| Photos (see all 36 | slideshow) | Videos (see all 2) |
| Gregory Walcott | ... | Jeff Trent | |
| Mona McKinnon | ... | Paula Trent | |
| Duke Moore | ... | Lieutenant Harper | |
| Tom Keene | ... | Colonel Edwards | |
| Carl Anthony | ... | Patrolman Larry | |
| Paul Marco | ... | Patrolman Kelton | |
| Tor Johnson | ... | Inspector Clay | |
| Dudley Manlove | ... | Eros | |
| Joanna Lee | ... | Tanna | |
| John Breckinridge | ... | Ruler | |
| Lyle Talbot | ... | General | |
| David De Mering | ... | Danny | |
| Norma McCarty | ... | Edith | |
| Bill Ash | ... | Captain | |
| Lynn Lemon | ... | Reverend (as Reverend Lynn Lemon) | |
| Ben Frommer | ... | Man | |
| Gloria Dea | ... | Girl | |
| Conrad Brooks | ... | Patrolman Jamie | |
| Vampira | ... | Vampire Girl | |
| Bela Lugosi | ... | Ghoul Man | |
| Criswell | ... | Himself / Narrator | |
| rest of cast listed alphabetically: | |||
| Donald A. Davis | ... | Drunk (uncredited) | |
| Johnny Duncan | ... | Undetermined Role (uncredited) (unconfirmed) | |
| Karl Johnson | ... | Farmer Calder (uncredited) | |
| Tom Mason | ... | Ghoul Man with Cape Over Face (uncredited) | |
| J. Edward Reynolds | ... | Gravedigger (uncredited) | |
| Clay Stone | ... | Mourner Reading Bible in Opening Scene (uncredited) | |
| Hugh Thomas Jr. | ... | Gravedigger (uncredited) | |
| Edward D. Wood Jr. | ... | Man Holding Newspaper (uncredited) | |
Directed by | |||
| Edward D. Wood Jr. | |||
Writing credits | ||
| Edward D. Wood Jr. | (written by) | |
Produced by | |||
| Charles Burg | .... | associate producer | |
| J. Edward Reynolds | .... | executive producer | |
| Hugh Thomas Jr. | .... | associate producer | |
| Edward D. Wood Jr. | .... | producer | |
Cinematography by | |||
| William C. Thompson | (director of photography) | ||
Film Editing by | |||
| Edward D. Wood Jr. | |||
Makeup Department | |||
| Tom Bartholemew | .... | makeup artist | |
| Harry Thomas | .... | makeup artist (uncredited) | |
| Vampira | .... | Vampira makeup (uncredited) | |
Production Management | |||
| Kirk Kirkham | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Willard Kirkham | .... | assistant director | |
Art Department | |||
| Tom Kemp | .... | set constructor | |
| Tony Portoghese | .... | property master | |
| Harry Reif | .... | set dresser | |
Sound Department | |||
| Dale Knight | .... | sound | |
| Sam Kopetzky | .... | sound mixer: pickups (uncredited) | |
Special Effects by | |||
| Charles Duncan | .... | special effects | |
Camera and Electrical Department | |||
| Art Mankin | .... | grip (as Art Manikin) | |
| Larry Smith | .... | still photographer | |
Costume and Wardrobe Department | |||
| Richard Chaney | .... | wardrobe (as Dick Chaney) | |
Music Department | |||
| Gordon Zahler | .... | music supervisor | |
| Emil Ascher | .... | composer: stock music (uncredited) | |
Transportation Department | |||
| Karl Johnson | .... | picture vehicles (uncredited) | |
Other crew | |||
| Donald A. Davis | .... | production assistant | |
| Diana N. Loomis | .... | script supervisor | |
| Jim Woods | .... | electrical effects | |
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When I need an amusing diversion, nothing helps quite like watching one of those dreadful 50's sci-fi flicks: "Teenagers From Outer Space", "The Brain From Planet Arous", or my personal favorite: "The Giant Claw". Ed Wood's infamous "Plan 9 ..." is a good choice too. Criswell, in his sing-song voice, cracks me up every time I hear him intone: "Future events such as these will affect you in the future."
I can forgive "Plan 9..." for some of its, let us say ... "imperfections": anthropomorphic aliens who speak English; women aliens who wear lipstick; the hammy, sophomoric acting; the dime store special effects ... But there's really no excuse for a mickey mouse script. You get the feeling that the film was put together by a quarrelsome committee of third graders, and aimed at an audience of chimpanzees.
Criswell drones on: " ... the secret testimony of the miserable souls who survived ...". And later, a VO intones: "The ever beautiful flower she had planted with her own hands became nothing more than the lost roses of her cheeks." Evidently, Wood saw no need to hire a script editor.
And yet, specifically because of its technical crudeness, "Plan 9 ..." is fun to watch. We may not want to admit it, but the film gives us viewers a chance to feel superior to Ed Wood; we get to conjecture that even we could make a film that has more credibility than ... that.