I soliti ignoti (1958)

Director:

Mario Monicelli

Writers:

Agenore Incrocci (story) &
Furio Scarpelli (story) ...

Release Date:

22 November 1960 (USA)

Genre:

Comedy | Crime

Plot:

A motley quintet of inept small-time thieves bungle the burglary of a local pawnshop in this Italian farce.

Plot Keywords:

Pawnshop | Sicilian | Photographer | Burglar | Gang

Awards:

Nominated for Oscar. Another 3 wins

Cast

Vittorio Gassman	...	Peppe il pantera
Renato Salvatori	...	Mario Angeletti
Memmo Carotenuto	...	Cosimo
Rossana Rory	...	Norma
Carla Gravina	...	Nicoletta
Claudia Cardinale	...	Carmelina
Carlo Pisacane	...	Capannelle
Tiberio Murgia	...	Michele Ferribotte
Gina Rovere	...	Teresa, wife of Tiberio
Gina Amendola	...	Mario's 'Mother'
Elvira Tonelli	...	Assunta
Elena Fabrizi	...	Signora Ada (as Elisa Fabrizi)
Pasquale Misiano	...	Massimo
Renato Terra	...	Eladio
Aldo Trifiletti	...	Fernando, doorkeeper

Also Known As:

Big Deal on Madonna Street (USA)
Persons Unknown (UK)

Runtime:

106 min

Country:

Italy

Language:

Italian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

Finland:S | Italy:T | Spain:T | Sweden:Btl | Argentina:Atp | Singapore:PG

Filming Locations:

Rome, Lazio, Italy

Company:

Cinecittà

Trivia:

Premiere voted this movie as one of "The 50 Greatest Comedies Of All Time" in 2006.

Quotes:

Tiberio: Stealing is a serious profession. You need serious people, not people like you. All you can do at your best is work.

Movie Connections:

Featured in I soliti ignoti vent'anni dopo (1987)

Good Fluffy Heist Romp Loaded With Great Italian Stereotypes

As a veteran of heist movies, I think my opinion is valid when I say that it's not so much a spoof of heist films like Rififi as it is just a funny movie about thieves who bumble their way through what could be a much slicker and less complicated heist if the thieves from Rififi were pulling it off instead. The movie enjoys its fair share of little con tricks and bait-and-switch-oriented goings-on, mostly played for laughs of surprise. Perhaps Big Deal On Madonna Street is a little too laid back to really be as memorable as I was thinking it would be, but it is very funny. It has several great sight gags and well-timed moments of Italian-faced goofiness.

The most entertaining thing about the film is the fact that it's Italian. The Italian cast is so jampacked with overt stereotypes, everyone gesturing wildly and saying, "Mamma Mia!" The outcome of the heist is such a ridiculous slur on the comic strip archetype of Italians, something twice or thrice as hilarious to an American audience. However, the appeal is not just in the humor in what is either an Italian self-parody or an unaware display of every mocked Italian institution. It's also the extroverted, old-fashioned world of your average Italian in this film. The first half hour of the film is a bunch of characters scrambling to find a friend who will take the rep for someone for a little while in prison, and everything continually gets more complicated and more tangled, and so many different people end up in prison. Not only do I find it amusing how nonchalant everyone is in deciding whether they will do this favor that involves spending time in jail or not, but I'm also fascinated about the idea that in Italy, crooks aren't so much worried about what will happen to them when they go to prison as they're worried to death of what their mother will think of them or how their mother will be so wounded by what has come of her son. It's almost a beautiful mindset, if you ask me.

Big Deal On Madonna Street is no masterpiece, no movie that you desperately want to come back to, but it's very funny and an enjoyable piece of European cinema.