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| Don Sullivan | ... | Chase Winstead | |
| Fred Graham | ... | Sheriff Jeff | |
| Lisa Simone | ... | Lisa | |
| Shug Fisher | ... | Old Man Harris | |
| Bob Thompson | ... | Mr. Wheeler | |
| Janice Stone | ... | Missy Winstead | |
| Ken Knox | ... | Horatio Alger 'Steamroller' Smith | |
| Gay McLendon | ... | Mom Winstead | |
| Don Flournoy | ... | Gordy | |
| Cecil Hunt | ... | Mr. Compton | |
| Stormy Meadows | ... | Agatha Humphries | |
| Howard Ware | ... | Ed Humphries | |
| Pat Reeves | ... | Rick | |
| Jan McLendon | ... | Jennie | |
| Jerry Cortwright | ... | Bob | |
| Beverly Thurman | ... | Gay | |
| Clarke Browne | ... | Chuck | |
| Grady Vaughn | ... | Pat Wheeler | |
| Desmond Doogh | ... | Hitchhiker | |
| Ann Sonka | ... | Whila | |
| Yolanda Salas | ... | Liz Humphries | |
| rest of cast listed alphabetically: | |||
| Jim Andrews | ... | Extra (uncredited) | |
| Patricia Simmons | ... | Sherry (uncredited) | |
| Angus G. Wynne III | ... | Dumb teen (uncredited) | |
Directed by | |||
| Ray Kellogg | |||
Writing credits | ||
| Ray Kellogg | (original story) | |
| Jay Simms | (screenplay) | |
Produced by | |||
| Ken Curtis | .... | producer | |
| B.R. McLendon | .... | producer | |
| Gordon McLendon | .... | executive producer | |
Original Music by | |||
| Jack Marshall | |||
Cinematography by | |||
| Wilfred M. Cline | (as Wilfrid M. Cline) | ||
Film Editing by | |||
| Aaron Stell | |||
Set Decoration by | |||
| Louise Caldwell | |||
Makeup Department | |||
| Corinne Daniel | .... | makeup artist | |
Production Management | |||
| Ben Chapman | .... | production manager | |
Art Department | |||
| Louise Caldwell | .... | art designer (as Louis Caldwell) | |
Sound Department | |||
| Milton Citron | .... | sound effects | |
| James Richard | .... | sound effects | |
| Earl Snyder | .... | sound | |
Special Effects by | |||
| Ralph Hammeras | .... | special photographic effects | |
| Wee Risser | .... | special photographic effects | |
Stunts | |||
| Ken Curtis | .... | stunts | |
Camera and Electrical Department | |||
| Harry L. Gianneschi | .... | camera assistant | |
| Henry A. Kokojan | .... | camera operator | |
| George Gordon Nogle | .... | camera operator | |
| William John Ranaldi | .... | camera assistant | |
Music Department | |||
| Audrey Granville | .... | music associate (as Audray Granville) | |
| Jack Marshall | .... | conductor | |
| Paul Tanner | .... | musician: electro-theremin (uncredited) | |
Other crew | |||
| Audrey A. Blasdel | .... | script supervisor (as Audrey Blasdel) | |
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"The Giant Gila Monster" is one of those films of old that despite its numerous flaws retains a certain charm that adds a special mystique to the experience of watching them. Often labeled as one of the movies with worst special effects in history of cinema, this small Drive-In classic shines among similar movies due probably to the same naiveté that made Ed Wood's movies legendary. Like Wood's movies, "The Giant Gila Monster" has more good intentions than talent behind the camera, and that probably is what makes it so special.
The plot starts when people starts disappearing in the roads near a small Texan town. The sheriff Jeff (Fed Graham) is puzzled by the case as the victims seem to vanish leaving no trace. With the aid of his good friend Chase (Don Sullivan), he starts an investigation that will lead them to discover that a monster of huge proportions has been hiding and is eating its victims.
The movie is centered around Chase and the Sheriff's friendship, and the parental relationship that exists between them. Despite having no father and with a handicapped sister, Chase never loses his optimism and is willing to help everyone, from his best-friend the Sheriff to his girlfriend Lisa (Lisa Simone), who is an immigrant and wants to get a job. All this is charged with the 50s innocence and that naiveté that gives the film its charm.
Acordign to history, this movie was the brainchild of Gordon McLendon, a Texan millionaire who wanted to make movies with good Christian values and moral lessons to fight against the movies that were "corrupting" the youngsters of his time. This purpose is notorious through the film as the victims of the monster seem to be punished because of their sins, and becomes blatantly obvious when Don Sullivan sings the movie's theme.
While the movie may have failed as a Christian movie, it has gained a popularity among fans of 50s B-movies because it presents the classic elements of the Atomic Age creature-features. The primitive and simple special effects and the poorly written dialogs are really obvious flaws but the film as a whole has a certain charm due probably to the innocence of its makers and probably of the 50s as a whole.
Don Sullivan is a good lead, and also performs his songs with natural ease. Fred Graham and Lisa Simone are also quite good despite the silly dialog the movie has. Director Ray Kellogg handles the movie with the typical 50s style probably to make it appealing to mainstream audiences. The special effects are indeed poor and it is easy to notice that the Giant Gila Monster is nothing more than a normal Gila Monster walking over a cheap scale model.
To judge "The Giant Gila Monster" under the standard of our times would be a mistake, so it's better to say that the film delivers entertainment and a good glimpse to the idealized society of the 50s. People expecting a classic horror movie will definitely be disappointed, but fans of Atomic Age monsters or of B-Movie classics will find a minor gem to enjoy. 5/10