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The Young Lions
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The Young Lions (1958) More at IMDbPro »

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The Young Lions (1958) -- The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war...

Overview

User Rating:
7.3/10   2,680 votes
MOVIEmeter: ?
Up 4% in popularity this week. See why on IMDbPro.
Director:
Writers:
Edward Anhalt (writer)
Irwin Shaw (novel)
Contact:
View company contact information for The Young Lions on IMDbPro.
Release Date:
2 April 1958 (USA) more
Genre:
Tagline:
Irwin Shaw's monumental best-seller more
Plot:
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war... more | full synopsis
Awards:
Nominated for 3 Oscars. Another 1 win & 4 nominations more
NewsDesk:
(3 articles)
Birthday Suits, An Oscar For Ed!
 (From FilmExperience. 28 November 2009, 6:20 AM, PST)

Hope Lange: 1931-2003
 (From WENN. 22 December 2003)

User Comments:
A Fine Cinema Experience more (46 total)

Cast

  (in credits order) (verified as complete)

Marlon Brando ... Lt. Christian Diestl

Montgomery Clift ... Noah Ackerman

Dean Martin ... Michael Whiteacre

Hope Lange ... Hope Plowman
Barbara Rush ... Margaret Freemantle
May Britt ... Gretchen Hardenberg
Maximilian Schell ... Capt. Hardenberg
Dora Doll ... Simone
Lee Van Cleef ... 1st Sgt. Rickett
Liliane Montevecchi ... Françoise
Parley Baer ... Sgt. Brandt
Arthur Franz ... Lt. Green
Hal Baylor ... Pvt. Burnecker
Richard Gardner ... Pvt. Crowley
Herbert Rudley ... Capt. Colclough
rest of cast listed alphabetically:
John Alderson ... Cpl. Kraus (uncredited)
John Banner ... German Town Mayor (uncredited)
Stephen Bekassy ... German major (uncredited)
Dagmar Biener ... (uncredited)
Joe Brooks ... Bit Part (uncredited)
Julian Burton ... Pvt. Brailsford (uncredited)
Robert Burton ... Col. Mead (uncredited)
Wade Cagle ... Lt. Emerson (uncredited)
Ann Codee ... French woman (uncredited)
Paul Comi ... Pvt. Abbott (uncredited)
Ashley Cowan ... Maier (uncredited)
David Dabov ... Soldier (uncredited)
Ann Daniels ... Hatcheck girl (uncredited)
Joan Douglas ... Maid (uncredited)
Robert Ellenstein ... Rabbi (uncredited)
Harry Ellerbe ... Draft Board Chairman (uncredited)
Milton Frome ... Physician at Draft Board (uncredited)
John Gabriel ... Burn (uncredited)
Sam Gilman ... Pvt. Faber (uncredited)
Norman Grabowski ... Private at Barracks Inspection (uncredited)

Joe Gray ... Soldier (uncredited)
L.Q. Jones ... Pvt. Donnelly (uncredited)
Stan Kamber ... Acaro (uncredited)
Craig Karr ... Draft Board secretary (uncredited)
Kurt Katch ... Camp Commandant (uncredited)
Hubie Kerns ... Bit Part (uncredited)
Nicholas King ... Medic (uncredited)
Gil Lasky ... Soldier (uncredited)
George Meader ... Milkman (uncredited)

Gordon Mitchell ... (uncredited)
Clive Morgan ... British colonel (uncredited)
Alberto Morin ... Bartender (uncredited)
Ann Paige ... Bit Part (uncredited)
Christian Pasques ... French boy (uncredited)
Michael Pataki ... Pvt. Hagstrom (uncredited)
Voltaire Perkins ... Bus Terminal Cafe Counterman (uncredited)
Mary Pierce ... Young French girl (uncredited)
Art Reichle ... Soldier (uncredited)
Otto Reichow ... Bavarian (uncredited)
Edward Rickard ... Mailman (uncredited)
Gene Roth ... Bavarian Cafe Manager (uncredited)
G.F. Rowe ... Messenger (uncredited)
Henry Rowland ... Sergeant (uncredited)
Jeffrey Sayre ... Drunk (uncredited)
Norbert Schiller ... German Civilian with Town Mayor (uncredited)
Kendall Scott ... Emerson (uncredited)
Michael Smith ... Draft Board member (uncredited)
Ann Stebbins ... Brunette (uncredited)
Harvey Stephens ... Brig. Gen. Sam Rockland (uncredited)
Vaughn Taylor ... Mr. Plowman (Hope's father) (uncredited)
Alfred Tonkel ... German waiter (uncredited)
Ivan Triesault ... German colonel (uncredited)
Lee J. Winters ... Private first class (uncredited)
Doris Wiss ... Nurse (uncredited)
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Directed by
Edward Dmytryk 
 
