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| Videos |
| Arthur Franz | ... | Cmdr. Richard 'Reef' Holloway | |
| Dick Foran | ... | Cmdr. Dan Wendover | |
| Brett Halsey | ... | Dr. Carl Neilson Jr. | |
| Paul Dubov | ... | Lt. David Milburn | |
| Bob Steele | ... | CPO 'Grif' Griffin | |
| Victor Varconi | ... | Dr. Clifford Kent | |
| Joi Lansing | ... | Julie | |
| Selmer Jackson | ... | Adm. Terhune | |
| Jack Mulhall | ... | Justin Murdock | |
| Jean Moorhead | ... | Helen Milburn | |
| Richard Tyler | ... | Frogman Carney | |
| Sid Melton | ... | Yeoman Chester Tuttle | |
| Kenneth Becker | ... | Frogman Powell (as Ken Becker) | |
| Frank Watkins | ... | Watkins | |
| Tom Conway | ... | Sir Ian Hunt | |
| Pat Michaels | ... | Narrator (voice) | |
| John Hilliard | ... | Saucer (voice) |
Directed by | |||
| Spencer Gordon Bennet | (as Spencer G. Bennet) | ||
Writing credits | ||
| Orville H. Hampton | (written by) | |
| Irving Block | story (uncredited) | |
| Jack Rabin | story (uncredited) | |
Produced by | |||
| Irving Block | .... | producer associate | |
| Alex Gordon | .... | producer | |
| Orville H. Hampton | .... | associate producer | |
| Jack Rabin | .... | producer associate | |
| Henry Schrage | .... | co-producer | |
Cinematography by | |||
| Gilbert Warrenton | (director of photography) | ||
Film Editing by | |||
| William Austin | |||
Art Direction by | |||
| Don Ament | |||
| Daniel Haller | (as Dan Haller) | ||
Set Decoration by | |||
| Harry Reif | |||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist (as Emile Lavigne) | |
Production Management | |||
| Edward Morey Jr. | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Clark L. Paylow | .... | assistant director (as Clark Paylow) | |
Art Department | |||
| Max Frankel | .... | properties | |
Sound Department | |||
| Ralph Butler | .... | sound | |
| Martin Greco | .... | sound editor (as Marty Greco) | |
Visual Effects by | |||
| Irving Block | .... | special effects designer and creator | |
| Louis DeWitt | .... | special effects designer and creator | |
| Jack Rabin | .... | special effects designer and creator | |
Camera and Electrical Department | |||
| George Satterfield | .... | chief set electrician | |
Costume and Wardrobe Department | |||
| Norah Sharpe | .... | wardrobe | |
| Roger J. Weinberg | .... | wardrobe | |
Music Department | |||
| Neil Brunnenkant | .... | music editor | |
| Alexander Laszlo | .... | conductor | |
Other crew | |||
| Ruth Alexander | .... | assistant to producer | |
| Jack W. Cash | .... | dialogue supervisor (as Jack Cash) | |
| Jack W. Cash | .... | production associate (as Jack Cash) | |
| Judith Hart | .... | script supervisor | |
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| The Abyss | Voyage to the Bottom of the Sea | K-19: The Widowmaker | Deep Shock | Ice Station Zebra |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section | Add this title to MyMovies |
"Atomic Submarine" has two things to recommend it to viewers. It is adventure, with all sorts of dangerous situations, and a desperate battle against an undersea alien. And, it is unintentionally funny. Not hilarious mind you; but certainly funny enough for a few laughs as you enjoy its clumsy attempts at plot, acting and logic. Still, I like it, and I always watch it if it comes on cable. Its the adventure I guess. I get caught up in the idea of the powerful submarine; the crew at odds with each other; the "science-on-the-fly" they use to fight the monster. Its fun overall. I would venture to say that it is one of the classics of the 50's-60's low budget sci fi era.
This film is also notable for a brief appearance by Joi Lansing; the last, and prettiest, of the Hollywood "blonde bombshells". It's certainly worth watching if you're a guy, and a sci-fi fan. With a little imagination, "Atomic Submarine" is entertaining escapism.