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| Jean-Pierre Léaud | ... | Antoine Doinel | |
| Claire Maurier | ... | Gilberte Doinel - la mère d'Antoine | |
| Albert Rémy | ... | Julien Doinel | |
| Guy Decomble | ... | 'Petite Feuille', the French teacher | |
| Georges Flamant | ... | Mr. Bigey | |
| Patrick Auffay | ... | René | |
| Daniel Couturier | ... | Betrand Mauricet | |
| François Nocher | ... | Un enfant / Child | |
| Richard Kanayan | ... | Un enfant / Child | |
| Renaud Fontanarosa | ... | Un enfant / Child | |
| Michel Girard | ... | Un enfant / Child | |
| Serge Moati | ... | Un enfant / Child (as Henry Moati) | |
| Bernard Abbou | ... | Un enfant / Child | |
| Jean-François Bergouignan | ... | Un enfant / Child | |
| Michel Lesignor | ... | Un enfant / Child | |
| Luc Andrieux | ... | Le professeur de gym | |
| Robert Beauvais | ... | Director of the school | |
| Bouchon | |||
| Christian Brocard | |||
| Yvonne Claudie | ... | Mme Bigey | |
| Marius Laurey | ... | L'inspecteur Cabanel | |
| Claude Mansard | ... | Examining Magistrate | |
| Jacques Monod | ... | Commissioner | |
| Pierre Repp | ... | The English Teacher | |
| Henri Virlojeux | ... | Night watchman (as Henri Virlogeux) | |
| rest of cast listed alphabetically: | |||
| Jean-Claude Brialy | ... | Man in Street | |
| Jeanne Moreau | ... | Woman with dog (as Mademoiselle Jeanne Moreau) | |
| Philippe de Broca | ... | Man in Funfair (uncredited) | |
| Jacques Demy | ... | Policeman (uncredited) | |
| Jean Douchet | ... | The Lover (uncredited) | |
| Marianne Girard | ... | (uncredited) | |
| Simone Jolivet | ... | (uncredited) | |
| Laure Paillette | ... | (uncredited) | |
| François Truffaut | ... | Man in Funfair (uncredited) | |
Directed by | |||
| François Truffaut | |||
Writing credits | ||
| François Truffaut | (scenario) | |
| Marcel Moussy | (adaptation) (as M. Moussy) & | |
| François Truffaut | (adaptation) (as F. Truffaut) | |
| Marcel Moussy | (dialogue) | |
Produced by | |||
| François Truffaut | .... | producer (uncredited) | |
Original Music by | |||
| Jean Constantin | |||
Cinematography by | |||
| Henri Decaë | |||
Film Editing by | |||
| Marie-Josèphe Yoyotte | |||
Set Decoration by | |||
| Bernard Evein | |||
Production Management | |||
| Georges Charlot | .... | production manager | |
| Robert Lachenay | .... | assistant unit manager | |
| Jean Lavie | .... | unit manager | |
Art Department | |||
| Raymond Lemoigne | .... | property master (as Raymond Le Moigne) | |
Sound Department | |||
| Jean Labussière | .... | sound assistant | |
| Jean-Claude Marchetti | .... | sound | |
Camera and Electrical Department | |||
| André Dino | .... | still photographer | |
| Alain Levent | .... | assistant camera | |
| Jean Rabier | .... | camera operator | |
Editorial Department | |||
| Cécile Decugis | .... | assistant editor | |
| Michèle de Possel | .... | assistant editor | |
Other crew | |||
| Luce Deuss | .... | production secretary | |
| Roland Nonin | .... | production administrator | |
| Jacqueline Parey | .... | script girl | |
Thanks | |||
| André Bazin | .... | dedicatee | |
| Jean-Claude Brialy | .... | thanks | |
| Fernand Deligny | .... | thanks | |
| Alex Joffé | .... | thanks | |
| Jacques Josse | .... | thanks | |
| Suzanne Lipinska | .... | thanks | |
| Claire Mafféi | .... | thanks | |
| Jeanne Moreau | .... | thanks (as Mademoiselle Jeanne Moreau) | |
| Claude Véga | .... | thanks | |
| Claude Vermorel | .... | thanks | |
| Annette Wademant | .... | thanks | |
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| Caught Naked in a Public Place | Deadly Is the Female | Les égarés | L'argent | Call Northside 777 |
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Truffaut has worked wonders here, creating a masterful tale of a boy confused, troubled, and unloved. Antoine Doinel (played superbly by Jean-Pierre Léaud in the lead role) has strict, unfaithful parents, and a harsh, oppressive teacher, and falls into delinquency because of his unhappiness. He lies, steals, skips school and runs away from home, and soon ends up in a juvenile delinquency centre.
Truffaut's inspiration for this film came from his own depressed childhood, so he bases Antoine on himself, including in terms of appearance. Being a 'New Wave' (a cinematographic movement of the sixties, involving directors who believed Hollywood films were too lavish and unreal) director, Truffaut always used a real location for the film, including breathtaking shots of Truffaut's native Paris. He also made a cameo in the film in the style of Hitchcock.
Delinquance is the key theme here. Antoine, who is a character who believes in liberty and freedom, and the way he is always locked up is repressive for him, and this provokes a constant need for him to be out.
Trying to make a realistic and moving film was Truffaut's aim, which, by watching this film, I realised that he had done amazingly well. Also, by combining humour and drama too, we have the defining French film of the 20th century. A black and white film that is full of colour. Bien sur, François Truffaut.