In his treatment of the Leopold-Loeb case, _Rope (1948)_, Alfred Hitchcock used his famous "ten minute takes" and segued from one to the other with a "natural wipe" generally focusing on the back of one of the character's suit jackets. Perhaps as an homage to The Master,
Compulsion (1959) director
Richard Fleischer uses a "natural wipe" focusing on the front of
Bradford Dillman's suit to end a scene.
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