Writing credits
(in alphabetical order)
Edward Anhalt  writer
Irwin Shaw  novel

Produced by
Al Lichtman .... producer
 
Original Music by
Hugo Friedhofer 
 
Cinematography by
Joseph MacDonald  (as Joe MacDonald)
 
Film Editing by
Dorothy Spencer 
 
Art Direction by
Addison Hehr 
Lyle R. Wheeler 
 
Set Decoration by
Stuart A. Reiss 
Walter M. Scott 
 
Costume Design by
Adele Balkan 
 
Makeup Department
Ben Nye .... makeup artist
Helen Turpin .... hair stylist
 
Production Management
Ben Chapman .... production manager (uncredited)
 
Second Unit Director or Assistant Director
Ad Schaumer .... assistant director
 
Sound Department
Alfred Bruzlin .... sound
Warren B. Delaplain .... sound
 
Special Effects by
L.B. Abbott .... special photographic effects
 
Stunts
Carey Loftin .... stunt driver
Larry Duran .... stunts (uncredited)
Joe Gray .... stunts (uncredited)
Hubie Kerns .... stunts (uncredited)
 
Camera and Electrical Department
Léo L. Fuchs .... still photographer (uncredited)
 
Costume and Wardrobe Department
Charles Le Maire .... executive wardrobe designer (as Charles LeMaire)
 
Music Department
Lionel Newman .... conductor
Edward B. Powell .... orchestrator
 
Other crew
Allison A. Conrad .... technical advisor (as Lt. Col. Allison A. Conrad)
Walter C. Roberts .... dialogue director (uncredited)
 
Crew verified as complete


Production CompaniesDistributors
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Additional Details

Runtime:
167 min
Country:
Language:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono (Westrex Recording System) | 4-Track Stereo
Filming Locations:

Fun Stuff

Trivia:
Dean Martin was a close friend of Montgomery Clift. Martin was always grateful for the help Clift had given him while filming The Young Lions (1958) - Martin's first major dramatic role - and he would accompany him to parties after the rest of Hollywood had disowned him due to his increasing addictions to drugs and alcohol. more
Goofs:
Continuity: When Diestl visits Hardenburg at the Hospital the background changes as he walks into the room: a screen appears behind him after he enters the room and stops. more
Quotes:
Michael Whiteacre: Sometimes I think I give off a scent or something, you know, rouses the female.
Noah Ackerman: Hmm?
Michael Whiteacre: Those girls.
Noah Ackerman: Where?
Michael Whiteacre: Oh now wait a minute. You mean to tell me that you didn't--Oh your antenna's turned off.
Noah Ackerman: No, I frankly didn't notice.
Michael Whiteacre: Oh, you're sick.
Michael Whiteacre: Have you ever had a girl?
Noah Ackerman: Have I ever had a girl?
Michael Whiteacre: That's what I thought!
more
Movie Connections:
Referenced in The Rat Pack (1998) (TV) more

FAQ

This FAQ is empty. Add the first question.
27 out of 36 people found the following comment useful.
A Fine Cinema Experience, 1 April 2000
9/10
Author: merrywood from Connecticut, United States

A long time ago, some time before the powers that be decided that movies should be made only to extricate money from children by catering to their base instincts and in so doing destroy our civility, the American Cinema was devoted to the art and craft of story telling. In these stories, life was often celebrated through the study of the character of the human heart.

In THE YOUNG LIONS, we experience masterful story writing in the screenplay by a man named Edward Anhalt who adapted it from a novel by Irwin Shaw. In this fine example of the final years of the Golden Age of Hollywood we see a study of character, ideas and humanity seen amidst the greatest conflict this Earth has ever known, WWII.

Here, we experience both the Americans and Europeans, including Germans. They are played as they really were, not as depicted by latter day directors such as Steven Spielberg and others who have drawn WWII Germans as silhouette, cartoon characters, all vile and evil. Here, they are shown as singular human beings with personalities, hopes and dreams really exactly like our own. The opposing forces are caught up in a madness that somehow swept across the face of this planet at a specific time, when really probed, for reasons quite unfathomable. This was also one of the peak film renderings of Marlon Brando, whom some feel is one of the finest actors ever to have graced the silver screen.

If you yearn for a fulfilling example of American Cinema at a time when it was a serious, respected industry, this is one for you to see.

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