| Orson Welles | ... | Jonathan Wilk | |
| Diane Varsi | ... | Ruth Evans | |
| Dean Stockwell | ... | Judd Steiner | |
| Bradford Dillman | ... | Arthur A. Straus | |
| E.G. Marshall | ... | District Attorney Harold Horn | |
| Martin Milner | ... | Sid Brooks | |
| Richard Anderson | ... | Max Steiner | |
| Robert F. Simon | ... | Police Lt. Johnson (as Robert Simon) | |
| Edward Binns | ... | Tom Daly | |
| Robert Burton | ... | Charles Straus | |
| Wilton Graff | ... | Mr. Steiner | |
| Louise Lorimer | ... | Mrs. Straus aka 'Mumsy' | |
| Gavin MacLeod | ... | Padua - Horn's Assistant | |
| rest of cast listed alphabetically: | |||
| Ina Balin | ... | Mike's girlfriend (scenes deleted) | |
| Edmund Cobb | ... | Policeman (scenes deleted) | |
| Frank Conroy | ... | (scenes deleted) | |
| Terry Becker | ... | Angry Reporter (uncredited) | |
| Russ Bender | ... | Edgar Llewellyn - Attorney (uncredited) | |
| Peter Brocco | ... | Albert, Steiner's Chauffeur (uncredited) | |
| Alan Carney | ... | Globe Newspaper Editior (uncredited) | |
| Harry Carter | ... | Detective Davis (uncredited) | |
| Wendell Holmes | ... | Jonas Kessler (uncredited) | |
| Kenner G. Kemp | ... | Juror (uncredited) | |
| Henry Kulky | ... | Tough Waiter (uncredited) | |
| Mike Lally | ... | Courtroom Spectator (uncredited) | |
| Gerry Lock | ... | Emma (uncredited) | |
| Jack Lomas | ... | Medical Examiner (uncredited) | |
| Dayton Lummis | ... | Dr. Allwyn - Psychiatrist (uncredited) | |
| Hank Mann | ... | Courtroom Spectator (uncredited) | |
| Frank McClure | ... | Reporter (uncredited) | |
| Ralph Montgomery | ... | Courtroom Reporter (uncredited) | |
| William H. O'Brien | ... | Waiter (uncredited) | |
| Voltaire Perkins | ... | Judge Matthews (uncredited) | |
| Jack Raine | ... | Professor McKinnon (uncredited) | |
| Jeffrey Sayre | ... | Reporter on Telephone (uncredited) | |
| Simon Scott | ... | Detective Brown (uncredited) | |
| Nina Shipman | ... | Girlfriend (uncredited) | |
| Hal Taggart | ... | Reporter (uncredited) | |
| Arthur Tovey | ... | Courtroom Spectator (uncredited) | |
| Tom Wilson | ... | Juror (uncredited) | |
| Wilson Wood | ... | Reporter (uncredited) | |
Directed by | |||
| Richard Fleischer | |||
Writing credits | ||
| Richard Murphy | (screenplay) | |
| Meyer Levin | (novel) | |
Produced by | |||
| Richard D. Zanuck | .... | producer | |
Original Music by | |||
| Lionel Newman | |||
Cinematography by | |||
| William C. Mellor | |||
Film Editing by | |||
| William Reynolds | |||
Art Direction by | |||
| Mark-Lee Kirk | |||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Eli Benneche | |||
| Walter M. Scott | |||
Costume Design by | |||
| Adele Palmer | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Ben Kadish | .... | assistant director | |
Sound Department | |||
| Eugene Grossman | .... | sound | |
| Harry M. Leonard | .... | sound | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | executive wardrobe designer (as Charles LeMaire) | |
Editorial Department | |||
| Orven Schanzer | .... | first assistant editor (uncredited) | |
Music Department | |||
| Earle Hagen | .... | orchestrator | |
| Bernard Mayers | .... | orchestrator (uncredited) | |
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| Call Northside 777 | The Black Widow | Fracture | The Laramie Project | They Won't Forget |
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Watching this 1959 Richard Fleischer confirmed something I've always known. Dean Stockwell is a superb actor and an extraordinary presence on the screen. So, I think it's strange that he's not regarded as one of the greatest actors that ever lived. He started as a kid. He was Gregory Peck's son, twice. He was in musicals with Gene Kelly and Frank Sinatra. He was directed by Elia Kazan. He made allegorical movies like "The Boy With Green Hair" directed by black listed Joseph Losey. He was Edmond in "Long Day's Journey Into Night" sharing the screen with Katharine Hepburn, Ralph Richardson and Jason Robards. No to mention his work in "Sons and Lovers" or the movies with Wim Wenders and David Lynch. Here, in "Compulsion" his performance is worthy of an Oscar and in fact he go the accolades at the Cannes Film Festival sharing the acting honors with Orson Welles and Bradford Dillman. But, looking at it now he is the one that comes out as the one who passed in triumph the test of time. His performance is so rich so perfectly modulated that you go straight into the human center of his sick, appalling character. "Compulsion" deserves to be rediscovered and Dean Stockwell's performance should be the main reason.