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| Cary Grant | ... | Roger O. Thornhill | |
| Eva Marie Saint | ... | Eve Kendall | |
| James Mason | ... | Phillip Vandamm | |
| Jessie Royce Landis | ... | Clara Thornhill | |
| Leo G. Carroll | ... | The Professor | |
| Josephine Hutchinson | ... | Mrs. Townsend | |
| Philip Ober | ... | Lester Townsend | |
| Martin Landau | ... | Leonard | |
| Adam Williams | ... | Valerian | |
| Edward Platt | ... | Victor Larrabee | |
| Robert Ellenstein | ... | Licht | |
| Les Tremayne | ... | Auctioneer | |
| Philip Coolidge | ... | Dr. Cross | |
| Patrick McVey | ... | Sergeant Flamm - Chicago Policeman | |
| Edward Binns | ... | Captain Junket | |
| Ken Lynch | ... | Charley - Chicago Policeman | |
| rest of cast listed alphabetically: | |||
| Stanley Adams | ... | Lieutenant Harding (uncredited) | |
| Andy Albin | ... | Farmer (uncredited) | |
| Anne Anderson | ... | Woman (uncredited) | |
| Ernest Anderson | ... | Porter on Twentieth Century Ltd. (uncredited) | |
| Malcolm Atterbury | ... | Man at Prairie Crossing (uncredited) | |
| Tol Avery | ... | State Police Detective (uncredited) | |
| Baynes Barron | ... | Taxi Driver #2 (uncredited) | |
| John Beradino | ... | Sergeant Emile Klinger (uncredited) | |
| Sara Berner | ... | Telephone Operator (voice) (uncredited) | |
| Stephen Bolster | ... | Man with Camera (uncredited) | |
| Taggart Casey | ... | Shaving Man (uncredited) | |
| Bill Catching | ... | Auction Attendant (uncredited) | |
| Bob Coe | ... | Cropduster pilot (uncredited) | |
| Walter Coy | ... | U.S. Intelligence Agency Official (uncredited) | |
| Jimmy Cross | ... | Taxi Driver #1 (uncredited) | |
| Lucille Curtis | ... | Woman (uncredited) | |
| Patricia Cutts | ... | Hospital Patient (uncredited) | |
| Jack Daly | ... | Train Steward (uncredited) | |
| John Damler | ... | Police Lieutenant (uncredited) | |
| Lawrence Dobkin | ... | U.S. Intelligence Agency Official (uncredited) | |
| Tommy Farrell | ... | Eddie - Elevator Starter (uncredited) | |
| Jesslyn Fax | ... | Woman (uncredited) | |
| Josephine Forsberg | ... | Friendly Passenger (uncredited) | |
| Sally Fraser | ... | United Nations Receptionist (uncredited) | |
| Paul Genge | ... | Lieutenant Hagerman (uncredited) | |
| Ned Glass | ... | Ticket Seller (uncredited) | |
| Tom Greenway | ... | Silent State Police Detective (uncredited) | |
| Norm Heffron | ... | Radio Announcer (voice) (uncredited) | |
| Len Hendry | ... | Police Lieutenant (uncredited) | |
| Alfred Hitchcock | ... | Man Who Misses Bus (uncredited) | |
| Eugene Jackson | ... | Security Guard at Auction (uncredited) | |
| Bobby Johnson | ... | Waiter (uncredited) | |
| Sid Kane | ... | (uncredited) | |
| Kenner G. Kemp | ... | Extra Leaving Office Building (uncredited) | |
| Madge Kennedy | ... | Mrs. Finlay (uncredited) | |
| Doreen Lang | ... | Maggie - Roger's Secretary (uncredited) | |
| Bill Lloyd | ... | Extra (uncredited) | |
| Alexander Lockwood | ... | Judge Anson B. Flynn (uncredited) | |
| Frank Marlowe | ... | Taxi Driver (uncredited) | |
| Nora Marlowe | ... | Anna - Housekeeper (uncredited) | |
| Tom Marshall | ... | Police Officer in Chicago (uncredited) | |
| James McCallion | ... | Plaza Valet (uncredited) | |
| Maura McGiveney | ... | Attendant (uncredited) | |
| Carl Milletaire | ... | Hotel Clerk (uncredited) | |
| Howard Negley | ... | Conductor on Twentieth Century, Ltd. (uncredited) | |
| Charles Postal | ... | (uncredited) | |
| Maudie Prickett | ... | Elsie - Maid (uncredited) | |
| Hugh Pryor | ... | (uncredited) | |
| Ralph Reed | ... | Bellhop (uncredited) | |
| Jeffrey Sayre | ... | Man at Mt. Rushmore Cafeteria (uncredited) | |
| Harry Seymour | ... | Victor - Captain of Waiters (uncredited) | |
| Robert Shayne | ... | Larry Wade (uncredited) | |
| Doris Singh | ... | Indian Girl (uncredited) | |
| Jeremy Slate | ... | Policeman at Grand Central Station (uncredited) | |
| Olan Soule | ... | Assistant Auctioneer (uncredited) | |
| Helen Spring | ... | Bidder (uncredited) | |
| Harvey Stephens | ... | Stockbroker (uncredited) | |
| Bert Stevens | ... | Man at United Nations Building (uncredited) | |
| Harry Strang | ... | Assistant Conductor (uncredited) | |
| Dale Van Sickel | ... | Ranger (uncredited) | |
| Ray Weaver | ... | Policeman at Grand Central Station (uncredited) | |
| Susan Whitney | ... | Attendant (uncredited) | |
| Frank Wilcox | ... | Herman Weitner (uncredited) | |
| Robert Williams | ... | Patrolman Waggoner (uncredited) | |
| Paula Winslowe | ... | Woman at auction (uncredited) | |
| Wilson Wood | ... | Photographer at United Nations (uncredited) | |
| Carleton Young | ... | Fanning Nelson (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| Ernest Lehman | (written by) | |
Produced by | |||
| Herbert Coleman | .... | associate producer | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| George Tomasini | |||
Casting by | |||
| Leonard Murphy | (uncredited) | ||
Production Design by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
Art Direction by | |||
| William A. Horning | |||
| Merrill Pye | |||
Set Decoration by | |||
| Henry Grace | |||
