IMDb > Les quatre cents coups (1959)
Les quatre cents coups
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Overview

User Rating:
8.1/10   21,052 votes
MOVIEmeter: ?
Down 5% in popularity this week. See why on IMDbPro.
Director:
Writers:
François Truffaut (scenario)
Marcel Moussy (adaptation) ...
(more)
Contact:
View company contact information for The 400 Blows on IMDbPro.
Release Date:
16 November 1959 (USA) more
Genre:
Tagline:
Angel faces hell-bent for violence. more
Plot:
Intensley touching story of a misunderstood young adolescent who left without attention, delves into a life of petty crime. full summary | full synopsis
Awards:
Nominated for Oscar. Another 6 wins & 3 nominations more
NewsDesk:
(9 articles)
Desperately seeking Sendak
 (From The Guardian - Film News. 23 November 2009, 2:32 AM, PST)

Denver Film Festival announces full lineup
 (From QuietEarth. 26 October 2009, 11:34 AM, PDT)

User Comments:
French cinema at its best more (110 total)
US TV Schedule:

Cast

  (in credits order) (verified as complete)
Jean-Pierre Léaud ... Antoine Doinel
Claire Maurier ... Gilberte Doinel - la mère d'Antoine
Albert Rémy ... Julien Doinel
Guy Decomble ... 'Petite Feuille', the French teacher
Georges Flamant ... Mr. Bigey
Patrick Auffay ... René
Daniel Couturier ... Betrand Mauricet
François Nocher ... Un enfant / Child
Richard Kanayan ... Un enfant / Child
Renaud Fontanarosa ... Un enfant / Child
Michel Girard ... Un enfant / Child
Serge Moati ... Un enfant / Child (as Henry Moati)
Bernard Abbou ... Un enfant / Child
Jean-François Bergouignan ... Un enfant / Child
Michel Lesignor ... Un enfant / Child
Luc Andrieux ... Le professeur de gym
Robert Beauvais ... Director of the school
Bouchon
Christian Brocard
Yvonne Claudie ... Mme Bigey
Marius Laurey ... L'inspecteur Cabanel
Claude Mansard ... Examining Magistrate
Jacques Monod ... Commissioner
Pierre Repp ... The English Teacher
Henri Virlojeux ... Night watchman (as Henri Virlogeux)
rest of cast listed alphabetically:
Jean-Claude Brialy ... Man in Street
Jeanne Moreau ... Woman with dog (as Mademoiselle Jeanne Moreau)
Philippe de Broca ... Man in Funfair (uncredited)
Jacques Demy ... Policeman (uncredited)
Jean Douchet ... The Lover (uncredited)
Marianne Girard ... (uncredited)
Simone Jolivet ... (uncredited)
Laure Paillette ... (uncredited)

François Truffaut ... Man in Funfair (uncredited)
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Directed by
François Truffaut 
 
Writing credits
François Truffaut (scenario)

Marcel Moussy (adaptation) (as M. Moussy) &
François Truffaut (adaptation) (as F. Truffaut)

Marcel Moussy (dialogue)

Produced by
François Truffaut .... producer (uncredited)
 
Original Music by
Jean Constantin 
 
Cinematography by
Henri Decaë 
 
Film Editing by
Marie-Josèphe Yoyotte 
 
Set Decoration by
Bernard Evein 
 
Production Management
Georges Charlot .... production manager
Robert Lachenay .... assistant unit manager
Jean Lavie .... unit manager
 
Second Unit Director or Assistant Director
Robert Bober .... second assistant director
Philippe de Broca .... assistant director
Francis Cognany .... second assistant director
Alain Jeannel .... second assistant director
 
Art Department
Raymond Lemoigne .... property master (as Raymond Le Moigne)
 
Sound Department
Jean Labussière .... sound assistant
Jean-Claude Marchetti .... sound
 
Camera and Electrical Department
André Dino .... still photographer
Alain Levent .... assistant camera
Jean Rabier .... camera operator
 
Editorial Department
Cécile Decugis .... assistant editor
Michèle de Possel .... assistant editor
 
Other crew
Luce Deuss .... production secretary
Roland Nonin .... production administrator
Jacqueline Parey .... script girl
 
Thanks
André Bazin .... dedicatee
Jean-Claude Brialy .... thanks
Fernand Deligny .... thanks
Alex Joffé .... thanks
Jacques Josse .... thanks
Suzanne Lipinska .... thanks
Claire Mafféi .... thanks
Jeanne Moreau .... thanks (as Mademoiselle Jeanne Moreau)
Claude Véga .... thanks
Claude Vermorel .... thanks
Annette Wademant .... thanks
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
The Four Hundred Blows (Canada: English title) (UK) (USA)
The 400 Blows (UK) (USA)
Les 400 coups (France) (alternative spelling)
more
Runtime:
99 min | Spain:92 min
Country:
Language:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
France:U | South Korea:All (2003) | Argentina:13 | Australia:PG | Finland:K-12 | Finland:K-8 (1966) | Singapore:PG | Sweden:15 | UK:A (original rating) | UK:PG (re-rating) (2001) | UK:PG (video rating) (1993) | West Germany:16 | Germany:12

Fun Stuff

Trivia:
The title of the film comes from the French idiom "faire les quatre cents coups", meaning "to raise hell". more
Goofs:
Continuity: Position of Antoine's hands on the door when Rene comes to visit changes. more
Quotes:
Psychiatrist: Your parents say you're always lying.
Antoine Doinel: Oh, I lie now and then, I suppose. Sometimes I'd tell them the truth and they still wouldn't believe me, so I prefer to lie.
more
Movie Connections:
Featured in Z Channel: A Magnificent Obsession (2004) (TV) more
Soundtrack:
Les quatre cents coup more

FAQ

This FAQ is empty. Add the first question.
30 out of 37 people found the following comment useful.
French cinema at its best, 12 February 2006
10/10
Author: maax48 from United Kingdom

Truffaut has worked wonders here, creating a masterful tale of a boy confused, troubled, and unloved. Antoine Doinel (played superbly by Jean-Pierre Léaud in the lead role) has strict, unfaithful parents, and a harsh, oppressive teacher, and falls into delinquency because of his unhappiness. He lies, steals, skips school and runs away from home, and soon ends up in a juvenile delinquency centre.

Truffaut's inspiration for this film came from his own depressed childhood, so he bases Antoine on himself, including in terms of appearance. Being a 'New Wave' (a cinematographic movement of the sixties, involving directors who believed Hollywood films were too lavish and unreal) director, Truffaut always used a real location for the film, including breathtaking shots of Truffaut's native Paris. He also made a cameo in the film in the style of Hitchcock.

Delinquance is the key theme here. Antoine, who is a character who believes in liberty and freedom, and the way he is always locked up is repressive for him, and this provokes a constant need for him to be out.

Trying to make a realistic and moving film was Truffaut's aim, which, by watching this film, I realised that he had done amazingly well. Also, by combining humour and drama too, we have the defining French film of the 20th century. A black and white film that is full of colour. Bien sur, François Truffaut.

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