Overview
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Release Date:
15 October 1959 (USA)
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Plot:
Special Agent Eliot Ness and his elite team of incorruptable agents battle organized crime in 1930s Chicago.
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Awards:
Won 2 Primetime Emmys.
Another 1 win
&
7 nominations
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| Walter Grauman | | (21 episodes, 1959-1963) |
| Stuart Rosenberg | | (16 episodes, 1960-1962) |
| Paul Wendkos | | (12 episodes, 1961-1963) |
| John Peyser | | (10 episodes, 1959-1961) |
| Robert Butler | | (7 episodes, 1962-1963) |
| Bernard L. Kowalski | | (7 episodes, 1962) |
| Howard W. Koch | | (4 episodes, 1960) |
| Tay Garnett | | (3 episodes, 1959-1960) |
| Roger Kay | | (3 episodes, 1959-1960) |
| Don Medford | | (3 episodes, 1961) |
| Ida Lupino | | (3 episodes, 1962-1963) |
| Alex March | | (3 episodes, 1962-1963) |
| Vincent McEveety | | (3 episodes, 1962-1963) |
| Allen Reisner | | (3 episodes, 1963) |
| Joe Parker | | (2 episodes, 1959) |
| Robert Gist | | (2 episodes, 1962-1963) |
| Abner Biberman | | (2 episodes, 1962) |
| Paul Stanley | | (2 episodes, 1962) |
| Leonard Horn | | (2 episodes, 1963) |
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| Oscar Fraley | | (95 episodes, 1959-1963) |
| Eliot Ness | | (94 episodes, 1959-1963) |
| Harry Kronman | | (17 episodes, 1960-1963) |
| John Mantley | | (12 episodes, 1960-1963) |
| George Eckstein | | (9 episodes, 1961-1963) |
| Leonard Kantor | | (8 episodes, 1959-1962) |
| David Zelag Goodman | | (8 episodes, 1960-1963) |
| Joseph Petracca | | (7 episodes, 1959-1961) |
| Harry Essex | | (6 episodes, 1959-1961) |
| Robert C. Dennis | | (6 episodes, 1959-1960) |
| William Spier | | (4 episodes, 1960-1961) |
| Harold Gast | | (4 episodes, 1962-1963) |
| Herman Groves | | (4 episodes, 1962-1963) |
| Jerome Ross | | (3 episodes, 1959-1960) |
| Charles O'Neal | | (3 episodes, 1960-1961) |
| Sy Salkowitz | | (3 episodes, 1961-1962) |
| John D.F. Black | | (3 episodes, 1962-1963) |
| David Karp | | (2 episodes, 1959) |
| Ben Maddow | | (2 episodes, 1960) |
| Robert Libott | | (2 episodes, 1962-1963) |
| Gilbert Ralston | | (2 episodes, 1962-1963) |
| Carey Wilber | | (2 episodes, 1962-1963) |
| Tony Barrett | | (2 episodes, 1963) |
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| Lloyd Richards | .... | associate producer / producer (50 episodes, 1960-1963) |
| Alan A. Armer | .... | executive producer / producer (37 episodes, 1960-1963) |
| Jerry Thorpe | .... | executive producer (32 episodes, 1960-1961) |
| Quinn Martin | .... | executive producer (28 episodes, 1959-1960) |
| Vincent McEveety | .... | associate producer / producer (26 episodes, 1961-1962) |
| Josef Shaftel | .... | producer (25 episodes, 1959-1961) |
| Norman Retchin | .... | producer (24 episodes, 1959-1960) |
| Del Reisman | .... | associate producer / producer (20 episodes, 1961-1963) |
| Alvin Cooperman | .... | producer (10 episodes, 1962-1963) |
| Charles Russell | .... | producer (7 episodes, 1959-1960) |
| Leonard Freeman | .... | executive producer (7 episodes, 1962-1963) |
| Sidney Marshall | .... | producer (4 episodes, 1959-1960) |
| Walter Grauman | .... | producer (3 episodes, 1960-1961) |
| Desi Arnaz | .... | executive producer (3 episodes, 1961-1962) |
| Stuart Rosenberg | .... | producer (3 episodes, 1961-1962) |
| Paul Harrison | .... | producer (2 episodes, 1959-1960) |
| Herman Hoffman | .... | producer (2 episodes, 1960-1961) |
|
| Bert Granet | .... | producer (unknown episodes) |
| |
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| Marvin Stuart | .... | production manager (71 episodes, 1960-1963) |
| Argyle Nelson | .... | production supervisor (60 episodes, 1959-1961) |
| Jerry Thorpe | .... | executive in charge of production (43 episodes, 1961-1963) |
| James Paisley | .... | production supervisor (40 episodes, 1961-1963) |
| Lloyd Richards | .... | production manager (28 episodes, 1959-1960) |
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| Bill Heath | .... | editorial supervisor / supervising editor (99 episodes, 1959-1963) |
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| Nelson Riddle | .... | composer: theme music / composer: themes (118 episodes, 1959-1963) |
| Robert H. Raff | .... | music supervisor / music editor (71 episodes, 1960-1963) |
| Ted Roberts | .... | music supervisor (28 episodes, 1959-1960) |
| Wilbur Hatch | .... | music supervisor (16 episodes, 1960-1963) |
| Julian Davidson | .... | music coordinator (12 episodes, 1962-1963) |
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Additional Details
Runtime:
60 min (118 episodes)
Aspect Ratio:
1.33 : 1
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Fun Stuff
Trivia:
According to testimony from Jimmy 'The Weasel' Fratianno, a Mafia boss turned FBI informant, the Chicago family of the Mafia ordered the assassination of the show's producer
Desi Arnaz because they didn't like, (a) the fact that the success of the show was focusing attention on the Mafia, and (b) the show's portrayal of Italians. Fratianno said that two hitmen hid themselves near Arnaz's house one night waiting for him to show up, but he never did. Shortly afterwards the assassination order was rescinded when it was realized that Arnaz's murder would cause the Mafia more trouble than it was worth.
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Quotes:
Police Officer:
There is nothing in that area... except an old abandoned warehouse.
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FAQ
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I must differ only slightly from the praise of one who precedes me, but yes, it was a cracking good show! When a local station ran the series in syndication at midnight in 1967, I turned into an insomniac.
Part of it was my youth; part was/is the b&w presentation giving it a brooding, "gritty" (pardon the cliche) flavour; part was the musical score. Frankly, I found it much superior to the colour and more mature (?) series recently under the same title. Possibly the early '60s series had the elements of a morality play that move some part of me that the more ambiguous -- and in places historically accurate -- new UNTOUCHABLES can not.
One thing bothers me, however, although I fully understand that in the television productions of forty years ago one had to be discrete. It concerns the depictions of violence. I do not object (within reason) to violence per se, but THE UNTOUCHABLES showed a lot of it without the horror. With a more jaundiced eye of the 1990s, when on very rare occasions I have been able to see an old time episode, I am struck by the trivialisation of violent scenes. Even the point-blank firearms shots are comically muted, and there is never a hint of flying blood.
That said, however, I consider the advent of THE UNTOUCHABLES and BONANZA in the 1959-60 season as the beginning of the REAL "golden age of television" in the United States.
Post scriptum: I am sure there were a couple of spin-off "made for TV" movies in the 1960s from the series. Of that I know nothing more save the title of one of them: THE GUN OF ZANGARA.