| Frank R. McKelvy | (as Frank McKelvey) | ||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| William Tuttle | .... | makeup artist | |
| Peggy Shannon | .... | hair stylist (uncredited) | |
| Stanley Smith | .... | makeup artist (uncredited) | |
Production Management | |||
| Ruby Rosenberg | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert Saunders | .... | assistant director | |
| Mickey McCardle | .... | assistant director (uncredited) | |
Art Department | |||
| Harry Edwards | .... | props (uncredited) | |
| Henry Greutert | .... | sculptor (uncredited) | |
| Mentor Huebner | .... | storyboard artist (uncredited) | |
| John Ricardo | .... | second props (uncredited) | |
Sound Department | |||
| Franklin Milton | .... | recording supervisor | |
| Tom Hadley | .... | boom operator (uncredited) | |
| Van Allen James | .... | supervising sound editor (uncredited) | |
| Bert Mott | .... | boom operator (uncredited) | |
| Tom Overton | .... | boom operator (uncredited) | |
| Howard Voss | .... | sound mixer (uncredited) | |
| Charles Wallace | .... | sound mixer (uncredited) | |
Special Effects by | |||
| A. Arnold Gillespie | .... | special effects | |
| Lee LeBlanc | .... | special effects | |
| Doug Hubbard | .... | special effects (uncredited) | |
Visual Effects by | |||
| Cliff Shirpser | .... | optical matte camera operator (uncredited) | |
| Matthew Yuricich | .... | matte artist (uncredited) | |
Stunts | |||
| Ray Austin | .... | stunts (uncredited) | |
| Bill Catching | .... | stunts (uncredited) | |
| Leonard P. Geer | .... | stunts (uncredited) | |
| Sol Gorss | .... | stunt double: Cary Grant (uncredited) | |
| Robert F. Hoy | .... | stunts (uncredited) | |
| Paul Stader | .... | stunt coordinator (uncredited) | |
| Dale Van Sickel | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Kenny Bell | .... | still photographer (uncredited) | |
| Howard Bradner | .... | grip (uncredited) | |
| Howard Cashion | .... | camera mechanic (uncredited) | |
| Bobby Greene | .... | first assistant camera (uncredited) | |
| Mike Joyce | .... | camera loader (uncredited) | |
| James V. King | .... | camera operator: crop-dusting sequence (uncredited) | |
| Bud McNeil | .... | best boy (uncredited) | |
| Bill Shaw | .... | gaffer (uncredited) | |
| Tom Smith | .... | grip (uncredited) | |
| Leonard J. South | .... | camera operator (uncredited) | |
| Felix Trimboli | .... | first assistant camera (uncredited) | |
| Paul Weddell | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Harry Kress | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Charles K. Hagedon | .... | color consultant | |
| Edward K. Milkis | .... | assistant editor (uncredited) | |
Other crew | |||
| Saul Bass | .... | title designer | |
| Robert Foss | .... | location auditor (uncredited) | |
| Peggy Robertson | .... | script supervisor (uncredited) | |
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| The Fugitive | The Spider Returns | Strangers on a Train | King of New York | Raiders of the Lost Ark |
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North By Northwest is not an artistic masterpiece like Rear Window and Vertigo, but it is probably the most purely entertaining picture Hitchcock ever made. It's essentially a rehash of many of his earlier films, with a plot partially derived from The Thirty Nine Steps and the very similar Saboteur, while there are borrowings from Foreign Correspondent and Notorious, among others. However, it is all done with such style and confidence that it doesn't matter if it's essentially just a greatest hits package.
Very few other films of this kind attain the near perfect tone of this one, precariously balanced between seriousness and silliness. Sometimes this film manages the very difficult trick of being both suspenseful and comical at the same time, as in the auction house scene, or the wonderful scene in the lift when the hero's mother turns to two heavies in a lift looking menacingly at the hero and says "you gentlemen are not REALLY trying to kill my son, are you?".
Of course the famous crop dusting plane scene and the Mount Rushmore chase are terrific. The former is really more notable for the amount of time taken to build up to the action than the action itself, while the technical work on the latter still looks pretty good. In a totally different vein is the astonishingly frank seduction sequence on the train. Hitchcock takes his time here as with many of the other scenes, but the film is so crammed with memorable passages that one hardly notices it's 136 mins long.
Ernest Lehman's script is full of wonderful lines, many of them delivered so well by chief villain James Mason that at times we almost want to root for him. "Has any one ever told you tend to overplay your various roles Mr Kaplan....it seems to me you fellows could stand a little less training from the FBI and a little more from the Actor's Studio". Cary Grant is so smooth one almost forgets he's over 50, and of course there's also Bernard Herrmann's vibrant score.
Endlessly enjoyable even with repeated viewings. How many of today's thrillers will be such fun in 25 years time?