IMDb > Le déjeuner sur l'herbe (1959)

Le déjeuner sur l'herbe (1959) More at IMDbPro »


Overview

User Rating:
7.0/10   264 votes
MOVIEmeter: ?
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Director:
Jean Renoir
Writer:
Jean Renoir (writer)
Contact:
View company contact information for Le déjeuner sur l'herbe on IMDbPro.
Release Date:
11 November 1959 (France) more
Genre:
Comedy | Romance more
Plot:
Etienne Alexis, a candidate for president of the new Europe, is a scientist promoting artificial insemination... more | add synopsis
Plot Keywords:
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User Comments:
A beguiling film more (3 total)

Cast

  (Cast overview, first billed only)
Paul Meurisse ... Etienne Alexis
Charles Blavette ... Gaspard (as Blavette)
André Brunot ... Le Curé
Régine Blaess ... Claire (as Régine Blaes)
Marguerite Cassan ... Mme Poignant
Robert Chandeau ... Laurent
Jacques Danoville ... Mr. Poignant
Hélène Duc ... Isabelle
Paulette Dubost ... Forestier
Ghislaine Dumont ... Magda
Jacqueline Fontel ... Michelet
Micheline Gary ... Madeleine
Jean-Pierre Granval ... Ritou
Michel Herbault ... Moutet
Raymond Jourdan ... Eustache
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Additional Details

Also Known As:
Lunch on the Grass
Picnic on the Grass
more
Runtime:
91 min
Country:
France
Language:
French
Color:
Color (Eastmancolor) | Black and White
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono (Western Electric Sound System)
Certification:
Finland:K-16
Filming Locations:
Auvergne, France more

Fun Stuff

Movie Connections:
Featured in Le bonheur (1965) more

FAQ

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4 out of 5 people found the following comment useful.
A beguiling film, 19 July 1999
8/10
Author: allyjack from toronto

Seems to represent Renoir bringing his classic concerns into a modern format - the movie begins with a (slightly leaden) satire of modern media, and the plot relies heavily on artificial insemination, the politics of a modern Europe, the politics of image, and preeminently the relationship between science (here representing repression and fastidiousness and self-denial) and nature (here representing a rustic, lusty, idyllic, semi-slapstick integrity). That sounds a bit condescending, and indeed it s an old man's movie. But it's also a very good one, with superb choreography of the elements and many moments of bliss (the shot of the loosened-up professor beaming as he rides a motor scooter is priceless). Sadly, it s hard to get beyond the wretched quality of the Eastmancolor print - there s virtually no green left in it, just a sickly pink. A restored print would surely add to the movie s emotional lushness, perhaps revealing whole layers of additional subtlety in the design, and giving it a sharpened modernity. Even as it stands, a beguiling film.

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