered too long and too slow by the modern generation of movie goers. Howard Hawks labours to create setting, mood and pace introducing genuine characters are colourful for the flaws they have as their positive points presenting heroes one can empathise with, people with three dimensions, not thin caricatures that popular many of today's movies.
No character empathises this more than Dean Martin's broken down drunk Dude. Nicknamed "Borachon" by the Mexicans (Borachon is Spanish for "Drunkard") Dude battles with the demons that drove him to drink as he desperately tried not to let down Sheriff Chance, John Wayne, who believes in him more than he believes in himself. Dude's pouring back of a glass of bourbon into the bottle is one of the most life affirming scenes ever committed to film.
Wayne never really does anything other than play John Wayne and Hawks spins on this playing with the ethos of the man. The same steadfast values that mean Wayne's Sheriff John T. Chance will not release the prisoner Joe Burdette back to his murderous gang leave him stiff and awkward in front of Angie Dickinson's love interest "Feathers" creating perhaps the quintessential John Wayne movie in which the Jules Furthman and Leigh Brackett's screenplay explores the depths of the ideals that Wayne stands for. This is a movie about not just about redemption, but about the reasons for a tough redemption in a World in which collapse and lawlessness are easier options.
And when Dude pours his Bourbon back, affirming that even though he cannot be the man he was but he can still be a good man, you will not be wishing it was film in bullettime.